How They Pulled It Off: Curved Windows Turn This Minnesota Home Into a Sundial

On a narrow creekside lot in the Twin Cities, CityDeskStudio built a multigenerational home with lifted rooflines, curved plaster ceilings, and custom windows to draw light deep into the interior.

The 4,200-square-foot home, aptly named Crescendo, features lifted rooflines rising in sequence across the plan.

Welcome to How They Pulled It Off, where we take a close look at one particularly challenging aspect of a home design and get the nitty-gritty details about how it became a reality.

When a Minnesotan woman had the opportunity to move back into the 1950s home where she grew up with her three sisters, she realized that it wasn’t the house that she wanted to revisit, but the land it stood on.

The property had stayed in the family, but the house was small and rundown. It certainly wasn’t suitable for the "forever home" the woman envisioned sharing with her husband and sister, who would also be living with them. The family approached Ben Awes, founder of Saint Paul-based architecture practice CityDeskStudio, to create a home that would support them into retirement but also provide a layout for two family units.

Set low into the site for easy access, the house reads as modest from the street—an age-in-place home with an elevator that

Set low into the site for easy access, the house reads as modest from the street—an age-in-place home with an elevator that "sits very beautifully, nested right into the ground," says architect Ben Awes.

Photo: Dwell Creative Services

The couple wanted a single-level home they could age into, with a separate apartment for the wife’s sister, a home office for him, and an art studio for her. Beyond these more practical considerations, the husband requested that the home have what he described as "lift."

"He’s a bit of an architecture fan and has always loved Louis Khan, and said to me early in the process that all great architecture has lift," says Awes. "And, so he hopes that his house has lift."

The 4,200-square-foot home, aptly named Crescendo, features lifted rooflines rising in sequence across the plan.

The 4,200-square-foot home, aptly named Crescendo, features lifted rooflines rising in sequence across the plan.

Photo: Dwell Creative Services

The primary challenge was the narrow lot, which is deep and angled toward the west, with the Minnehaha Creek view concentrated along one edge. Rather than line the rooms up along a single side, Awes set one living area, the dining room, and the kitchen in the center of the plan as an interior core. This is then flanked with the owners’ bedroom suite on one side and the studio and office on the other.

The living area, dining area, and kitchen sit at the heart of the plan—an interior core with no exterior walls of its own, lit instead from above through the lifted roof.

The living area, dining area, and kitchen sit at the heart of the plan—an interior core with no exterior walls of its own, lit instead from above through the lifted roof.

Photo: Dwell Creative Services

See the full story on Dwell.com: How They Pulled It Off: Curved Windows Turn This Minnesota Home Into a Sundial
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I Tested a Little Electric Grill at My Neighborhood’s Biggest Party of the Year

My big barbecue is a dream for everyday use, but I was curious if a plug-in alternative could help me bring hot dogs that are just as satisfying to any place with an outlet.

A lifelong city-dweller, it’s only been later in life that I’ve been able to appreciate the luxury of having storage for extra options. The kind of basic luxury that is, instead of owning a certain number of towels because that’s all you have space for, you have a closet where you can keep an alternate set.

Last year, I wrote about the experience of getting and testing a big Kahuna grill, which has most certainly changed my life for the better. But of course, the flip side of a big grill, no matter how nice it is, is that it’s mostly stuck wherever you park it, despite the wheels. There are numerous other grilling situations it doesn’t work for, and in my family, there happens to be one that comes up every year—our annual block party, where all our neighbors bring out their grills to the front of their houses to cook and hang out. (There’s also two insane bounce houses and a DJ playing music louder than is probably safe for human ears, but I digress.)

Our new gas grill, parked in the back of the house, was not going to work for such a task. I’d avoided this issue last year by moving the falling-apart-but-still-works propane grill that had been left behind in our backyard to the front, cooking on it for the block party, and then leaving it there and posting on Facebook Marketplace that it was free for the taking. (It was gone within a few days, rusted out bottom and all.) But this year, I decided I’d look into a more portable solution for yes, specifically and potentially just this one event above all else, but maybe there would be other possible uses for it down the line. (Camping, which I could always get into.) Again, the privilege storage gives you.

