Before & After: To Save a Ruined Cottage, They Had to Take It Apart and Put It Back Together Again

Splinter Society dismantled, catalogued, and rebuilt the historic Melbourne home with an industrial rear addition, two courtyards, and a fireplace turned outdoor firepit.

The living and dining areas look onto the central courtyard, where the original kitchen hearth has been rebuilt as an outdoor fireplace.

When Cam Bailey bought a crumbling cottage in Melbourne’s Collingwood neighborhood, there didn't seem to be much to save. The property, however, fell under a heritage overlay—a planning control that recognizes historical significance. So, when Cam hired local architectural practice Splinter Society to plan a renovation and extension, they had to carefully dismantle the entire cottage, catalogue its parts, store them off-site, and rebuild it once the addition was completed.

"Honestly, I didn’t go into the project with a strong desire to preserve specific original features, mainly because the cottage was in quite an extreme state of disrepair," recalls Cam. "It was actually a bit of a surprise when it became clear that the existing structure needed to be retained. It required a real shift in how I was thinking about the project, and I had to reconsider what was possible."

In addition to restoring the original cottage, Splinter Society extended the home with an industrial-inspired rear addition and created two courtyards that extend the living space outside and invite natural light into the interiors.

Before: Exterior

In the late 19th century, Collingwood was a large manufacturing precinct with thousands of modest two- and three-room cottages built to house workers. During the 1960s and 1970s, most of the cottages were demolished and replaced by apartment buildings, and today the remaining cottages are deemed historically significant.

The original workers’ cottage was in severe disrepair when the owner bought it as a deceased estate. Despite the state of the cottage, the heritage overlay required the team to preserve and reinstate the building.

Before: "It wasn’t so much the cottage itself that initially drew me in, but the location," says homeowner Cam Bailey. "I had already lived in Collingwood for some time and really loved the area’s energy and character. I was particularly drawn to its industrial heritage and resulting aesthetic."

Photo courtesy of Splinter Society

The house Cam purchased was one of the original cottages, and it was in a severely dilapidated state. "The same old fellow had lived in it forever and had never done anything to it," recalls Splinter Society director Chris Stanley. "The floors had collapsed, the windows were smashed, and it still had the original cooker and bathtub."

The dismantling process required heritage working drawings of the cottage to be made, followed by the numbering and removal of individual elements.

Before: The dismantling process required the creation of heritage working drawings of the cottage, followed by the numbering and removal of individual elements. "That included all the decorative timberwork, the windows, and each brick—every single element of the building," says Splinter Society director Chris Stanley. The cottage then had to be completely reconstructed.

Photo courtesy of Splinter Society

After: Exterior

Cam, who works in finance, travels frequently for work, and he bought the home to serve as a base when living in Melbourne. He was attracted to Collingwood’s industrial vibes, and he selected Splinter Society for their track record of transforming old industrial sites. "He wanted layers of industrial, inner-city fabric brought together with a cottage," says Stanley. "It became a question of: how do you reconcile these two things?"

The old and new volumes are clearly distinct in style. Visual connection is created by the the vertical rhythm of the new cladding echoing the timber work on the original gable roof, and the neutral color palette.

The old and new volumes are clearly distinct in style, but the vertical rhythm of the new cladding echoes the timberwork on the original gable roof, and the neutral color palette.

Photo by Jack Lovel

See the full story on Dwell.com: Before & After: To Save a Ruined Cottage, They Had to Take It Apart and Put It Back Together Again
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After a Ground-Up Revamp, a Santa Fe Adobe Home Seeks $1.8M

The ’80s post-and-beam residence has been overhauled with a new roof and fresh finishes, systems, windows, and plumbing.

This sprawling home in Santa Fe is located on an elevated lot with sweeping views of the surrounding landscape and nearby mountains.

