Designers Are Proving Spec Houses Don’t Have to Be Boring

Homes built without a confirmed buyer have a reputation for being bland and unimaginative, but some developers have found approaches that allow for more creativity without alienating their clientele.

The first thing to know about spec houses—homes that were built without a confirmed buyer—is that the people creating the most interesting ones may not even realize they’re building them at all.

"Spec houses, ew," quipped one source I reached out to. But then they thought about it some more: "I guess that is what we’re doing." The hesitation is understandable: For many, the phrase "spec home" conjures up a particular image of bland, conformist design—something created to appeal to the largest number of leads in order to move inventory quickly. Call it 50 shades of greige, homebuilder edition.

A new crop of developers, architects, and general contractors is starting to think differently. Instead of trying to net as many potential buyers as possible by appealing to the mean, these professionals instead are taking an approach more akin to spearfishing: designing spec homes with high specificity. In some cases, that means embracing interiors or massing with more derring-do than your average build; in others, it’s cultivating a property that embodies a strong set of values. Either way, these efforts are laser-focused on creating something that will appeal to a particular type of prospect, whether it’s a first-time homebuyer or a sustainability advocate. To figure out the smartest approaches, we talked to a handful about how they approach building thoughtful spec homes that still make business sense.

El Bosque’s home collection includes structures by many notable architecture firms, including Gensler’s Ceibo House (left). The interior of the Jobo House (right) displays the development’s emphasis on a sense of place.

El Bosque’s home collection includes structures by many notable architecture firms, including Gensler’s Ceibo House (left). The interior of the Jobo House (right) displays the development’s emphasis on a sense of place.

Photos courtesy Harmony Projects

Zoom in on lifestyle

"People designing spec homes like to say they’re designing something that will appeal to everyone," says John Johnson, a developer of the El Bosque residential community in Nosara, Costa Rica, but "what actually happens is they design a home that will offend no one." For El Bosque, Johnson—alongside his wife and codeveloper, Susan—has commissioned a neighborhood populated with houses designed to tread lightly on the earth, by firms including Olson Kundig, Chip Webster, Gensler, and Years Studio. Structures employ locally harvested timber, use deep overhangs for solar protection and rain mitigation, and "float" over the forest floor so as not to impede the wildlife below.

In planning the development, the Johnsons are applying a lesson they gleaned through operating the Harmony Hotel, a neighboring eco-resort. "Sense of place deepens your market," says John, who notes that the return guest rate at the hotel hovers around 50 percent. Their logic is that taking a similar tack will work in a residential community, too.

Pursuing this deep-not-wide strategy meant that the typical developer formula of maximizing buildable area went out the window, says Roberto Meza, managing partner of El Bosque. "We built less and kept more of the site intact, and that restraint is where the value comes from," he says. So far, it’s also proven to be a sound financial model: "Buyers have shown they are willing to pay for what we chose not to build," says Meza, adding that half of the properties have sold in the first 24 months. The development is walkable and oriented around community—amenities that are increasingly recognized by developers as selling points. Whether it’s a tree house in the rainforest or an adobe dwelling in the desert, spec-house developers are wise to appeal to a sense of place, and the priorities that come with it.

Embrace the potential of the odd lot

Brian Wickersham, founding partner of AUX Architecture in Los Angeles, similarly sees value in bucking the conventional spec-house rules. After designing for a number of developers, his firm started looking at the numbers and saw that a bolder design could be just as financially compelling as a "safe" alternative. "We started to talk to developers so we could say, ‘Hey, look, if we start to do it this way, the economics are actually going to support you,’" he says. Eventually, his firm put their money where their mouth was.

At the moment, AUX is breaking ground on their first three-house development in Northeast Los Angeles, at a site Wickersham discovered while walking his dog. Another developer had purchased the property with a residential build in mind—but the project didn’t pan out, Wickersham says, because the previous owner had planned to level the steep grade and put in large retaining walls. The property went back on the market, and AUX swooped in, with a plan for homes that will follow the site’s natural sloping topography—a trio of homes, running down the hill.

