From the Archive: The British Apartment Complex That Aimed to Rehab Prefab’s Poor Reputation

In the mid-aughts, a first-of-its-kind modular project in Manchester tried to reverse decades of distaste for factory-built housing that had held strong in England since the postwar period.

Welcome to From the Archive, a look back at stories from Dwell’s past. This story previously appeared in the April/May 2005 issue.  

Prefabricated housing has long been the bastard child of British architecture. Born out of a postwar desperation to shelter thousands of people left homeless by bombing raids, over 150,000 prefab houses were erected in the five years immediately following World War II. Built for speed rather than aesthetics, their temporality, lack of attention to design, and shoddy construction standards became evident in the decades to follow. Though their owners often came to love them as symbols of renewed hope and modernity, the reality of deteriorating asbestos concrete, leaky window seams, and poor insulation resulted in a recent government-led demolition crusade.

Photo by Peter Marlow/Magnum Photos

"The result is that anything with the word ‘prefab’ in it now carries a certain negative connotation," says Chris Stalker, of Manchester-based development firm Urban Splash, known for renovating derelict buildings and reconstructing undesirable areas. The government, faced with burgeoning populations working in town centers and limited room for expansion, is desperate for new urban housing and is using the earlier prefab boom as a model for current construction. Unlike that of the postwar population, however, the aesthetic standards of today’s consumers are much higher.

It seems fitting, then, that the first private, completely prefab housing project in England has just been built in Manchester, a city that has successfully grappled with its own set of negative connotations. Over the past 10 years, Manchester has gone from being a place known for its pall of industrial smoke and endless spires of Victorian architecture to a dynamic urban center. "Manchester was a center of the Industrial Revolution," Stalker explains. "An IRA terrorist bomb went off in the city center in 1996, and since then, the city has been visionary in reinventing itself as a European city. Ten years ago, everyone was living in the suburbs; now, there are probably 10,000 people living in the city center."

Urban Splash is at the forefront of this renewal effort. Its current focus is Castlefield, a brownfield area in downtown Manchester that’s gone from manufacturing squalor to nighttime scene in a short time. Cotton mills have been converted to apartments and high-tech businesses, canals host annual boat festivals, and art galleries, pubs, and cafes clog the area. Over the past six years, Urban Splash has constructed or refurbished four residential buildings in Castlefield. Their fifth, however, is perhaps the most exciting.

Photo by Peter Marlow/Magnum Photos

Moho (short for modular housing) was the result of a winning brief by Liverpool-based ShedKM, a young architecture firm whose inventive ethos nicely complements Urban Splash’s desire for constant innovation. According to ShedKM principal and director James Weston, "Urban Splash wanted to offer accommodation so that university graduates and key workers could afford to buy and live in Manchester’s city center." Apart from that, Urban Splash had no other requirements in its project brief.

To meet this need for affordable housing while maintaining high design and production standards, ShedKM began researching new technologies. "We’d been aware of one or two prefab schemes in this country, such as those by Cartwright Pickard Architects and the Peabody Trust, a nonprofit housing association," Weston says. "So we contacted Yorkon, the company that was making the prefab units for these projects, and went to see their construction process. Yorkon had used the technology for hotel designs and then clamped phony brick structure on the outside. Plus, the units had entirely traditional finishes and a conventional layout and design—just done with an off-site assembly. We felt that you could celebrate the idea of a modular off-site unit rather than trying to disguise it, and that the design quality was not meeting its full potential."

ShedKM drew up plans for an apartment complex that would appeal to younger residents—and that would be completely prefabricated by Yorkon. Urban Splash, affable and ever receptive to new ideas, immediately bought into the concept.

To maximize the possibilities of each unit, ShedKM designed apartments that literally turn the standard model on its head. Most other prefab apartments are a series of rooms that are built separately in the factory then joined together onsite. ShedKM, however, preferred to create fully formed apartments in the factory. The limiting factor, however, was the width of each unit, which had to conform to U.K. transportation codes and road sizes.

Instead of the traditional manner of joining prefab components side to side, the architects oriented the units on their ends, making all of Moho’s modules extra-long—with each comprising one complete apartment, eliminating the need for messy room seams and onsite electrical or power hookups within. Everything, from bathrooms and kitchens to cupboards and decorations, was installed in the factory.

