Is This the World’s Largest 3D-Printed Home?

Architecture firm Park + Associates claims its 6,130-square-foot plan is at least Singapore’s first multistory residence to leverage the technology.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Singapore

Architect: Park + Associates / @parkassociates

Footprint: 6,130 square feet

Builder: CES_INNOVFAB

Photographer: Derek Swalwell / @derek_swalwell

From the Architect: "QR3D is a four-story house recently completed by Park + Associates (P+A) in collaboration with construction innovators CES_InnovFab as a home for Lim Koon Park, founder and principal of P+A. Described as a ‘springboard for implementation,’ the house is not merely a speculative experiment—it’s a living, breathing proof of concept for how 3D printing might reshape our cities.

"While 3D printing for construction in Singapore is certainly not new, it is mainly used for small scale and utilitarian uses, such as feature walls, planter troughs, and prefabricated bathroom units for multiresidential projects—now P+A has demonstrated how it can be used to ‘print’ a building. QR3D is Singapore’s first full-fledged, multistory 3D-printed house, representing a leap for the technology’s use. P+A approached QR3D with characteristic rigor, balancing bold innovation with deep respect for form, function, and memory. The result is a home that wears its construction method proudly—its layered concrete striations left raw and tactile, embracing the very texture of the process. The house comprises more than 90-percent 3D-printed material, created both on-site and off-site using a custom concrete mix. The ambition was twofold: to demonstrate 3D printing’s practical viability in a notoriously high-stakes  industry, and to challenge the perception that digitally-driven architecture must sacrifice emotion at the altar of efficiency.

"At QR3D’s heart is an oculus—a dramatic sculptural void hovering above the dining space. More than an architectural flourish, it is a quiet tribute to Park’s former home, a 1990s-era neoclassical residence that once stood on the same plot. The oculus captures that sense of formality and grandeur, while introducing a passive cooling system that channels hot air up and out through a hidden extractor fan. Light filters through the oculus, casting shifting shadows across circulation spaces and private rooms—Park says his favorite place in the house is the dining area under the oculus the most, for its quality of light that changes throughout different times of the day.

"But beyond aesthetic and emotional resonance, QR3D also redefines constructional logic. 3D printing reduces labor, waste, and the need for multiple trades, simplifying even the most complex architectural gestures into a seamless process. It also minimizes environmental disturbances common to conventional construction—less dust, less noise, less disruption. In pushing the boundaries of what’s possible with digital fabrication, P+A has proven that technology need not come at the cost of soul. QR3D feels neither robotic nor alien. Instead, it feels inevitable—a glimpse of a future where architecture is both technically progressive and deeply human. And in a region as dynamically urban as Southeast Asia, that future can’t come soon enough."

Photo: Derek Swalwell

Photo: Derek Swalwell

Photo: Derek Swalwell

See the full story on Dwell.com: Is This the World’s Largest 3D-Printed Home?
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This $1M Santa Fe Home Has a Sunroom With Mountain Views

Set in the city’s historic Eastside neighborhood, the pueblo-style house has exposed beams, a kiva fireplace, and a curvaceous exterior.

Location: 1567 Cerro Gordo, Road, Santa Fe, New Mexico

Price: $995,000

Year Built: 1967

Footprint: 1,500 square feet (2 bedrooms, 2 baths)

Lot Size: 1.38 Acres

From the Agent: "With unobstructed views of  majestic mountains, this home invites you to embrace the beauty of nature right from your doorstep. The living room opens to to a large sunroom with fireplace, which serves as a second living area and dining space. Floor-to-ceiling windows frame forested mountain views, bringing the outdoors in and filling the home with natural light. The updated kitchen is equipped with a high-end Wolf range and butcher-block countertops. An informal dining area is a delightful spot for casual meals. The primary suite has a luxurious en suite bath and a walk-in closet with custom built-ins. The second bedroom offers versatile space, ideal for guests, a home office, or a creative studio. Gorgeous views from the flagstone patio create a magical setting for alfresco dining or outdoor gatherings. Located just moments away from Canyon Road and the historic Santa Fe Plaza, this home is perfectly positioned to enjoy the rich culture, art, and dining that Santa Fe has to offer."

