Two Prefab Prisms Form an A-Frame Retreat in the Chilean Wilderness

With an off-the-grid house on a remote mountain, architect Smijan Radić rebuilds the past.

The deck was built on-site from local timber and incorporates an existing tree.

Getting to architect Smiljan Radić’s Casa Prisma is no easy feat. A flight from Santiago to the southern Chilean city of Temuco is followed by an hour-and-a-half car ride through small towns of rustic wooden buildings. 

The road then narrows to a single track that winds through the charred brown lava fields of the Conguillío National Park, known for its fishable lagoons, swimmable lakes, lush old-growth forests, and the active, snow-capped Llaima volcano. A mile-long path zigzags up a steep slope to the final destination—the spot where Carolina Correa Maturana (who is related to Radić by marriage) and her husband, Antonio "Toño" Mingo, picked to build a vacation home.

Carolina Correa Maturana and Antonio Mingo chose a site in the mountains of Chile’s Conguillío National Park for their vacation home.

Carolina Correa Maturana and Antonio Mingo chose a site in the mountains of Chile’s Conguillío National Park for their vacation home. 

Photo by Cristóbal Palma

Toño, an architect, and Carolina, a psychologist, live in Santiago, and each has four grown children from a previous marriage. Their aim for the house was to create a convivial and unifying space for weekends and summer holidays. Carolina had vacationed in the area as a child—her sister settled there 20 years ago and now runs La Baita, an eco-lodge at the foot of the hill. 

The couple enlisted architect Smiljan Radic, who designed two structures facing each other across a wooden deck. Each pays homage to an earlier building. One re-creates Kazuo Shinohara’s 1974 Prism House. The other (shown here) reprises one of Radic ́’s own designs.

The couple enlisted architect Smiljan Radic, who designed two structures facing each other across a wooden deck. Each pays homage to an earlier building. One re-creates Kazuo Shinohara’s 1974 Prism House. The other (shown here) reprises one of Radic ́’s own designs.

Photo by Cristóbal Palma

They wanted the home to be a natural haven, with minimal disruption to the native landscape. After a thorough search, they discovered a clearing of roughly an acre and a half that required felling only three young trees in order to accommodate a house.

Its glass wall faces east, offering no respite from the sun at dawn— not a problem for early risers Carolina and Toño—but providing an enviable view of the vast parklands that surround the house.

Its glass wall faces east, offering no respite from the sun at dawn— not a problem for early risers Carolina and Toño—but providing an enviable view of the vast parklands that surround the house.

Photo by Cristóbal Palma

See the full story on Dwell.com: Two Prefab Prisms Form an A-Frame Retreat in the Chilean Wilderness
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