Photo by Peter Marlow/Magnum Photos

See the full story on Dwell.com: From the Archive: The British Apartment Complex That Aimed to Rehab Prefab’s Poor Reputation
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In Portland, a Matte-Black Midcentury With Minimalist Interiors Seeks $1.1M

Over the course of a decade, an art director and a stylist updated the ’50s home with oak millwork, wraparound windows, and a monochromatic palette.

Over the course of a decade, an art director and a stylist updated this ’50s home with oak millwork, wraparound windows, and a monochromatic palette.

Location: 2765 SW Vista Drive, Portland, Oregon

Price: $1,140,000

Year Built: 1954

Architect: James C. Gardiner

Landscape Architect: Chandler Fairbanks

Renovation Period: 2015–2026

Renovation Designer: Jacqueline Devries

Footprint: 2,032 Square Feet (3 Bedrooms, 2 Baths)

Lot Size: 0.37 Acres

From the Agent: "Rooted in the Northwest Regionalist tradition, this coveted Vista Hills home is warm, minimal, and deeply connected to its surroundings. 2765 SW Vista Drive is a 1954 one-level ranch, shaped and curated by a longtime art director and interior design photography stylist. The expansive living room, celebrated for its interior/exterior connection, features vaulted ceilings with painted exposed beams defined by low windows and long sight lines. The primary suite is private and serene, with wool carpet, wraparound picture windows, treetop views, and a luxurious bathroom with handmade tiles and heated floors."

The exterior is clad in matte-black-painted rough cedar siding.

The exterior is clad in black-painted rough cedar siding.

Photo by Justin Jones

Photo by Justin Jones

Photo by Justin Jones

See the full story on Dwell.com: In Portland, a Matte-Black Midcentury With Minimalist Interiors Seeks $1.1M
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Wood Prefab Panels Cloaked in Galvanized Steel Form a Hillside Home in Barcelona

The single-story plan rests partly on steel beams, bending at its midsection to point toward a mountain view.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Barcelona, Spain

Architect: Jaime Prous Architects / @jprousarchitects

Architect: Pineda Monedero / @pinedamonedero

Footprint: 1,722 square feet

Builder: Guix Laminat Blanes

Photographer: Del Rio Bani / @delriobani

From the Architect: "Building on a complex and fragile site, a forested hillside, we asked, How do we settle into a sloping terrain without disrupting the landscape? Most neighboring houses seek to occupy the largest possible footprint, altering the surroundings to the maximum. We rejected the aesthetic of white walls that conceals concrete structures, major earthworks, and air-conditioning. The house is developed on a single story, set at the midpoint of the plot and supported by a lightweight steel structure. In plan, the house traces a broken line forming a 144-degree angle, orienting the cantilevered end toward views of mountains.

"This is a dry construction built with a sincere and environmentally responsible logic. It is a near net-zero energy house that combines unusual materials, such as steel sheet, with highly efficient ones, such as timber.

"The main structure consists of prefabricated timber-frame walls assembled on site with a lightweight timber beam floor system. One end of the house is embedded into the hillside, while the other cantilevers over it, supported by four galvanized steel columns braced with X-cross ties to minimize their section. A galvanized steel sheet envelope protects the timber beneath. The windows cut into the façade as large, frameless openings that, from the outside, dematerialize the house."

Photo by Del Rio Bani

Photo by Del Rio Bani

Photo by Del Rio Bani

See the full story on Dwell.com: Wood Prefab Panels Cloaked in Galvanized Steel Form a Hillside Home in Barcelona

Budget Breakdown: Their $954K Seattle Dream Home Was Nearly Three Decades in the Making

What started with a fixer-upper in 1998 has grown into a three-building compound shaped by changing codes—and long-term thinking.

What started with a fixer-upper in 1998 has grown into a three-building compound shaped by changing codes—and long-term thinking.

In 1998, when architects Lisa Chadbourne and Daren Doss bought a modest Craftsman on a large, slightly scruffy lot in Seattle’s Central District, they were drawn less to the home itself than to the property’s potential.

"We always thought, wow, we could do something with this," Lisa recalls.