Location: 722 Gonzales Road, Santa Fe, New Mexico

Price: $1,775,000

Footprint: 4,870 Square Feet (5 Beds, 3.5 Baths)

Lot Size: 1.13 Acres

Year Built: 1985

Renovation Year: 2025

From the Agent: "This home was redesigned to blend midcentury-modern and Santa Fe Southwestern styles, and it brings in natural light with an atrium, clerestory windows, and 14-foot ceilings. The new kitchen is appointed with Fisher & Paykel appliances, creamy Perlato Taj Satin quartzite from Brazil, and a wet bar with wine cooler, sink, and extra storage. In addition, there is a formal dining area perfect for hosting. The primary bedroom features a broad picture window showcasing  sweeping views of the Jemez, Sandias, and Cerrillos Hills plus the city lights of Santa Fe. The bathrooms have been newly redone with quartzite countertops and Italian terrazzo finishes. A separate studio off the garage can be used use as workshop or art studio. New improvements since 2023 include an insulated TPO roof with warranty, fresh exterior stucco and interior plaster, all-new plumbing and interior/exterior lighting fixtures, central air, new skylights, and Sierra Pacific windows throughout."

This sprawling home in Santa Fe is located on an elevated lot with sweeping views of the surrounding landscape and nearby mountains.

This Santa Fe home is located on an elevated lot with views of the nearby mountains. 

Photo by Luis Castillo

The adobe exterior conceals a contemporary interior with midcentury modern accents.

The adobe exterior conceals a contemporary interior with midcentury-modern accents. 

Photo by Luis Castillo

Photo by Luis Castillo

See the full story on Dwell.com: After a Ground-Up Revamp, a Santa Fe Adobe Home Seeks $1.8M
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They Used Family Farm Equipment to Build a Prefab Home in Spain

Architect Clara Crous designed modular timber-frame structures that she and her partner pieced together using his relatives’ heavy machinery.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Vilamacolum, Spain

Architect: Clara Crous Arquitectura / @claracrousarq

Footprint: 2,260 square feet

Photographer: Montse Capdevila / @montsecapdevila_

From the Architect: "Architect Clara Crous and her partner Carles acquired the last available plot on a street in Vilamacolum, a triangular site framed by the agricultural landscape that has shaped the Alt Empodà region and Carles’s own roots in farming. Carles, who works in digital fabrication with wood and plastic, comes from a family of local farmers, granting him access to a range of machinery for handling large-scale materials. This context made it possible for Clara and her team to conceive the project from the very beginning with self-construction in mind, integrating design, technical resources, and construction timelines.

"The build itself followed the rhythms of the land. Construction began at the end of the corn harvest, when local labor was available to actively participate in the project. What might have seemed a practical coincidence became a guiding principle, linking agricultural cycles with the pace of construction. The house is structured around a light timber frame, prefabricated in the workshop to optimize time and effort. From this framework, Casa Al Pradet unfolds as a series of modules of varying shapes and heights, echoing the vernacular outbuildings traditionally added to Catalan manor houses as families grew.

"Raised almost four feet above the ground due to its location in the lowest part of the village, where rainwater naturally flows toward a river below the site, the house is positioned to shield itself from the tramontana wind. Its staggered volumes respond to the triangular geometry of the plot and the fragmented layout of traditional country houses in the area (masias), blending naturally into the rural landscape.

"Local and natural materials define the project: cork, lime mortar, adobe, hydraulic tiles, and handmade ceramics are used throughout floors, skirtings, exterior surfaces, and small architectural details. Inside, wood shapes both structure and furniture, creating a sense of continuity and warmth. Traditional elements meet modern solutions: shutters have been motorized and are controlled by a smart system that adjusts them according to sun exposure and wind. Outside, a perimeter of ceramic gravel aids drainage, completing a construction approach where every decision balances practical knowledge and technical skill."

Photo by Montse Capdevila

Photo by Montse Capdevila

Photo by Montse Capdevila

See the full story on Dwell.com: They Used Family Farm Equipment to Build a Prefab Home in Spain
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No Less Than 17 Paint Colors Fill Every Inch of This New York Town House

After being displaced by a fire, homeowners Michelle Erfer and Theresa Mershon returned to beloved shades for their new pad and added some bold hues, too.

In the 27 years they’ve been together, Michelle Erfer, a booking agent who works with venues including New York’s Paragon and Knockdown Center, and tech executive Theresa Mershon have never been afraid of color. Just two years after they completed a many-hued renovation of their apartment in the Flatbush neighborhood of Brooklyn, they were displaced by a fire in the building. After two years bouncing between friends’ apartments, rentals, and hotels, they landed in East Brooklyn, just over the border with Queens, buying a two-story 1910 town house in Cypress Hills. Naturally, it was time to pour in the color.

