In 2002 a small part of the original SS concentration camp Vught was restored as National Museum. The entrance building is conceived as a wall that shields the restored camp from the outside world. The different spaces in the building each have their own space ratio, daylight entry and in a limited number of cases a view of the sky or the old camp remains. Nature or camp are thereby framed, creating a form of alienation and reflection. For DoepelStrijkers, the modesty, the visual relationship and minimal impact on the surrounding landscape, formed the point of departure for the design.
http://feedproxy.google.com/~r/ArchDaily/~3/LwXgvFZkNDU/camp-vught-national-memorial-doepelstrijkers
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