At the time, "something" meant fixing up the existing house and, eventually, carving out space to work. In 2005, after a zoning change allowed detached accessory dwelling units, the couple—who are the founders and principals of Chadbourne + Doss Architects—built a compact backyard studio. It functioned as an office, guesthouse, and creative testing ground; a flexible structure that hinted at the site’s long-term prospects.

The L-shaped Nook House creates private courtyards on the 7,600-square-foot Seattle lot, now home to three structures built over 27 years. AEP Span Nu Wave corrugated siding in black requires zero maintenance, while Loewen aluminum-clad mixed grain fir windows and doors anchor the high-performance envelope.

Lisa Chadbourne and Daren Doss’s L-shaped home creates private courtyards on the 7,600-square-foot Seattle lot they’ve gradually developed over the last 27 years. The black AEP Span Nu-Wave corrugated siding requires zero maintenance, and Loewen aluminum-clad mixed-grain fir windows and doors anchor the high-performance envelope.

Photo: Rafael Soldi

Rockwool insulation keeps this home energy efficient, especially when paired with rooftop solar panels.

The energy-efficient home has rooftop solar panels, and the walls are filled with Rockwool insulation.

Photo: Rafael Soldi

Leftover Madera oak flooring wraps the kitchen island face. Caesarstone quartz appears only at sink locations to control costs.

Leftover Madera oak flooring wraps the front of the kitchen island. The couple used Caesarstone quartz only at the sink locations to control costs.

Photo: Rafael Soldi

See the full story on Dwell.com: Budget Breakdown: Their $954K Seattle Dream Home Was Nearly Three Decades in the Making
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Dual Gables Expand the Footprint of This Netherlands Home in Unexpected Ways

The 1,013-square-foot residence parts from convention with a split-level plan, swooping built-ins, and soaring interiors.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Nigtevecht, Netherlands

Architect: Woonpioniers / @woonpioniers

Footprint: 1,013 square feet

Builder: Eltink BV

Structural Engineer: BT Adviesbureau

Energy Plan: Buro Bartosz

Photographer: Henny van Belkom

From the Architect: "In the heart of the old village center of Nigtevecht, nestled in one a characteristic street near the water, stands Lichthuis. Inspired by the challenging shape of the plot, two volumes slide together like puzzle pieces to make the most of the narrow, tapering space. From the street, it appears to be just another small house in the row, albeit a wooden one.

"But once you step across the threshold, floors appear to float as light pours in from all directions. Panoramic windows frame the greenery like a living painting. The split-level floors strengthen the connection to the outdoors, drawing the rolling landscape inside. Exactly where the two building sections meet, a diamond-shaped skylight opens up the roof to an abundance of natural daylight. The boundary between inside and outside blurs completely. Thanks to the overhead lighting, the varying levels, and the low, continuous windows, the house feels much more spacious than its square footage suggests. The exposed wooden construction does the rest.

"Throughout the day, the sunlight enters the house in ever-changing ways. This enhances the interplay of fluid spaces and intimate nooks where you can retreat for a moment. The deep window niche between the kitchen and the living room invites you to curl up and relax. The living room sits just a touch higher, creating a cozy, sheltered atmosphere without losing its connection to the rest of the house. Even the bathroom seems to float; you enter via an exciting little bridge, only to find yourself in a snug cocoon with ‘peek-holes’ looking out.

"Thanks to the vapor-permeable timber frame construction and natural wood-wool insulation, the house literally and figuratively breathes. A heat pump and underfloor heating ensure constant comfort. This is a place where you’ll want to walk barefoot, heading toward that one corner where the sun hits just right. It is a house that embraces you, with a lightness felt in every room.

"Behind all the architectural details lies plenty of practical convenience. The three children's bedrooms utilize the full height of the house, each featuring its own loft bed in the ridge, while the master bedroom enjoys the luxury of an ensuite bathroom. At the front of the house, there is a workspace/studio, accessible via both the main entrance and its own private side entrance. For daily family life, there is the ideal, ‘pleasantly messy’ utility room with its own back entrance—the perfect spot to drop your gear after sports or grab your boots when it rains. Storage is also plentiful: a large, semi-sunken shed is located beneath the living room. In short: it is a spacious home truly designed for living."