Theresa Mershon and Michelle Erfer brought their shared passion for color to the recent renovation of a 1910 town house in Queens, New York. Working with architect Luki Anderson of Studio Officina and color consultant Holly Faulkner, the couple employed a total of 17 shades in the 2,073-square-foot home, including Fruit Fool in the dining alcove and Vardo in the parlor. The velvet Tegan swivel chairs are from Interior Define. The Twin wall sconce is by Karen Gilbert for SkLO.

To help, they brought on Studio Officina’s Luki Anderson, an architect known to use eye-catching hues. They used some of the beloved colors from their old Flatbush apartment and worked with new shades, too.

"When we started working on this house, I was still in love with those colors," says Theresa. Anderson helped figure out exactly where to bring them in and encouraged the couple to be bold with their new selections. While most renovators leave paint discussions until later in the process, color was the first thing they decided on, settling on more than a dozen shades before any construction even took place.

In the upstairs guest bathroom, a Heritage Tiles pattern designed by Anderson pairs with wainscoting painted in Arsenic and a tub finished in Pink Drab, both from Farrow & Ball.
The kitchen cabinets are covered in a softer green, Teresa’s Garden by Farrow & Ball. The couple used Wimborne White for the rest of the kitchen. The Frost mosaic backsplash is from Fireclay Tile, and the countertops are from Mondial Tiles. The Eames wire stools are from Design Within Reach. The appliances are from Thermador and Fisher & Paykel. The Axor Starck faucet is from Ferguson Home. The Aura pendant lights are from Ladies & Gentlemen Studio.

See the full story on Dwell.com: No Less Than 17 Paint Colors Fill Every Inch of This New York Town House
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Steely Interventions Finish Off This Renovated Family Home in Australia

A stair, an awning, and more metal elements reference the cottage’s industrial neighborhood.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Brunswick, Australia

Architect: Office Fora / @office.fora

Footprint: 1,625 square feet

Builder: Nook Construction

Structural Engineer: Keith Long & Associates

Photographer: Tom Ross / @tomross.xyz

From the Architect: "The project explores the dialogue between industrial and domestic architecture on a corner site in Brunswick. The themes of reuse, economy of construction, and doing more with less are central to the design approach, where site and budget constraints became opportunities for invention. The project repositions a dark and cramped cottage with little connection to the garden into a light-filled, spacious home for a young family connected to the landscape and the neighborhood. The two-story addition creates a new urban presence that mediates between the historic cottages and industrial buildings, enriching the neighborhood’s architectural narrative while respecting its unique character. Windows along the street and rear facades provide glimpses of activity within, creating a dialogue between private and public life.

"The design carefully negotiates multiple contextual relationships. The rhythmic board-and-batten facades and angled roofline extend the language of the existing building while responding to the scale of buildings along both streets. Industrial elements like galvanized steel awnings reference neighboring workshops, complicating the domestic character of the exterior. Oversize windows proportionally echo the existing double-hung windows, subtly signaling the building’s evolution. A new living space opens directly onto the garden. Entrance glazing spills light into a widened gallery hallway with views of the garden beyond. The pairing of upstairs rooms supports a range of uses, which enjoy views over Brunswick rooftops through a glazed screen running along the stair void. The bathroom’s practical division allows simultaneous use, where robust yet delicate bath and basin furniture sit within a tiled room, with hues that mirror surrounding factories.

"Close collaboration with builders and fabricators was essential to the project’s success. Industrial fabricators adapted standard processes to create bespoke elements like the galvanized steel stair, stainless-steel kitchen island, and bathroom furniture. These collaborations yielded elements that are both pragmatic and refined, maintaining manufacturing authenticity while achieving sophisticated design outcomes.

"Built during COVID, the project exemplifies doing more with less. Budget constraints became opportunities for invention in the design and construction. Raw material expressions and exposed construction processes, such as weld lines, exposed steel connections, and stainless-steel carcasses without linings, eliminated superfluous finishes while creating an architectural character rooted in its place.

"The project prioritizes longevity through flexible spaces and robust materials used in their natural state. Locally sourced timber plywood flooring provides warmth and durability while remaining economical. Existing and new rooms accommodate a multitude of uses and are deliberately lacking in built-in joinery, providing flexibility as the family’s needs shift. Upgraded insulation and glazing throughout the existing home, and a large solar array powering heat pump systems, ensure year-round comfort with minimal environmental impact."

