A Pink Stair With an Atrium and Bookshelves Revives This 1930s Mexico City Home

The new double-height entry reimagines an original curving stair that had been lost to a prior renovation.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Mexico City, Mexico

Architect: ZDA / @z_da

Footprint: 4,627 square feet

Structural Engineer: Deltion Ingenieria

Civil Engineer: Smith Tecnologia Aplicada

Landscape Design: Hugo Sanchez Paisaje and Dealer de Plantas

Lighting Design: LSBA Studio

Interior Design: Amaya Ducru

Photographer: Rafael Gamo / @rafaelgamo

From the Architect: "Located in Lomas de Chapultepec, Casa Kiki is the renovation of a California-style residence originally built in 1937. The project proposes an intervention seeking to respect the historical character and architectural language of the area. From this standpoint, the program is reconfigured through a contemporary spatial logic focused on use and comfort. The entire house was conceived to maintain a direct relationship with the patios, blurring the boundaries between inside and outside.

"A central element of the project is the turret located at the heart of the house, which functions as both the main entrance and a distribution space. This volume originally featured a curved staircase and a double-height space that gave it strong spatial quality. However, during a 1970 renovation, the double height was closed off and the staircase was modified. Today, this volume acts as an entry vestibule while connecting to the second level where the private areas are located. The turret becomes the most iconic and representative space of the project by concentrating multiple functions: vestibule, library, and reception area, while organizing the main circulation paths. Its unique character is defined by the use of pink, which envelops the volume and clearly differentiates it from the rest of the house. After more than 50 tests and with the guidance of a color expert, a tone was chosen from what the space demanded: a warm, welcoming atmosphere that generates an emotional experience. The space recovers the original double height and is organized around the painted steel helical staircase functioning as a sculptural element wrapping around a bookshelf of the same color. This, in turn, operates as a gallery for books and objects integrated organically around the stair.  The vestibule is illuminated through a glass skylight. At the center, a myrtle tree emerges from a circular opening in the floor.

"The study connects directly to the living room, an addition built over what was formerly the backyard. This annex to the original ‘L’ plan opens toward both patios. Suspended against a stone wall is a fragment of a steel lattice by Manuel Felguérez, originally created for the Museo Nacional de Antropología in Mexico City. The living room is conceived as a flexible, everyday space rather than a formal one.

"The house integrates solar panels, hydronic radiant floor heating with occupancy sensors, rainwater harvesting and treatment systems, cross ventilation strategies, high-performance glazing, additional roof and wall insulation, and preserved thick brick walls that provide thermal mass. A covered carport prepared for electric vehicle charging was added. The project emphasizes material reuse and recycled wood in exterior areas."

Photo: Rafael Gamo

Photo: Rafael Gamo

Photo: Rafael Gamo

See the full story on Dwell.com: A Pink Stair With an Atrium and Bookshelves Revives This 1930s Mexico City Home
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How Realtors Are Really Using AI in the Age of "Real Estate Slop"

Homeseekers are increasingly calling out listings as deceptive "housefishing"—and some professionals agree, even as they’re tapping the technology to streamline other parts of their jobs.

When Pasadena, California–based realtor Pilar Oliva was having trouble convincing a client to lower the price of a home they were selling, she asked Claude for help. 

The home in question was on a corner lot facing a somewhat busy street, and while Oliva had pulled a solid comp from a home down the street when they initially priced it for sale, the market had shifted and buyers weren’t biting. Meanwhile, the clients had found their new dream home in a neighborhood they liked better and were debating whether they should use a HomeLight bridge loan to purchase the property or lower the price on their home enough that they’d be able to quickly turn it around. The bridge loan required them to sell within 120 days and would put them on the hook for the full asking price, regardless of what they sold for, but dropping the price by almost $200,000—from $1.49 million to $1.299 million, the amount the market now dictated—felt like an insult.

Oliva decided to use Claude to build two financial models: One that would show what the homeowners would net or end up owing if they lowered the price and sold it themselves and one that showed what it could ultimately cost them if they opted for HomeLight. The client only wanted to spend $40,000 out of pocket either way, so Oliva asked the AI assistant to create manipulatable HTML models where she could fuss with various prices and offers. She toggled switches on and off, checked and double checked the math, and spent hours getting to a point where she felt she could trust the AI’s work. "It worked the hardest I ever worked," Oliva says, noting that all this went down while she was en route to a family wedding in France. "I was in my father-in-law’s car in the middle of the night, on my laptop, using the models to put together rebuttals and trying to convince them that they’d be making a wrong decision if they let HomeLight buy their property."