Photo by Henny van Belkom

Photo by Henny van Belkom

Photo by Henny van Belkom

See the full story on Dwell.com: Dual Gables Expand the Footprint of This Netherlands Home in Unexpected Ways
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For $10K a Month, You Can Rent a Midcentury Time Capsule in L.A.

Designed by A. Quincy Jones and Frederick Emmons, the Harlan Lee House has floor-to-ceiling windows, mountain views, an interior courtyard, and a lush pool area.

Designed by A. Quincy Jones and Frederick Emmons, the Harlan Lee House has floor-to-ceiling windows, mountain views, an interior courtyard, and a lush pool area.

Location: 4965 Calvin Avenue, Tarzana, California

Price: $10,000 a month

Year Built: 1961

Architect: A. Quincy Jones & Frederick Emmons

Footprint: 2,202 square feet (4 bedrooms, 3 baths)

Lot Size: 0.36 Acres

From the Agent: "Originally commissioned for developer Harlan Lee and featured as the Good Housekeeping Model House, this residence epitomizes a ‘dream house with young ideas’ that defined the era’s innovative spirit. Classic post-and-beam construction with soaring ceilings, and floor-to-ceiling glass walls seamlessly connects the interior to the lush landscaping and swimming pool. The living room is centered around a minimalist open fireplace. With over 2,200 square feet of living space, this four-bedroom/three-bath midcentury refuge also features an additional flex space with separate entrance, ideal for a studio/home office. Situated on over a third acre in Tarzana’s Royal Homes subdivision, the home’s terraced lot offers views of the valley and mountains. Described by Good Housekeeping as ‘a house with the outdoors built in,’ this property represents a rare opportunity to live in a piece of architectural history that has been preserved as a living experience of 1960s modernism."

You enter the home through a courtyard behind the teal blue door.

A teal door leads to the home’s entry courtyard.

Photo: Cameron Carothers

Photo: Cameron Carothers

The architects, Jones and Emmons, garnered widespread acclaim for their work on California residential architecture. Although this home was a collaboration with developer Harlan Lee, the duo notably often worked with Joseph Eichler.

Famed midcentury architects A. Quincy Jones and Frederick Emmons designed the residence for the developer Harlan Lee.

Photo: Cameron Carothers

See the full story on Dwell.com: For $10K a Month, You Can Rent a Midcentury Time Capsule in L.A.
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This 5,382-Square-Foot Home in Brazil Weaves Through the Forest on a Network of Piles

It juts, twists, and turns to follow spaces between the trees, appearing to suspend living spaces in midair.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Nova Lima, Brazil

Architect: TETRO Arquitectura / @tetro.arquitectura

Footprint: 5,382 square feet

Builder: Engecapo

Structural Engineer: MEstturas

Photographer: Jomar Bragança / @jomarbraganca

From the Architect: "A place immersed in lush Atlantic rainforest nature. A terrain filled with large leafy trees, foliage, shrubs, birds, and wild animals. A challenging topography with a steep slope, characteristic of the Nova Lima region in Minas Gerais. This is the place where Casa Açucena is inserted.

"The project is a response to a sensitive reading of the place. In its first contact with this terrain, the need to maintain the natural characteristics is already clear. The act of looking upward, from the ground to the canopy of trees, elevated up to fifty feet above ground level, was decisive for the creation of the concept. How to build in a place with such a steep topography, while maintaining the original nature? How to give the residents the daily experience of looking up and seeing the sky through the treetops. These were the questions that guided all design decisions.

"The belief that architecture should mold to the terrain, and not the other way around, was the starting point. The house rises above the ground and the animal and plant life develops underneath. The program shapes itself by occupying the empty spaces between the trees, none of which were removed. The topography was left changed. From this point on, no choice or design decision was made by taste or will of the architect. Everything is a response and is intended to reinforce the concept.

"The house, in its white color, is a surprise to those who arrive. Its randomly placed black pillars blend in with the trunks. The house seems to float. Its fluid plan, a result of the program's occupation among the trees, and its openings and folds in the slab to reach the view of the treetops, generate the geometry. The architecture is harmoniously inserted next to the natural vegetation, while maintaining its presence."

Photo: Jomar Bragança

Photo: Jomar Bragança

Photo: Jomar Bragança

See the full story on Dwell.com: This 5,382-Square-Foot Home in Brazil Weaves Through the Forest on a Network of Piles
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