Photo by Tom Ross

Photo by Tom Ross

Photo by Tom Ross

See the full story on Dwell.com: Steely Interventions Finish Off This Renovated Family Home in Australia

For Fans of Italian Brutalism, This €2.5M 1970s Villa Has It All

Designed by architect Francesco Castiglioni, the monolithic Milan home has a bold concrete facade, glass-encased living areas, and nearly an acre of green space.

The villa is built primarily with concrete, an unusual choice for a residence during the 1970s.

Location: Cusano Milanino, Via Ippocastani, Milan, Italy

Footprint: 7,534 Square Feet (4 Beds, 8 Baths)

Price: €2,500,000 to €3,500,000 (exact figure available upon request)

Architect: Francesco Castiglioni

Year Built: 1970

From the Agent: "This villa was conceived and built by architect Francesco Castiglioni in the early 1970s, and is still remarkable today thanks to its forward-thinking external forms and magnificent interior spaces. Located in one of the most residential areas of Cusano Milanino, less than half an hour from Milan, the villa is surrounded by greenery. Castiglioni chose reinforced concrete as the construction material. The main villa offers roughly 6,997 square feet of space distributed over three levels, plus a semi-basement floor featuring a large, heated indoor swimming pool and service areas (laundry, ironing room, cellar, and storage rooms). The unexpected use of glass and concrete in the interiors, along with the large living room featuring full-height windows, defines the asymmetrical silhouette of the rear facade overlooking the garden. Covered terraces host additional outdoor living areas, offering pleasant views over the greenery of the garden, which extends to approximately 40,903 square feet. The property is completed by a caretaker’s house of about 753 square feet, as well as a covered garage of approximately 681 square feet that is directly connected to the main residence."

The villa is built primarily with concrete, an unusual choice for a residence during the 1970s.

The brutalist-style villa was designed by Italian architect Francesco Castiglioni and built in 1970. 

Photo by Italy Sotheby’s International Realty

The villa is built primarily with concrete, an unusual choice for a residence during the 1970s, particularly in Milan.

The villa is made primarily from concrete—an unusual choice for a residence in Milan. 

Photo by Italy Sotheby’s International Realty

A double-sided fireplace keeps the interior and exterior in constant dialogue.

A double-sided fireplace warms the living area and a shaded outdoor patio. 

Photo by Italy Sotheby’s International Realty

See the full story on Dwell.com: For Fans of Italian Brutalism, This €2.5M 1970s Villa Has It All
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From the Archive: A Modernist Beach Shack in East Hampton That Cost Only $150K to Build

To give the small space the best views possible, early retiree Ken Kuchin and his architect Preston Phillips placed the home and its surrounding deck seven feet above grade.

Welcome to From the Archive, a look back at stories from Dwell’s past. This story previously appeared in the August 2002 issue.    

It started out as an experiment: Ken Kuchin wanted to build a cabin on his empty beach property for only $150,000. This early retiree and his architect, Preston Phillips, moved a stand around to test the views before choosing a site seven feet above grade. Phillips’ original, rather ambitious scheme was scaled back to what he now calls a "butterfly-roofed shoe-box." That it ended up beautiful proves Charles Eames dictum that "design depends largely on constraints."

"I’m not going to put art in the house because the windows frame the art," says collector Kuchin. Though Kuchin and his partner, Bruce Anderson, spend most weekends at their larger home across town, he comes by every morning to walk on the beach. "The way the house sits up high on the pilings is my favorite aspect," says Anderson. "I think it looks very safe and secure." To furnish the house, the pair chose unique furnishings like the Hans Wegner chairs.

"The house fits within the modernist vein of East Hampton houses I studied when I was in architecture school," Phillips explains. "They were modern and used cheap materials." Phillips continued this tradition with PVC pipe railings and plywood interior finishes straight from Home Depot. The house’s top windows have a sensor that closes them automatically when it rains—a concession to the only luxury building material, the natural cork floor

See the full story on Dwell.com: From the Archive: A Modernist Beach Shack in East Hampton That Cost Only $150K to Build
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