It worked, fortunately, and after a price reduction, the home ended up selling for $1.4 million, just $90,000 less than the original asking price. Oliva’s clients were happy, the new buyer was happy, and Oliva and her team had created a financial tool they could use again and again, should similar situations arise. "I’m a realtor, so I’m just using AI to fill in my gaps," Oliva says. "I’m not a writer and I don’t build financial models for a living, so I ask it to do what I can’t."

With 82 percent of U.S. real estate professionals now reportedly using AI in their everyday work, Oliva certainly isn’t alone. Ines Hegedus-Garcia, co-owner and managing partner of Avanti Way Realty in Miami, says her company is using AI "at every level, from workflows to analyzing data to helping agents come up with text that makes sense for their clients." Only some of the agents Dwell spoke to talked about struggling with the ethics of AI or the potential environmental impact; instead most seemed almost resigned to using it, if only to keep up with their competitors. "As a realtor, the choice is narrow," says Oliva. "The industry runs on dinosaur-era tech like the MLS and Zipforms, but we are simultaneously flooded with shiny new software. I can compete without AI but the time it saves me is invaluable. I hate the footprint it leaves, but the efficiency makes it impossible to look away."

"When an agent gets a listing, there’s [always been] a very specific process," Hegedus-Garcia says. "They get the listing signed. They have to order signs. They have to order marketing. They have to put the For Sale sign on the house. There’s a process that every agent follows. But if you can get AI involved, then you can create a system where, as soon as you get a listing, it automatically orders the sign or orders someone to put it on the property. That kind of automation just makes an agent more efficient." 

Realtors make their money by dealing with clients, Hegedus-Garcia says, and so the more busywork that can be freed up to let a realtor be there to hold a buyer’s hand during negotiations or show them additional properties, the better. And buyers do want that human touch, rather than feeling "like they’re being talked to by a robot," says Kati Spaniak, a realtor working in the Chicago suburbs. "Buyers want personalized attention, especially knowing that their agent is making thousands of dollars a transaction. I think there could be an issue soon where agents start realizing they’re using it too much and buyers start feeling less connected."

"You can say ‘Hey, ChatGPT, please don’t change the floorboards,’ and it’ll change the view out the window or put a cow in the corner."

Buyers frequently have difficulty imagining the potential a space could have; after all, that’s why real-life staging is a robust business of its own. Most of the real estate agents interviewed for this story said they’ve used AI design tools to help clients envision how their style might look in a home they were considering or to help identify architectural features in a listing, like a vintage tile’s potential maker or what you might call a certain kind of column. (Zillow, it’s worth noting, has already integrated on-site AI-driven listing enhancement features, including staging help.) Libby McKinney Tritschler, a realtor from Connecticut, described helping a client visualize what a deck might look like on a home they were considering, saying, "We went to the backyard, took a picture, and asked AI, ‘Can you show us some pictures of back porches and what kind of pricing we might be looking at?’ Three and a half minutes later, we had three different options with three different prices, all of which gave my buyers confidence in buying the house because they knew that, when they were ready, they could afford to make the upgrades."

On the flip side, sellers and realtors can go too far when it comes to altering listing photos, however, with more and more buyers bemoaning AI-staging of homes in listing photos as a deceptive practice in countless stories and online threads. (Online, it’s often called "housefishing" or decried as "AI real-estate slop.") New York City Mayor Zohran Mamdani has even moved to make listing sites and agents disclose when they’ve used digitally altered images, telling the press, "You shouldn’t have to worry about whether the apartment you are viewing online is real."

While there’s an argument to be made that virtual staging has been used for years in real estate listings—and that even physical staging is akin to making plain old cornflakes look a little better on a cereal box by throwing some strawberries on top for the photo—AI has certainly made tweaking listing photos a little easier, even if it does always add what licensed real estate salesperson Suzanne Goldklang calls "the same beige bedspread." Goldklang says it takes her about two hours to turn a single photo of a cluttered living room into something presentable using AI, though other realtors Dwell spoke to and elsewhere have claimed it can be done in minutes. "It’s because you’re having to do it through prompts," Goldklang says. "You can say ‘Hey, ChatGPT, please don’t change the floorboards,’ and it’ll change the view out the window or put a cow in the corner."