Hillside developments like these can be challenging: "You have to be creative out of the gate," Wickersham notes. "The market thinks that they’re complicated, [so] that’s an opportunity for us." Because of the complexities involved with developing the land, Wickersham was able to acquire the property for a figure that would make the build of a spec home profitable. The homes they’re making are expected to match the area’s average of around $800 per square foot, and the sizes will be between 1,200 and 1,400 square feet. Wickersham explains that they are targeting first-time homebuyers interested in the eclectic feel of the Highland Park neighborhood—and, one can assume, also appreciate a bit of architectural audacity.

Having now sat on both sides of the spec-house table, Wickersham empathizes with developers seeking safe returns through cookie-cutter design, but ultimately stands by his approach, and advocates for other architects to similarly put skin in the game. To achieve profitability as well as a compelling design, spec-house developers must be willing to embrace an out-of-the-box solution—and have faith in the power of this thinking.

Erica Keberle of Major Jacks has collaborated with Thaddeus Stevens of design/build firm Wishbone on multiple projects, including Heute Haus in Glen Spey, New York (left), and Bear Run in Narrowsburg, New York (right).

Erica Keberle of Major Jacks has collaborated with Thaddeus Stephens of design/build firm Wishbone on multiple projects, including Heute Haus in Glen Spey, New York (left), and Bear Run in Narrowsburg, New York (right).

Photos by Gabriel Zimmer (left) and Clay Banks (right), courtesy Anatole House

Use unique details to help your property stick out

For those who subscribe to Wickersham’s thinking, there’s a freedom in designing these projects. "I think not having the client is what makes this more fun and gives it creative freedom," says Erica Keberle, the interior stylist behind Major Jacks and a realtor based in the Catskills region of New York. Across three projects, she has partnered with Thaddeus Stephens of Wishbone, a design/build firm, on developing spec homes that are chock-full of personality—think tabasco-red cabinets, hearths made from handmade local tile, and a sunken living room. Since Keberle and Stephens are both the decision-makers and the executors, projects move quickly, and ideas resist the "watering-down" that can result from micronegotiations with clients over the course of a project. "It’s hard to tell a client, ‘Hey, I found two hundred square feet of old tile in a barn somewhere. It’s all dirty, but they’re going to clean up great!’" says Stephens. "But we can see it."

When it comes time to sell, Keberle represents the properties as the real-estate agent through Anatole House, a design-forward brokerage focused on the Hudson Valley and Catskills regions. The first spec-home collaboration between Keberle and Stephens—who together bill themselves as Beyond the Black Box—listed for $895,000 and sold for $865,000. "That property started a new comp for that not only that specific area, but then that became a new comp for the next projects for other people in the area," says Keberle. Their current project, Timber Lake in Eldred, New York, is on the market for $1,050,000, and boasts tactile details like tile by local maker Jessie Lazar and bullnose-rounded corners.

The latest collaboration between Major Jacks and Wishbone, Timber Lake, is currently on the market for $1,050,000.

The latest collaboration between Major Jacks and Wishbone, Timber Lake, is currently on the market for $1,050,000. 

Photo by Zach Hyman, courtesy Anatole House

See the full story on Dwell.com: Designers Are Proving Spec Houses Don’t Have to Be Boring

How to Build a Spec House That Feels Personal—And Financially Sound

Homes built without a confirmed buyer have a reputation for being bland and unimaginative, but some developers have found approaches that allow for more creativity without alienating their clientele.

The first thing to know about spec houses—homes that were built without a confirmed buyer—is that the people creating the most interesting ones may not even realize they’re building them at all.

"Spec houses, ew," quipped one source I reached out to. But then they thought about it some more: "I guess that is what we’re doing." The hesitation is understandable: For many, the phrase "spec home" conjures up a particular image of bland, conformist design—something created to appeal to the largest number of leads in order to move inventory quickly. Call it 50 shades of greige, homebuilder edition.