Kenyon’s City Grill is compact and sleek.

Kenyon’s City Grill is compact and sleek.

Photo via Kenyon

I wanted electric, to avoid the size, space, and logistical issues of propane and charcoal, and because they are easy to put on a countertop, or, in this case, a jerry-rigged table out of sawhorses and an old slab of stone that had also been left behind for us to do what we wanted with. That’s when I happened upon Kenyon’s very literally named City Grill. It seemed as easy to use as possible, so I got in touch with the company, and they sent off a sample to me to try out. 

The Test 

Kenyon is a Connecticut-based company that got its start in making ceramic glass cooktops for boats, later moving into RVs and more residential applications. They say their patented design makes most of their grills ideal for indoor and outdoor use, because they are "flame free" and "smokeless." Per their website: "We’ve designed the bottom side of our cooking grate, and griddle to have a channel in which the heating element is concealed directly underneath the grate/griddle. This placement allows for even heat transfer from the element to the cooking surface so there is no heat loss (improves efficiency as well). Exposed heating elements are the cause of smoke and flare-ups for electric grills when food drippings hit the element so the concealed element eliminates the possibility of flare-ups and allows for smoke-free grilling." The City Grill retails for $695, which isn’t cheap, if you’re paying for it which I wasn’t, but it is the cheapest of their grill options, which come in portable and stationary. It’s also extremely easy to use; it’s literally an aluminum grate that lifts up to reveal the heating element, under which is a drip pan to catch the drippings. Once you plug in the grill, there is one knob to turn it on and adjust the temperature. That’s it!

The grill was packed snug in its box.

The grill was packed snug in its box upon arrival. 

Photo courtesy Kate Dries

The City Grill arrived quickly, within a few days of placing my order actually, in a very large box with a lot of styrofoam to cushion it so it wouldn’t slide around. Though it’s less than two feet long and a little shy of nine inches thick, it’s still fairly heavy at a little under 30 lbs, though not impossible to move, given the point is ease of logistics. Before the party we easily stored it on a low shelf in our kitchen. On G-Day (grill day), we simply took it outside, set it on the table, plugged it in, and that was that. We cooked up nothing more complicated on it than rounds and rounds of hot dogs and buns, but given that it can go up to 550 degrees, I’d happily have tried most anything on it. They tasted just as good—which is to say, totally normal—as any other hot dog. It was also easy to turn off and then quickly turn back on again for another round. It’s not ideal if you’re making a lot of food for a lot of people all at once—batch eating would be ideal, unless it’s just a small party—and I’d say it’s likely best for simpler things, i.e. hot dogs and hamburgers, and not, say, a whole rack of ribs (which really do best in the oven anyway, but I digress).

Hot dogs from the City Grill tasted just as good as hot dogs from a more powerful barbecue.

Hot dogs from the City Grill tasted just as good as hot dogs from a bigger barbecue. 

Photo courtesy Kate Dries

See the full story on Dwell.com: I Tested a Little Electric Grill at My Neighborhood’s Biggest Party of the Year

A Sawtooth Roof With Skylights Caps the Living Space of This Melbourne Home

Designed for grandparents who love to host, the residence is divided into quadrants centered around an airy kitchen and dining area.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Melbourne, Australia

Architect: Office MI—JI / @office_mi.ji

Footprint: 4,209 square feet

Builder: Dimpat

Structural and Civil Engineer: Keith Long and Associates

Landscape Design: SL.ug Projects

Photographer: Ben Hosking / @benhoskingphotographer

From the Architect: "A new house on a large block, this residence brings the garden inside. Through a planimetric arrangement that separates the differing living styles of its occupants and their loved ones, the house allows for a diversity of spaces, and gathers the extended family centrally when they are around. Responding to the client’s brief for a house and garden they’d live in forever, the courtyard plan addresses light, difference, and long-term accessibility with four separate quadrants of occupation. Each quadrant responds differently to its climatic and programmatic requirements through its roof and aperture design, while the second level ensures the extended family can be housed (when in town) with separate sleeping and entertainment quarters.