"Buying a home is emotional, and when buyers get to a home, one little thing can make them feel that it isn’t right," says Spaniak. Walking optimistically into an open house and realizing it’s been poorly or deceptively staged using AI is, as one agent said anonymously, "like the difference between watching porn and being with a real woman."

That doesn’t mean there aren’t companies out there trying to help realtors modify their photos in a more seamless way. AutoReel, for instance, lets realtors upload up to 20 photos of their listing, which it then blends into a video tour of the home. Alok Gupta, the company’s cofounder and CEO, says that over 75,000 real estate professionals around the world have used AutoReel’s service to date, making more than 200,000 listing videos.

"My staff was like, ‘it looks like AI,’ but I said, ‘I’m not a newscaster, so is it cheating?’" 

AutoReel can turn a photographer’s drone photos into a home flyover, restage a room in a more visually pleasing way, or even remove clutter from a shot, too. Users can digitally watermark everything they make to note it’s been created with AI if they’d like, but most real estate sites don’t require it. (There’s no national MLS standard for disclosure of AI-generated or enhanced imagery, though some states like California and Wisconsin passed new laws, and other states like Texas and New York have general advisories or MLS rules. Meanwhile, a Zillow blog post about the company’s AI-enhanced listing standards says it "supports clear disclosure when AI is used to materially alter a listing image" but also that "agents and brokers carry front-line responsibility for accuracy.") AutoReel accounts can be shared across real estate teams, meaning that a small group of agents could divvy up access to something like the company’s $90 per month "Growth" plan that includes 100 videos a year. "You can create a video in five or ten minutes for less than it costs to go to Chipotle," Gupta says. "With traditional video, the cost for one could be anywhere from $700 to $1,000." Some real estate photographers are also opting to add AutoReel to their sales packages, perhaps adding $90 to an overall cost but providing a video that can be used everywhere from Zillow to social media.

Some real estate agents are using AI not just to market their homes but also their local stomping grounds. Patrick Southern, a realtor with Serhant in New Jersey, says he’s used an AI service called Rayloom to create a virtual newscaster version of himself, which he’s dubbed "Pat AI." Southern uses his AI avatar to relay positive news stories about his region on his Instagram page, like "Hoboken waterfront restaurant named one of best in country," or "Loew’s theater coming back to life this fall." The talking heads look and sound like other videos Southern has posted of himself, but they’re relatively low cost to make ($699 for a dozen per month) and average between 100,000 and 200,000 views each. "When I got pitched on it [by Rayloom’s owner], I was like, I think it’s a good idea but I’m not sure," Southern says. "My staff was like, ‘it looks like AI,’ but I said, ‘I’m not a newscaster, so is it cheating?’ How is this any different than giving potential clients a really great email blast?"

Southern says it’s all in service of bettering the client experience, noting that he always adds a disclaimer in the caption when a video he posts uses his AI-generated faux-likeness. "AI isn’t the superhero," he says. "It’s really the utility belt. It’s all what you make of it."

Marah Eakin is currently reporting a follow-up piece on how AI is changing the homebuying process for prospective owners and sellers. Do you have an experience to share? Reach out.

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Before & After: It Was a Grocery Store, a Dance Hall, and a Factory. Here’s How It Became a Home

"I would walk past it going, ‘What is going on in this building?’" says one of the homeowners. "Next thing you know, we’re the proud owners of a very old warehouse in really terrible condition."

For years, a San Francisco couple—an educator and arts administrator—would walk past this Mission District building and wonder. For starters, it was massive, with a flat facade jutting right up to the sidewalk—but there were no street-level windows to provide clues as to what could be inside. One of the two front doorways was set into an alcove, where the walls were painted a deep crimson, and a red lightbulb blinked 24 hours a day. "I would walk past it going, ‘What is going on in this building?’" recalls one of the new owners. "Knowing San Francisco’s history of craziness and social experiments, it seemed possible it could be something."

As a matter of fact, the building did have a long local history before the couple bought it. Constructed in 1875, it started out as an Italian grocery store (with a warehouse in back) that was known for hosting ice cream socials for the community church. Then it became a dance hall and an upholstery factory, before an artist bought it in the 1970s to use as a studio space and a home where they raised their kids. Over time, that artist moved out, and it became a collective of art studios.