A new crop of developers, architects, and general contractors is starting to think differently. Instead of trying to net as many potential buyers as possible by appealing to the mean, these professionals instead are taking an approach more akin to spearfishing: designing spec homes with high specificity. In some cases, that means embracing interiors or massing with more derring-do than your average build; in others, it’s cultivating a property that embodies a strong set of values. Either way, these efforts are laser-focused on creating something that will appeal to a particular type of prospect, whether it’s a first-time homebuyer or a sustainability advocate. To figure out the smartest approaches, we talked to a handful about how they approach building thoughtful spec homes that still make business sense.

El Bosque’s home collection includes structures by many notable architecture firms, including Gensler’s Ceibo House (left). The interior of the Jobo House (right) displays the development’s emphasis on a sense of place.

El Bosque’s home collection includes structures by many notable architecture firms, including Gensler’s Ceibo House (left). The interior of the Jobo House (right) displays the development’s emphasis on a sense of place.

Photos courtesy Harmony Projects

Zoom in on lifestyle

"People designing spec homes like to say they’re designing something that will appeal to everyone," says John Johnson, a developer of the El Bosque residential community in Nosara, Costa Rica, but "what actually happens is they design a home that will offend no one." For El Bosque, Johnson—alongside his wife and codeveloper, Susan—has commissioned a neighborhood populated with houses designed to tread lightly on the earth, by firms including Olson Kundig, Chip Webster, Gensler, and Years Studio. Structures employ locally harvested timber, use deep overhangs for solar protection and rain mitigation, and "float" over the forest floor so as not to impede the wildlife below.

In planning the development, the Johnsons are applying a lesson they gleaned through operating the Harmony Hotel, a neighboring eco-resort. "Sense of place deepens your market," says John, who notes that the return guest rate at the hotel hovers around 50 percent. Their logic is that taking a similar tack will work in a residential community, too.

Pursuing this deep-not-wide strategy meant that the typical developer formula of maximizing buildable area went out the window, says Roberto Meza, managing partner of El Bosque. "We built less and kept more of the site intact, and that restraint is where the value comes from," he says. So far, it’s also proven to be a sound financial model: "Buyers have shown they are willing to pay for what we chose not to build," says Meza, adding that half of the properties have sold in the first 24 months. The development is walkable and oriented around community—amenities that are increasingly recognized by developers as selling points. Whether it’s a tree house in the rainforest or an adobe dwelling in the desert, spec-house developers are wise to appeal to a sense of place, and the priorities that come with it.

Embrace the potential of the odd lot

Brian Wickersham, founding partner of AUX Architecture in Los Angeles, similarly sees value in bucking the conventional spec-house rules. After designing for a number of developers, his firm started looking at the numbers and saw that a bolder design could be just as financially compelling as a "safe" alternative. "We started to talk to developers so we could say, ‘Hey, look, if we start to do it this way, the economics are actually going to support you,’" he says. Eventually, his firm put their money where their mouth was.

At the moment, AUX is breaking ground on their first three-house development in Northeast Los Angeles, at a site Wickersham discovered while walking his dog. Another developer had purchased the property with a residential build in mind—but the project didn’t pan out, Wickersham says, because the previous owner had planned to level the steep grade and put in large retaining walls. The property went back on the market, and AUX swooped in, with a plan for homes that will follow the site’s natural sloping topography—a trio of homes, running down the hill.

Hillside developments like these can be challenging: "You have to be creative out of the gate," Wickersham notes. "The market thinks that they’re complicated, [so] that’s an opportunity for us." Because of the complexities involved with developing the land, Wickersham was able to acquire the property for a figure that would make the build of a spec home profitable. The homes they’re making are expected to match the area’s average of around $800 per square foot, and the sizes will be between 1,200 and 1,400 square feet. Wickersham explains that they are targeting first-time homebuyers interested in the eclectic feel of the Highland Park neighborhood—and, one can assume, also appreciate a bit of architectural audacity.

Having now sat on both sides of the spec-house table, Wickersham empathizes with developers seeking safe returns through cookie-cutter design, but ultimately stands by his approach, and advocates for other architects to similarly put skin in the game. To achieve profitability as well as a compelling design, spec-house developers must be willing to embrace an out-of-the-box solution—and have faith in the power of this thinking.

Erica Keberle of Major Jacks has collaborated with Thaddeus Stevens of design/build firm Wishbone on multiple projects, including Heute Haus in Glen Spey, New York (left), and Bear Run in Narrowsburg, New York (right).