Set in the city’s historic Eastside neighborhood, this pueblo-style house has exposed beams, a kiva fireplace, and a curvaceous exterior.

Set in the city’s historic Eastside neighborhood, this pueblo-style house has exposed beams, a kiva fireplace, and a curvaceous exterior.

mediakingsmen for Sotheby's International Realty

Wood-burning fireplaces help to heat the home.

Woodburning fireplaces warm the home’s two living spaces.

mediakingsmen for Sotheby's International Realty

Plastered walls and exposed vigas (the ceiling beams) are a nod to traditional New Mexican architecture.

Plastered walls and exposed vigas (ceiling beams) nod to traditional New Mexican architecture.

mediakingsmen for Sotheby's International Realty

See the full story on Dwell.com: This $1M Santa Fe Home Has a Sunroom With Mountain Views
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Sofa Sagas: When a Custom Couch Is a Reminder of the Life You Once Had

How do you finally let go of a piece of furniture that used to define you?

Welcome to Sofa Sagas—stories about the circuitous search for a very important and occasionally fraught piece of furniture.

In September of 1995, after a lifetime of living in a 1,300-square-foot co-op in Flushing, Queens, my family of four moved to a beautiful split-level house in an affluent town called Ridgewood, New Jersey. The relocation was a shock to our system—the new house had nearly four times the space. There was a two-door garage, a whole front lawn, and a pool in the backyard. In the massive living room, a bow window looked out to the street and there was a fireplace on the far end. The house wasn’t just an insane splurge; it was a big bet on the commuter town housing market. (Public records show that our house was purchased for $365,o00 in 1995; it’s now valued at $1.3 million in 2025.) And my dad, the mastermind behind this suburban shift, suddenly had more space than he knew what to do with.

Rather than bring over the whatever-brand futon we had previously used in the Queens apartment, my dad sprung for a custom couch with "everything I wanted at that time," he told me. People with tape measures and clipboards came in and surveyed the space, and then one day the biggest couch I’d ever seen materialized: an oversize, dark-green leather postmodern 1990s pillow-top sectional that curved into a sensuous L-shape. The height of the couch skimmed an inch below the window unit, and it snaked around so that every seat would be in the cozy view of the fireplace. Since every surface of the couch was fully stuffed and pillowed, the top of the backrest was my favorite place to lay. "Are you Snoopy?" my dad would joke. He also commissioned a large wooden coffee table—each corner has a carved Chinese zodiac animal representing every person in our family—to complement this huge-ass couch.

Even though these custom pieces were wildly extravagant, I could understand my dad’s vision (and desire) for acquiring heirloom furniture at the time. No homeowner ever mindlessly buys custom furniture; they invest in these pieces with the intention of living with them forever. But in reality, our days of cosplaying as suburban people petered out quickly. My dad ran into financial troubles in 2001; our lovely split-level—our mini mansion—was sold in early 2002. We then shuffled into a small, Cape Cod-style house in a more compact area of town called the Lawns, which was originally developed as an affordable housing neighborhood for veterans returning from WWII. Our gigantic green couch just barely fit inside this bungalow, and had to be separated and Tetris’d into the narrow living room space, along with the large coffee table, a piano, and a TV set.

The couch was an amazing setting for teenage shenanigans. I’d let my body sink deep into the cushions after smoking a ton of weed. The couch is where I watched a disgusting amount of TV and movies, an activity I enjoyed so much that I ended up at a college that specialized in film and media. The couch is also where my high school crush, one night when my parents were out, asked if he could kiss me and I nearly died. I’ve passed out more times on this couch than I did my actual bed because there’s nothing like sleeping on plush leather. God, I loved this couch. I still do.