When that owner passed away, it was time for their children to sell, and the building was not in great shape. "The city wanted to tear it down," says the new owner. The heirs were inundated with offers from developers, but they wanted to pass the building on to people who could appreciate it for the neighborhood fixture it had long been. "We basically were like, ‘Hey, we’re a family in the neighborhood. We work here and our kids go to school here.’ So, he turned down the other offers and took ours," says the owner. "Next thing you know, we’re the proud owners of a very old warehouse in really terrible condition."

Before: Exterior 

Before: This couple had lived in the Mission District neighborhood for about 15 years when they bought this derelict warehouse in 2020, in order to save the building from being torn down. They worked with Red Dot Studio to turn it into a home. "They thought of it as them being the next generation of bringing the building forward,

Before: An educator and an arts administrator had lived in San Francisco’s Mission District neighborhood for about 15 years when they bought this derelict warehouse threatened by demolition in 2020. They worked with Red Dot Studio to turn it into a home. "They thought of it as them being the next generation of bringing the building forward," says architect Karen Curtiss.

Courtesy of Red Dot Studio

After: Front Door 

In a nod to the building's previous incarnation and the owner's curiosity, the front door is painted Benjamin Moore Fireball Orange.

In a nod to the building’s previous incarnation, the front door is painted Benjamin Moore Fireball Orange.

Photo by Helynn Ospina

The pair hired their friend of 10 years, architect Karen Curtiss, principal of Red Dot Studio, for the ensuing remodel. When Curtiss visited the building, she was impressed by how the flat facade gave way to a multifaceted interior filled with chaotic angles and color. There were wonderful features, like the soaring roof trusses. But also, plant matter was growing through walls.

"You don’t get volumes of space like this in a residential property in San Francisco," says Curtiss, who promptly told her friends: "This is so good, and we’re going to have to do everything." For their part, the couple went into the renovation process without reservation. "We definitely knew what we were getting into and that it would be a lot of work," the owner says. "But at the same time, we just thought the space was magical."

Before: Interior 

Before: The warehouse had an existing garage door that opened to the backyard.

Before: The warehouse had an existing garage door that opened to the backyard.

Courtesy of Red Dot Studio

See the full story on Dwell.com: Before & After: It Was a Grocery Store, a Dance Hall, and a Factory. Here’s How It Became a Home
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Why India Is Reviving Ancient Water Systems—and Everything Else You Need to Know About This Week

C-list influencers are getting into real estate, the Paris Prize returns, and more.

India is bringing ancient stepwells like this one in Jodhpur back to life to aid their worsening water crisis.
  • As India’s modern water systems run dry, communities are looking to a traditional fix: restoring ancient stepwells, ponds, and earthen dams known as johads. (BBC)
  • Private chefs, contractors, plumbers, and landscapers are bringing their work to social media, with their clients’ luxury homes often serving as the backdrop. Posting can be a great marketing strategy, bringing customers and bigger paychecks, but only when client privacy doesn’t get lost in the frame, so to speak. (The Wall Street Journal)

  • The Van Alen Institute is reviving its Paris Prize, with a new focus on regenerative design across the postcolonial landscape. Created with the team behind Nairobi’s inaugural Pan-African Biennale, the program will award three designers $35,000 each to research communities shaped by displacement and exclusion. (The Architect’s Newspaper)

California modernist architect Paul Revere Williams is being recognized for his contributions to L.A.’s built environment with three new exhibtions across the city.

California modernist architect Paul Revere Williams is being recognized for his contributions to L.A.’s built environment with three new exhibtions across the city.

Photo by Los Angeles Times via Getty Images

  • The late Paul Revere Williams designed thousands of buildings that shaped Los Angeles, all while navigating racism as California's first licensed Black architect. Now, three new exhibitions are giving the modernist his long overdue recognition. (The Guardian)

  • Reality TV stars, influencers, and retired athletes are turning their fame and followers into real estate careers. Here why some argue that the jump to selling homes not as much of a stretch as it may seem. (The Atlantic)

Top photo by Frank Bienewald/LightRocket via Getty Images

School Is Always In Session at This Prefab Home in Taiwan

In a dense part of Kaohsiung City, the residence achieves a sense of openness by facing the sports facilities of an adjacent school yard.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Kaohsiung City, Tai