"At the foundation of this design is a conceptual framework that believes in the diversity of occupation through the plan and section. Being an artist, a businessperson, and involved grandparents, the two main occupants hold different interests and requirements, while also needing strong collective areas for themselves and their larger family. With the separation of quadrants created by the loose nine-square grid, each part of the house is free to address its programmatic and climatic requirements through openings, outlooks, and roofing profiles, all the while reaffirming the center of both the house and garden (the kitchen) as the collective space for all.

"From a structural and material perspective, the house sticks to the site’s 1918 covenant. All walls and visible roofs were to be tile, brick, or concrete, and the house follows this with double cement block walls on the ground level and cement rendered brick walls on the first level and visible roofs. Separating these two palettes is a band of pale blue steel that provides a continuous detail with a variety of outcome. Able to act as lintel, rain head, awning, and soft boundary, the pale blue PFC encapsulates a MI—JI endeavor: to allow for a lot with little.

"Several decisions over the course of the design provided the project with a sure sustainable grounding. All available roof space is taken up with PV panels connected to a battery storage system and car charging facilities. While gas has been disconnected from the site completely, heating and cooling is powered by an electric heat pump system and those same PV panels. The effectiveness of this PV system is increased with the form of the building, which places the double-story portion of the house on the south to minimize overshadowing and ensure the scale of the building in its most used areas (on the north) remains human.

"Integral to the successful outcome of A Courtyard House was DIMPAT, the contractor, whose high-quality carpentry was delivered with precision; and SL.ug Projects, the landscape architect, who’s careful consideration of the client’s request for variety helped establish the garden as a major factor of the house while also diligently adhering to future proof the whole site as wheelchair accessible with flush finish thresholds and wide paths (inside and outside the house)."

Photo: Ben Hosking

Photo: Ben Hosking

Photo: Ben Hosking

See the full story on Dwell.com: A Sawtooth Roof With Skylights Caps the Living Space of This Melbourne Home
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A Pink Stair With an Atrium and Bookshelves Revives This 1930s Mexico City Home

The new double-height entry reimagines an original curving stair that had been lost to a prior renovation.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Mexico City, Mexico

Architect: ZDA / @z_da

Footprint: 4,627 square feet

Structural Engineer: Deltion Ingenieria

Civil Engineer: Smith Tecnologia Aplicada

Landscape Design: Hugo Sanchez Paisaje and Dealer de Plantas

Lighting Design: LSBA Studio

Interior Design: Amaya Ducru

Photographer: Rafael Gamo / @rafaelgamo

From the Architect: "Located in Lomas de Chapultepec, Casa Kiki is the renovation of a California-style residence originally built in 1937. The project proposes an intervention seeking to respect the historical character and architectural language of the area. From this standpoint, the program is reconfigured through a contemporary spatial logic focused on use and comfort. The entire house was conceived to maintain a direct relationship with the patios, blurring the boundaries between inside and outside.

"A central element of the project is the turret located at the heart of the house, which functions as both the main entrance and a distribution space. This volume originally featured a curved staircase and a double-height space that gave it strong spatial quality. However, during a 1970 renovation, the double height was closed off and the staircase was modified. Today, this volume acts as an entry vestibule while connecting to the second level where the private areas are located. The turret becomes the most iconic and representative space of the project by concentrating multiple functions: vestibule, library, and reception area, while organizing the main circulation paths. Its unique character is defined by the use of pink, which envelops the volume and clearly differentiates it from the rest of the house. After more than 50 tests and with the guidance of a color expert, a tone was chosen from what the space demanded: a warm, welcoming atmosphere that generates an emotional experience. The space recovers the original double height and is organized around the painted steel helical staircase functioning as a sculptural element wrapping around a bookshelf of the same color. This, in turn, operates as a gallery for books and objects integrated organically around the stair.  The vestibule is illuminated through a glass skylight. At the center, a myrtle tree emerges from a circular opening in the floor.