Erica Keberle of Major Jacks has collaborated with Thaddeus Stevens of design/build firm Wishbone on multiple projects, including Heute Haus in Glen Spey, New York (left), and Bear Run in Narrowsburg, New York (right).

Photos by Gabriel Zimmer (left) and Clay Banks (right), courtesy Anatole House

Use unique details to help your property stick out

For those who subscribe to Wickersham’s thinking, there’s a freedom in designing these projects. "I think not having the client is what makes this more fun and gives it creative freedom," says Erica Keberle, the interior stylist behind Major Jacks and a realtor based in the Catskills region of New York. Across three projects, she has partnered with Thaddeus Stevens of Wishbone, a design/build firm, on developing spec homes that are chock-full of personality—think tabasco-red cabinets, hearths made from handmade local tile, and a sunken living room. Since Keberle and Stevens are both the decision-makers and the executors, projects move quickly, and ideas resist the "watering-down" that can result from micronegotiations with clients over the course of a project. "It’s hard to tell a client, ‘Hey, I found two hundred square feet of old tile in a barn somewhere. It’s all dirty, but they’re going to clean up great!’" says Stevens. "But we can see it."

When it comes time to sell, Keberle represents the properties as the real-estate agent through Anatole House, a design-forward brokerage focused on the Hudson Valley and Catskills regions. The first spec-home collaboration between Keberle and Stevens—who together bill themselves as Beyond the Black Box—listed for $895,000 and sold for $865,000. "That property started a new comp for that not only that specific area, but then that became a new comp for the next projects for other people in the area," says Keberle. Their current project, Timber Lake in Eldred, New York, is on the market for $1,050,000, and boasts tactile details like tile by local maker Jessie Lazar and bullnose-rounded corners.

The latest collaboration between Major Jacks and Wishbone, Timber Lake, is currently on the market for $1,050,000.

The latest collaboration between Major Jacks and Wishbone, Timber Lake, is currently on the market for $1,050,000. 

Photo by Zach Hyman, courtesy Anatole House

See the full story on Dwell.com: Designers Are Proving Spec Houses Don’t Have to Be Boring

On a Former Cherry Farm, a Whimsical New Jersey Victorian Seeks $900K

The 1898 Maplewood home has a sky-blue exterior, stained glass windows, a wraparound porch, and a turret.

The Victorian home is built on a former cherry farm.

Location: 39 Oberlin St, Maplewood, New Jersey

Price: $899,000

Year Built: 1898 

Footprint: 5 beds, 3 baths

From the Listing: "A truly special Victorian in the heart of Maplewood’s beloved College Hill neighborhood, this move-in ready home offers five bedrooms, three bathrooms, and more than 125 years of history, warmth, and genuine character. Built in 1898, this remarkable home is filled with sweet details rarely found today. A wonderful wraparound front porch welcomes you into gracious interiors with beautiful original woodwork, leaded-glass windows, pocket doors, and timeless architectural craftsmanship throughout. Generous first-floor living and entertaining spaces flow into an updated kitchen with a modernized half-bath. A spacious second floor features four bedrooms, one with an adjoining enclosed ‘sleeping porch,’ and a large full hall bath. The third floor has a lovely bedroom escape, additional bonus/office space, and another full bath, creating the potential for a large primary suite or work-from-home oasis. This very well maintained and updated home has plenty of additional storage areas on the third floor and basement as well as a lush and private backyard space. It’s ideally located with convenient access to Maplewood Village, restaurants, shops, parks and NYC transportation."

The Victorian home is built on a former cherry farm.

The Victorian home is built on the grounds of a former cherry farm. 

Photo by Lisa Kollberg

Photo by Lisa Kollberg

Photo by Lisa Kollberg

See the full story on Dwell.com: On a Former Cherry Farm, a Whimsical New Jersey Victorian Seeks $900K
Related stories:

On a Former Cherry Farm, a Whimsical New Jersey Victorian Seeks $900K

The 1898 Maplewood home has a sky-blue exterior, stained glass windows, a wraparound porch, and a turret.