Architect: Supra-Simplicities / @suprasimplicities

Footprint: 2,580 square feet

Builder: PDCDG

Landscape Design: Temperature Studio

Interior Design: KCCS

Photographer: Shawn Liu Studio Photography / @shawnliustudio

From the Architect: "Located in Kaohsiung, southern Taiwan, the project occupies the terminus of a narrow dead-end alley, enclosed on three sides by neighboring residences and a school. With only a single point of access, the site is constrained by limited accessibility, daylight, and natural ventilation. In contrast, its adjacency to the school’s sports field introduces an unexpected visual openness, providing a rare spatial relief within the dense urban fabric and becoming the project’s primary environmental asset.

"The proposal replaces an aging two-story reinforced concrete dwelling with a lightweight steel-framed residence for the client's retired mother, while providing flexible accommodation for her two adult children during periodic visits. To minimize displacement, the project adopts a prefabricated construction strategy that shortens the building process and enables rapid reoccupation. Entitled MOM House (Modularized Open Model), the project is conceived as an expandable structural framework composed of repetitive steel grid modules. Designed as an open system rather than a fixed building type, MOM supports changing domestic needs through incremental expansion and spatial reconfiguration while improving fabrication efficiency, simplifying on-site assembly, and extending the building's capacity for long-term adaptation.

"The residence is organized around the daily routines of the retired mother, with the primary living spaces located on the ground floor and directly connected to an internal garden shared with her two children. Guest rooms for the children occupy the upper levels with skylight, while a communal terrace and family lounge are positioned between them, framing unobstructed views toward the adjacent sports field. This vertical sequence transforms the site’s spatial limitations into opportunities for light, openness, and family interaction.

"The prototype consists of eight steel grid modules arranged along a linear axis, interrupted by a single intentionally irregular structural bay. This controlled deviation simultaneously articulates the tectonic expression of the structural system and accommodates rainwater drainage, directing runoff into the garden below, but also as a joint for future extension. By integrating environmental infrastructure within the structural framework, the project embeds performance directly into the architectural language rather than treating it as a concealed technical solution.

"The structural grid extends to the building envelope, which is clad with prefabricated matte-finished aluminum panels. The modular facade reinforces the logic of the construction system while allowing efficient fabrication and future replacement. Its subtly reflective surface responds to changing light, vegetation, and the surrounding neighborhood, softening the building’s visual presence while maintaining a distinct architectural identity."

Photo by Shawn Liu Studio

Photo by Shawn Liu Studio

Photo by Shawn Liu Studio

See the full story on Dwell.com: School Is Always In Session at This Prefab Home in Taiwan
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Dolly Parton Never Left Her Childhood Home Behind. We Shouldn’t Either

The legendary performer didn't run away from her humble beginnings, instead carrying them with her, not as a burden, but as a north star.

Alongside parents, neighbors, and teachers, the houses where we grow up help raise us. The childhood home sets the bar: Part of the ongoing dialogue around the housing crisis stems from young people today who grew up in middle-class suburban tract homes feeling betrayed by the fact that those same homes (and lives) are not attainable to them. Not unrelatedly, some of us spend our lives running away from our housing roots, searching for something entirely different—maybe better, more lavish, or more urban; we go no-contact with the conditions that raised us in hopes that we can build a life that we define for ourselves. Even in rejecting our pasts, the houses of our youth form us. 

This is why, in the wake of her death Tuesday, I can’t stop thinking about Dolly Parton’s childhood home. The famed country music star, actress, and philanthropist was brought up alongside her 11 siblings in a one-bedroom cabin among East Tennessee’s Smoky Mountains. It’s a place that, at this point in time, approaches a mythology of sorts: She grew up without running water or electricity; the daughter of a field laborer and homemaker, her mother, she told Rolling Stone, made everything by hand—clothes, curtains, bedding. Of course that wasn’t the end of her story—when she died, she was worth around $450 million. While some might choose to see it as a rags-to-riches story, the cliché narrative is too reductive. The house that built Dolly Parton isn’t one that she ran away from, or that made her stardom all the more appealing; rather, it was something that she continued to carry with her, not as a burden, but as a north star.

Dolly Parton performing on stage in 1978.

Dolly Parton performing on stage in 1978.