"The study connects directly to the living room, an addition built over what was formerly the backyard. This annex to the original ‘L’ plan opens toward both patios. Suspended against a stone wall is a fragment of a steel lattice by Manuel Felguérez, originally created for the Museo Nacional de Antropología in Mexico City. The living room is conceived as a flexible, everyday space rather than a formal one.

"The house integrates solar panels, hydronic radiant floor heating with occupancy sensors, rainwater harvesting and treatment systems, cross ventilation strategies, high-performance glazing, additional roof and wall insulation, and preserved thick brick walls that provide thermal mass. A covered carport prepared for electric vehicle charging was added. The project emphasizes material reuse and recycled wood in exterior areas."

Photo: Rafael Gamo

Photo: Rafael Gamo

Photo: Rafael Gamo

See the full story on Dwell.com: A Pink Stair With an Atrium and Bookshelves Revives This 1930s Mexico City Home
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How Realtors Are Really Using AI in the Age of "Real Estate Slop"

Homeseekers are increasingly calling out listings as deceptive "housefishing"—and some professionals agree, even as they’re tapping the technology to streamline other parts of their jobs.

When Pasadena, California–based realtor Pilar Oliva was having trouble convincing a client to lower the price of a home they were selling, she asked Claude for help. 

The home in question was on a corner lot facing a somewhat busy street, and while Oliva had pulled a solid comp from a home down the street when they initially priced it for sale, the market had shifted and buyers weren’t biting. Meanwhile, the clients had found their new dream home in a neighborhood they liked better and were debating whether they should use a HomeLight bridge loan to purchase the property or lower the price on their home enough that they’d be able to quickly turn it around. The bridge loan required them to sell within 120 days and would put them on the hook for the full asking price, regardless of what they sold for, but dropping the price by almost $200,000—from $1.49 million to $1.299 million, the amount the market now dictated—felt like an insult.

Oliva decided to use Claude to build two financial models: One that would show what the homeowners would net or end up owing if they lowered the price and sold it themselves and one that showed what it could ultimately cost them if they opted for HomeLight. The client only wanted to spend $40,000 out of pocket either way, so Oliva asked the AI assistant to create manipulatable HTML models where she could fuss with various prices and offers. She toggled switches on and off, checked and double checked the math, and spent hours getting to a point where she felt she could trust the AI’s work. "It worked the hardest I ever worked," Oliva says, noting that all this went down while she was en route to a family wedding in France. "I was in my father-in-law’s car in the middle of the night, on my laptop, using the models to put together rebuttals and trying to convince them that they’d be making a wrong decision if they let HomeLight buy their property."

It worked, fortunately, and after a price reduction, the home ended up selling for $1.4 million, just $90,000 less than the original asking price. Oliva’s clients were happy, the new buyer was happy, and Oliva and her team had created a financial tool they could use again and again, should similar situations arise. "I’m a realtor, so I’m just using AI to fill in my gaps," Oliva says. "I’m not a writer and I don’t build financial models for a living, so I ask it to do what I can’t."

With 82 percent of U.S. real estate professionals now reportedly using AI in their everyday work, Oliva certainly isn’t alone. Ines Hegedus-Garcia, co-owner and managing partner of Avanti Way Realty in Miami, says her company is using AI "at every level, from workflows to analyzing data to helping agents come up with text that makes sense for their clients." Only some of the agents Dwell spoke to talked about struggling with the ethics of AI or the potential environmental impact; instead most seemed almost resigned to using it, if only to keep up with their competitors. "As a realtor, the choice is narrow," says Oliva. "The industry runs on dinosaur-era tech like the MLS and Zipforms, but we are simultaneously flooded with shiny new software. I can compete without AI but the time it saves me is invaluable. I hate the footprint it leaves, but the efficiency makes it impossible to look away."