The Victorian home is built on a former cherry farm.

Location: 39 Oberlin St, Maplewood, New Jersey

Price: $899,000

Year Built: 1898 

Footprint: 5 beds, 3 baths

From the Listing: "A truly special Victorian in the heart of Maplewood’s beloved College Hill neighborhood, this move-in ready home offers five bedrooms, three bathrooms, and more than 125 years of history, warmth, and genuine character. Built in 1898, this remarkable home is filled with sweet details rarely found today. A wonderful wraparound front porch welcomes you into gracious interiors with beautiful original woodwork, leaded-glass windows, pocket doors, and timeless architectural craftsmanship throughout. Generous first-floor living and entertaining spaces flow into an updated kitchen with a modernized half-bath. A spacious second floor features four bedrooms, one with an adjoining enclosed ‘sleeping porch,’ and a large full hall bath. The third floor has a lovely bedroom escape, additional bonus/office space, and another full bath, creating the potential for a large primary suite or work-from-home oasis. This very well maintained and updated home has plenty of additional storage areas on the third floor and basement as well as a lush and private backyard space. It’s ideally located with convenient access to Maplewood Village, restaurants, shops, parks and NYC transportation."

The Victorian home is built on a former cherry farm.

The Victorian home is built on the grounds of a former cherry farm. 

Photo by Lisa Kollberg

Photo by Lisa Kollberg

Photo by Lisa Kollberg

See the full story on Dwell.com: On a Former Cherry Farm, a Whimsical New Jersey Victorian Seeks $900K
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Before & After: Swedish Barns Inspired a Film Editor’s Dramatic Brooklyn Brownstone Revamp

After a Scandinavian-style update by architect Sarah Jacoby, the 1890 Bed-Stuy home pairs several shades of red with restored architectural details.

Streamlined cabinetry, saturated color, and natural materials come together in a space that balances nordic simplicity with Bloch’s own personal touch. It’s transformed, from formerly dated, into a light-and-color-filled gathering place for Bloch and guests.

A film editor by trade, Julia Bloch went to school in Denmark, lived in Copenhagen for a few years after that, and traveled extensively before moving to New York City. After 15 years of renting in the city, she was ready for a larger, permanent home—one that could evolve with her needs, and that reflected her experience abroad and innate creativity. She also dreamed of a welcoming space where friends and family could stay, relish long dinners, and linger.

When she first toured this brownstone in Brooklyn’s Bed-Stuy neighborhood, the paint was chipping and peeling off the woodwork, the bathrooms were dark and decrepit, and the floors were worn from decades of use. But she loved the generous proportions, the original doors, and the crystal doorknobs—so she put in an offer. After losing out to a higher bidder, she was surprised to get a call: Their offer fell through, and—just three weeks after the disappointment of losing out—the house became hers.

Elated and eager to get started, Julia enlisted Brooklyn-based architect Sarah Jacoby to bring her vision to life. Known for balancing historic preservation with a willingness to take risks, Jacoby helped honor the brownstone’s past while updating the space for Julia’s lifestyle—and her penchant for bold hues.

Before: Entry

Before: When film editor Julia Bloch purchased this Brooklyn brownstone, brown trim carried through the entryway and up the stairs to the top level. Ceiling tiles were removed and the space brightened with the help of paint and floor refinishing. After, the bold red of the entry takes on new warmth against the muted pink upstairs and the rusty tones elsewhere.

Before: When film editor Julia Bloch purchased this Brooklyn brownstone, brown trim carried through the entryway and up the stairs to the top level.

Photo courtesy of Sarah Jacoby Architect

After: Entry

Architect Sarah Jacoby removed the ceiling tiles, brightened up the space with paint, and refinished the flooring.

Architect Sarah Jacoby removed the ceiling tiles, brightened up the space with paint, and refinished the flooring.

Photo: Ty Cole

Color makes its first impression at the entry, where the interior doors and trim are coated in Deep Rose by Benjamin Moore, a rich red in a shiny semigloss finish. The saturated shade energizes the space and draws the eye into the home and up the staircase.