Photo by David Redfern/Redferns via Getty Images

You can find photos of the house online: a simple building with a pitched roof overhang to provide a covered porch. But most of these photos are actually of a replica built at her Tennessee theme park, Dollywood. There, you can take a short stroll through her history, where a wood-burning stove, kitchen table, and simple cooking accoutrements populate the main room; newsprint and floral papered walls are used for insulation. Some of the replica’s furnishings come from Dolly’s real Sevier County childhood home, which is not open to the public but was renovated by Parton after she purchased it in the 1980s. 

Dolly, however, was insistent that this upbringing wasn’t purely poverty; she has referenced a quote from her mother, who, per Rolling Stone, told her as a child that, "We are rich in love and kindness and understanding." Parton’s song "Coat of Many Colors" tells the story of her mother making her a coat from colorful rags and getting made fun of at school for wearing it. "But they didn’t understand it / And I tried to make them see / That one is only poor / Only if they choose to be." Her house, her upbringing, returns again and again in her music, a photo of it even gracing the jacket of her 1973 album My Tennessee Mountain Home. In the title track, she sings of the crickets heard from her porch, children playing—it’s not a place or circumstance of strife but of serenity. 

Dolly photographed at Dollywood with her father, Robert, and mother, Avie, in 1987.

Dolly photographed at Dollywood with her father, Robert, and mother, Avie, in 1987. 

Photo by John Seakwood/Disney General Entertainment Content via Getty Images

I think of these songs, her love for her childhood home, in a time when American rhetoric repeats bootstrapping tropes, where so much angst is spent on an ideal of "making it." Our collective obsession with abandoning a past self—and past circumstances—has arguably left many generations unmoored, searching for some hint that we’ve attained success. What if, instead, we attempted to go forward and carry those pieces with us? Rather than running away from it, what if we tried to return? It reminds me of a quote from art critic Dave Hickey in Country Music Magazine, where he wrote about Joplin, Missouri, upon seeing Parton perform there in 1974: "It’s one of those places that, no matter where you’re from, you never enter without feeling that you’re coming back to something." I’m not sure if Dolly ever "made it" so much as she has always been coming back to something, each time with a new story, a new way of seeing and singing her home into being.

Top image of Dolly Parton at Dollywood in 1987 by John Seakwood/Disney General Entertainment Content via Getty Images

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In Pennsylvania, You Can Scoop Up a Storybook Tudor Manor for $1.2M

Designed for a luxury shoe magnate, the 1930s home comes with cathedral ceilings, ornate woodwork, diamond-pane windows, and a stately turret.

This Tudor-style home in Abington, Pennsylvania, was built in 1938 for the Laird & Schober Shoes family.

Location: 1952 Canterbury Road, Abington, Pennsylvania

Price: $1,200,000

Year: 1938

Footprint: 4,328 square feet (5 beds, 5 baths)

Lot Size: 0.93 acres

From the Listing: "This home was built in 1938 for the Laird & Schober Shoes family, the Christian Louboutin of their time. Laird & Schober Shoes was founded in Philadelphia in 1870 and became internationally renowned for crafting luxurious women’s and children’s footwear, winning the grand prize at the 1900 Paris Exposition. The updated home blends preserved period craftsmanship with modern amenities. From the moment you enter, the defining architectural details reveal themselves: original hardwood floors, exceptional millwork and moldings, stile-and-rail paneled walls, soaring ceilings, handcrafted staircases and banisters, carved woodwork, crystal doorknobs, original light fixtures, and beautiful stonework. Nearly every room enjoys views of the surrounding gardens and mature landscaping. At the exterior, travertine, bluestone, and EP Henry patios and walkways create a series of outdoor living spaces. The finished lower level has its own fireplace and TV. The pool, spa, and outdoor areas are perfect for entertaining. The home offers abundant natural light and storage, tremendous indoor and outdoor living space, timeless character, and an unmistakable sense of warmth."

This Tudor-style home in Abington, Pennsylvania, was built in 1938 for the Laird & Schober Shoes family.

This Tudor-style home in Abington, Pennsylvania, was built in 1938 for the Laird & Schober Shoes family.

Photo by Kirsti Streahle

Photo by Kirsti Streahle

Photo by Kirsti Streahle

See the full story on Dwell.com: In Pennsylvania, You Can Scoop Up a Storybook Tudor Manor for $1.2M
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