"When an agent gets a listing, there’s [always been] a very specific process," Hegedus-Garcia says. "They get the listing signed. They have to order signs. They have to order marketing. They have to put the For Sale sign on the house. There’s a process that every agent follows. But if you can get AI involved, then you can create a system where, as soon as you get a listing, it automatically orders the sign or orders someone to put it on the property. That kind of automation just makes an agent more efficient." 

Realtors make their money by dealing with clients, Hegedus-Garcia says, and so the more busywork that can be freed up to let a realtor be there to hold a buyer’s hand during negotiations or show them additional properties, the better. And buyers do want that human touch, rather than feeling "like they’re being talked to by a robot," says Kati Spaniak, a realtor working in the Chicago suburbs. "Buyers want personalized attention, especially knowing that their agent is making thousands of dollars a transaction. I think there could be an issue soon where agents start realizing they’re using it too much and buyers start feeling less connected."

"You can say ‘Hey, ChatGPT, please don’t change the floorboards,’ and it’ll change the view out the window or put a cow in the corner."

Buyers frequently have difficulty imagining the potential a space could have; after all, that’s why real-life staging is a robust business of its own. Most of the real estate agents interviewed for this story said they’ve used AI design tools to help clients envision how their style might look in a home they were considering or to help identify architectural features in a listing, like a vintage tile’s potential maker or what you might call a certain kind of column. (Zillow, it’s worth noting, has already integrated on-site AI-driven listing enhancement features, including staging help.) Libby McKinney Tritschler, a realtor from Connecticut, described helping a client visualize what a deck might look like on a home they were considering, saying, "We went to the backyard, took a picture, and asked AI, ‘Can you show us some pictures of back porches and what kind of pricing we might be looking at?’ Three and a half minutes later, we had three different options with three different prices, all of which gave my buyers confidence in buying the house because they knew that, when they were ready, they could afford to make the upgrades."

On the flip side, sellers and realtors can go too far when it comes to altering listing photos, however, with more and more buyers bemoaning AI-staging of homes in listing photos as a deceptive practice in countless stories and online threads. (Online, it’s often called "housefishing" or decried as "AI real-estate slop.") New York City Mayor Zohran Mamdani has even moved to make listing sites and agents disclose when they’ve used digitally altered images, telling the press, "You shouldn’t have to worry about whether the apartment you are viewing online is real."

While there’s an argument to be made that virtual staging has been used for years in real estate listings—and that even physical staging is akin to making plain old cornflakes look a little better on a cereal box by throwing some strawberries on top for the photo—AI has certainly made tweaking listing photos a little easier, even if it does always add what licensed real estate salesperson Suzanne Goldklang calls "the same beige bedspread." Goldklang says it takes her about two hours to turn a single photo of a cluttered living room into something presentable using AI, though other realtors Dwell spoke to and elsewhere have claimed it can be done in minutes. "It’s because you’re having to do it through prompts," Goldklang says. "You can say ‘Hey, ChatGPT, please don’t change the floorboards,’ and it’ll change the view out the window or put a cow in the corner."

"Buying a home is emotional, and when buyers get to a home, one little thing can make them feel that it isn’t right," says Spaniak. Walking optimistically into an open house and realizing it’s been poorly or deceptively staged using AI is, as one agent said anonymously, "like the difference between watching porn and being with a real woman."

That doesn’t mean there aren’t companies out there trying to help realtors modify their photos in a more seamless way. AutoReel, for instance, lets realtors upload up to 20 photos of their listing, which it then blends into a video tour of the home. Alok Gupta, the company’s cofounder and CEO, says that over 75,000 real estate professionals around the world have used AutoReel’s service to date, making more than 200,000 listing videos.

