In 1856б Owen Jones released the book The Grammar of Ornament in which he presented a compilation of visual languages adopted by the most diverse cultures - made from the author's explorations in places such as Greece, Egypt, Constantinople and India. The work reflects how Victorians examined international art and design by placing Britain at the center of the debate in order to establish "general principles" that promoted a certain system of different styles through their own perspectives. At the time, the publication was a major editorial success and influenced everything from William Morris (from the Arts and Crafts movement) to modernist architects Louis Sullivan and Frank Lloyd Wright. However, in 2019, Priya Khanchandani and Sam Jacob re-read Jones's work and demonstrated not only the colonizing aspects of his point of view, but also proposed a reinvention of these visual systems and patterns in accordance with contemporary times.
http://feedproxy.google.com/~r/ArchDaily/~3/WjesvLXgIVA/pattern-as-politics-decolonizing-old-standards-to-reveal-sontemporaneity
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