The color pays homage to Julia’s travels: "I’ve always loved the color of barns, which I saw a lot in Sweden when I lived in Scandinavia. I’d go into the Swedish countryside, and there is a specific color, a deep, earthy red that is a national color that they use to paint barns in Sweden– It’s the perfect red," she explains. "There is something very satisfying about it, so I was trying to match that."

The home has a bold red entry, muted pinks on the upper level, and rusty tones elsewhere.

The home has a bold red entry, muted pinks on the upper level, and rusty tones elsewhere. "It’s a combination I haven’t seen before, and it really works," Jacoby says. 

Photo: Ty Cole

See the full story on Dwell.com: Before & After: Swedish Barns Inspired a Film Editor’s Dramatic Brooklyn Brownstone Revamp
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This $2.1M Utah Home Has Been Ahead of the Curve Since 1938

With nautical-inspired details, flowing lines, and a history of subtle renovations, the rare Streamline Moderne residence has held on to its looks for nearly a century.

With nautical-inspired details, flowing lines, and a history of subtle renovations, this rare Streamline Moderne residence has held on to its looks for nearly a century.

Location: 1865 Herbert Avenue South, Salt Lake City, Utah

Price: $2,100,000

Year Built: 1938

Original Builder: Rich Jensen

Addition Date: 1998 

Addition Architect: Jerrold Green 

Renovation Date: 2017

Renovation Designer: Enzy Design, Nicole Zeigler, SLC

Footprint: 3,363 square feet (4 beds, 2.5 baths) 

Lot Size: 0.189 acres

From the Agent: "Built in 1938, the Henderson House is a rare surviving example of Streamline Moderne architecture in Salt Lake City’s Yalecrest neighborhood. A response to the machine age, the style is characterized by horizontal lines, streamlined forms, aerodynamic curves, rounded corners, industrial components like metal accents, and nautical elements like railings and porthole windows—all reflected in the home’s design.

In 1998, architect and then-owner Jerrold Green expanded the house with an addition that remained faithful to its original style. The current owners purchased the property in 2017 and undertook an eight-month renovation, updating its systems and interiors while preserving its historic character. Today, the 3,363-square-foot home has four bedrooms, two and a half bathrooms, a primary suite with a private deck, and multiple outdoor living spaces.

Listed as the Henderson House with the Utah State Historical Preservation Society, it is widely recognized for its architectural significance. The Henderson House has been periodically studied by University of Utah architecture students and featured in tours by the Utah Heritage Foundation."

Built in 1938, <a href="https://www.slcdocs.com/Planning/HLC/2010/October20/C.pdf">the Kenneth Henderson House</a> is a rare Art Moderne residence in Salt Lake City's Yalecrest neighborhood.

Built in 1938, the Kenneth Henderson House is a rare Streamline Moderne residence in Salt Lake City’s Yalecrest neighborhood.  

Photo by Jared Medley, Medley Creative

The home's rounded corners, metal railings, and porthole windows reflect the nautical influences of Streamline Moderne design. Architect Jerrold Green added the stainless-steel front door during a 1998 expansion.

The home's rounded corners, metal railings, and porthole windows reflect the nautical influences of Streamline Moderne design. Architect Jerrold Green added the stainless-steel front door during a 1998 expansion.

Photo by Jared Medley, Medley Creative

The home's rounded corners, metal railings, and porthole windows reflect the nautical influences of Streamline Moderne design.

The home’s rounded corners, metal railings, and porthole windows reflect the style’s nautical influences.  

Photo by Jared Medley, Medley Creative

See the full story on Dwell.com: This $2.1M Utah Home Has Been Ahead of the Curve Since 1938
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Asking £3.5M, This Legendary Arts and Crafts Estate Started as a Simple Cottage

Designed by famed architect Alfred Powell, Long Copse grew from a four-room summer home into a sprawling retreat with stables, a guest house, and a barn with a theatrical past.

Designed by famed architect Alfred Powell, Long Copse grew from a four-room summer home into a sprawling retreat with stables, a guest house, and a barn with a theatrical past.