"My staff was like, ‘it looks like AI,’ but I said, ‘I’m not a newscaster, so is it cheating?’" 

AutoReel can turn a photographer’s drone photos into a home flyover, restage a room in a more visually pleasing way, or even remove clutter from a shot, too. Users can digitally watermark everything they make to note it’s been created with AI if they’d like, but most real estate sites don’t require it. (There’s no national MLS standard for disclosure of AI-generated or enhanced imagery, though some states like California and Wisconsin passed new laws, and other states like Texas and New York have general advisories or MLS rules. Meanwhile, a Zillow blog post about the company’s AI-enhanced listing standards says it "supports clear disclosure when AI is used to materially alter a listing image" but also that "agents and brokers carry front-line responsibility for accuracy.") AutoReel accounts can be shared across real estate teams, meaning that a small group of agents could divvy up access to something like the company’s $90 per month "Growth" plan that includes 100 videos a year. "You can create a video in five or ten minutes for less than it costs to go to Chipotle," Gupta says. "With traditional video, the cost for one could be anywhere from $700 to $1,000." Some real estate photographers are also opting to add AutoReel to their sales packages, perhaps adding $90 to an overall cost but providing a video that can be used everywhere from Zillow to social media.

Some real estate agents are using AI not just to market their homes but also their local stomping grounds. Patrick Southern, a realtor with Serhant in New Jersey, says he’s used an AI service called Rayloom to create a virtual newscaster version of himself, which he’s dubbed "Pat AI." Southern uses his AI avatar to relay positive news stories about his region on his Instagram page, like "Hoboken waterfront restaurant named one of best in country," or "Loew’s theater coming back to life this fall." The talking heads look and sound like other videos Southern has posted of himself, but they’re relatively low cost to make ($699 for a dozen per month) and average between 100,000 and 200,000 views each. "When I got pitched on it [by Rayloom’s owner], I was like, I think it’s a good idea but I’m not sure," Southern says. "My staff was like, ‘it looks like AI,’ but I said, ‘I’m not a newscaster, so is it cheating?’ How is this any different than giving potential clients a really great email blast?"

Southern says it’s all in service of bettering the client experience, noting that he always adds a disclaimer in the caption when a video he posts uses his AI-generated faux-likeness. "AI isn’t the superhero," he says. "It’s really the utility belt. It’s all what you make of it."

Marah Eakin is currently reporting a follow-up piece on how AI is changing the homebuying process for prospective owners and sellers. Do you have an experience to share? Reach out.

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Before & After: It Was a Grocery Store, a Dance Hall, and a Factory. Here’s How It Became a Home

"I would walk past it going, ‘What is going on in this building?’" says one of the homeowners. "Next thing you know, we’re the proud owners of a very old warehouse in really terrible condition."

For years, a San Francisco couple—an educator and arts administrator—would walk past this Mission District building and wonder. For starters, it was massive, with a flat facade jutting right up to the sidewalk—but there were no street-level windows to provide clues as to what could be inside. One of the two front doorways was set into an alcove, where the walls were painted a deep crimson, and a red lightbulb blinked 24 hours a day. "I would walk past it going, ‘What is going on in this building?’" recalls one of the new owners. "Knowing San Francisco’s history of craziness and social experiments, it seemed possible it could be something."

As a matter of fact, the building did have a long local history before the couple bought it. Constructed in 1875, it started out as an Italian grocery store (with a warehouse in back) that was known for hosting ice cream socials for the community church. Then it became a dance hall and an upholstery factory, before an artist bought it in the 1970s to use as a studio space and a home where they raised their kids. Over time, that artist moved out, and it became a collective of art studios.

When that owner passed away, it was time for their children to sell, and the building was not in great shape. "The city wanted to tear it down," says the new owner. The heirs were inundated with offers from developers, but they wanted to pass the building on to people who could appreciate it for the neighborhood fixture it had long been. "We basically were like, ‘Hey, we’re a family in the neighborhood. We work here and our kids go to school here.’ So, he turned down the other offers and took ours," says the owner. "Next thing you know, we’re the proud owners of a very old warehouse in really terrible condition."

Before: Exterior 

Before: This couple had lived in the Mission District neighborhood for about 15 years when they bought this derelict warehouse in 2020, in order to save the building from being torn down. They worked with Red Dot Studio to turn it into a home. "They thought of it as them being the next generation of bringing the building forward,

Before: An educator and an arts administrator had lived in San Francisco’s Mission District neighborhood for about 15 years when they bought this derelict warehouse threatened by demolition in 2020. They worked with Red Dot Studio to turn it into a home. "They thought of it as them being the next generation of bringing the building forward," says architect Karen Curtiss.

Courtesy of Red Dot Studio

After: Front Door 

In a nod to the building's previous incarnation and the owner's curiosity, the front door is painted Benjamin Moore Fireball Orange.

In a nod to the building’s previous incarnation, the front door is painted Benjamin Moore Fireball Orange.

Photo by Helynn Ospina

The pair hired their friend of 10 years, architect Karen Curtiss, principal of Red Dot Studio, for the ensuing remodel. When Curtiss visited the building, she was impressed by how the flat facade gave way to a multifaceted interior filled with chaotic angles and color. There were wonderful features, like the soaring roof trusses. But also, plant matter was growing through walls.

"You don’t get volumes of space like this in a residential property in San Francisco," says Curtiss, who promptly told her friends: "This is so good, and we’re going to have to do everything." For their part, the couple went into the renovation process without reservation. "We definitely knew what we were getting into and that it would be a lot of work," the owner says. "But at the same time, we just thought the space was magical."

Before: Interior 

Before: The warehouse had an existing garage door that opened to the backyard.

Before: The warehouse had an existing garage door that opened to the backyard.

Courtesy of Red Dot Studio

See the full story on Dwell.com: Before & After: It Was a Grocery Store, a Dance Hall, and a Factory. Here’s How It Became a Home
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Why India Is Reviving Ancient Water Systems—and Everything Else You Need to Know About This Week

C-list influencers are getting into real estate, the Paris Prize returns, and more.

India is bringing ancient stepwells like this one in Jodhpur back to life to aid their worsening water crisis.
  • As India’s modern water systems run dry, communities are looking to a traditional fix: restoring ancient stepwells, ponds, and earthen dams known as johads. (BBC)
  • Private chefs, contractors, plumbers, and landscapers are bringing their work to social media, with their clients’ luxury homes often serving as the backdrop. Posting can be a great marketing strategy, bringing customers and bigger paychecks, but only when client privacy doesn’t get lost in the frame, so to speak. (The Wall Street Journal)

  • The Van Alen Institute is reviving its Paris Prize, with a new focus on regenerative design across the postcolonial landscape. Created with the team behind Nairobi’s inaugural Pan-African Biennale, the program will award three designers $35,000 each to research communities shaped by displacement and exclusion. (The Architect’s Newspaper)

California modernist architect Paul Revere Williams is being recognized for his contributions to L.A.’s built environment with three new exhibtions across the city.

California modernist architect Paul Revere Williams is being recognized for his contributions to L.A.’s built environment with three new exhibtions across the city.

Photo by Los Angeles Times via Getty Images

  • The late Paul Revere Williams designed thousands of buildings that shaped Los Angeles, all while navigating racism as California's first licensed Black architect. Now, three new exhibitions are giving the modernist his long overdue recognition. (The Guardian)

  • Reality TV stars, influencers, and retired athletes are turning their fame and followers into real estate careers. Here why some argue that the jump to selling homes not as much of a stretch as it may seem. (The Atlantic)

Top photo by Frank Bienewald/LightRocket via Getty Images