Location: Pitch Hill, Ewhurst, Cranleigh, Surrey, England

Price: £3,500,000 (approximately $4,669,000 USD)

Year Built: 1899

Architect: Alfred Powell 

Footprint: 3,301 square feet (6 beds, 3 baths) 

Lot Size: 8.63 acres 

From the Agent: "Launching for £3.5 million, Long Copse in Ewhurst, Surrey, is one of the finest and rarest surviving houses associated with the Arts and Crafts movement, designed by architect, designer, and ceramicist Alfred Powell. Available for only the third time since it was built in 1899, the Grade II–listed home remains an extraordinarily intact example of one of Britain’s most influential design movements.

Originally commissioned as a four-room summer cottage for Mrs. Mudie-Cooke, Long Copse was conceived by Powell as an elegant country retreat, deliberately disguised as a modest Surrey cottage. As his client fell in love with the house, it was gradually extended into a larger family home, with each addition designed to appear as though it had evolved organically over centuries.

Powell was a leading figure in the Arts and Crafts Movement, which emerged in response to the industrial revolution and championed traditional craftsmanship and natural materials over mass production. Although perhaps best known for his work with Wedgwood, where he helped revive hand-painted ceramics, Powell’s architectural projects are exceptionally rare, making Long Copse one of the most important surviving examples of his work. 

The house also features the work of Ernest Gimson, another influential Arts and Crafts architect and furniture maker. Described by architectural historian Sir Nikolaus Pevsner as "the greatest of the English architect-designers," Gimson designed much of the home’s existing oak joinery, original doors, fireplaces, fitted furniture, flooring, and timber detailing. 

The craftsmanship extends throughout the house, from its Bargate stone exterior and leaded windows to exposed roof trusses, handcrafted oak staircases, original fireplaces, and bespoke cabinetry. Decorative sgraffito by Italian artist Cavaliere Formilli appears in the garden room, while a detached thatched guest cottage and timber-framed barn complete the property. 

Long Copse has attracted architects and historians from around the world and was featured in Lawrence Weaver’s seminal Small Country Houses of Today. Set high on the slopes of Pitch Hill within the Surrey Hills National Landscape, the property enjoys breathtaking views across the Sussex Weald alongside beautifully established gardens, woodland, paddocks, and direct access to miles of surrounding countryside.

Lindsay Cuthill, co-founder of Blue Book Agency, comments: ‘The Arts and Crafts Movement was founded on the belief that good design enriches everyday life. More than 125 years later, Long Copse still embodies that philosophy. It isn't simply an important historic house; it’s a wonderfully comfortable family home where every beam, fireplace and handcrafted detail continues to serve exactly the purpose it was designed for.’"

Designed by leading Arts and Crafts architect Alfred Powell in 1899 for Mrs. Mudie-Cooke, Long Copse began as a four-room summer retreat made to resemble a modest Surrey cottage. As its owner's ambitions grew, so did the house, gradually evolving into the larger country home it is today.

Designed by leading Arts and Crafts architect Alfred Powell in 1899 for Mrs. Mudie-Cooke, Long Copse began as a four-room summer retreat that resembled a modest Surrey cottage. As its owner’s ambitions grew, so did the house, gradually evolving into the larger country estate it is today. 

Photo by Freddie Ardley

Photo by Freddie Ardley

The Arts and Crafts movement emerged in Britain in the late 19th century as a response to the Industrial Revolution and the perceived decline in craftsmanship and quality brought on by mass production. Championing traditional techniques, natural materials, and thoughtful design, the movement sought to improve everyday life for both makers and consumers. Alfred Powell and Ernest Gimson were among its leading figures, and their work at Long Copse reflects those ideals.

The Arts and Crafts movement emerged in Britain in the late 19th century as a response to the Industrial Revolution and the perceived decline in craftsmanship and quality brought on by mass production. Championing traditional techniques, natural materials, and thoughtful design, the movement sought to improve everyday life for both makers and consumers. Alfred Powell and Ernest Gimson were among its leading figures, and their work at Long Copse reflects those ideals. 

Photo by Freddie Ardley

See the full story on Dwell.com: Asking £3.5M, This Legendary Arts and Crafts Estate Started as a Simple Cottage
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