In 2010, my parents moved to a high-rise in Fort Lee, New Jersey, and naturally, the couch came with. This living room is slightly roomier than the bungalow, but it’s still not meant to handle this very specific size nor very specific shape of furniture. Currently, the two L-shape ends are pushed together into one long piece, and the curved section is wedged into some random corner where the vacuum cleaner and golf clubs are.

No homeowner ever mindlessly buys custom furniture; they invest in these pieces with the intention of living with them forever.

Earlier this year when I visited my mom while my dad was traveling, she casually dropped a comment that destroyed me: "Your dad’s gonna get rid of his couch." I called my dad in a panic and begged him to keep it. Or, at the very least, let me have the couch if I can figure out a way to get it into my Brooklyn apartment.

"Why would you want it? It’s too big and it’s too old. It needs repair. And the shape is awful," he said. "It’s unbalanced." He mentioned wanting something smaller, more manageable, and firmer. I never thought of my dad, who worked in the shipping industry, as a guy who cared much for home decor and design—but here he was talking to me about balance and proportions and how he had always wanted a more harmonious living situation but decided to just deal with the couch because he had spent a lot of money on it.

It made my heart sink, knowing that this couch no longer served him, and that maybe it never really served him at all. I told him I thought everything about this couch is perfect, even if it was technically too oversize for every home since the split-level. Its size and softened leather is what makes it the most comfortable couch in the world, which to me, is the main criteria for falling in love with a couch. I love that it’s dark green in the same shade as the Volvo my dad used to drive. I love how interesting the ’90s postmodern style is compared to all the contemporary, modular, clickety-clackety DTC sofa brands that are out there today. I love how even after all these years, the leather is in superb shape and needs just a drink of conditioner once in a while. It’s a well-loved couch, and my parents took care of it as much as it took care of our family. But tell that to an aging father—quite simply, this couch isn’t good for his back anymore, and in fact, has become uncomfortable for him to sit or lay on. I’m sad he sees this couch as something he’s ready to let go of, instead of it being the heirloom piece I think it deserves to be. It’s also crossed my mind that maybe this couch is a disappointing reminder of when my dad’s dream house had slipped away, and consequently became a burden when it had to be moved into smaller and smaller homes.

If and when I inherit this big green couch, my entire living room would have to be rearranged to accommodate it. To be honest, the chances of it fitting at all is highly unlikely. My armchairs would have to go. I’d need a way bigger rug. The projection wall that I currently screen movies onto would need to go somewhere else. The couch would definitely obstruct the opening and closing of every door, and at best would probably have to face a set of windows that look out to nothing in particular. At some point, I’d want to snag the wooden coffee table with the Chinese zodiac animals, too. And then I’d finally get a swig of this very distinct bittersweet dilemma—one that my dad has dealt with for over 20 years—when you have custom furniture that was perfectly crafted for you during a specific time and place, and what happens when that moment has long passed but you’re still holding on.

Top illustration by Pepe Serra.

Related Reading:

Sofa Sagas: Every Couch Search Is Like a Love Story

Sofa Sagas: It Took Three Moves in Three Years to Find the Right Couch For Me

Terra-Cotta Creates a Surprising Terrazzo Floor at This Renovated Italian Barn

Clay offcuts were sprinkled into the concrete, one of several new textures that went into making the space a home.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Padova, Italy

Architect: Bongiana Architetture / @bongianaarchitetture

Footprint: 3,229 square feet

Builder: F.lli Schivo

Structural and Civil Engineer: Stefano Debiasi

Landscape Design: Studio Annachiara Vendramin

Photographer: Riccardo De Vecchi / @riccardodevecchi.photo

From the Architect: "Set amid a small valley of vineyards, Texturized House by Bongiana Architetture is an extension of a modest rural building, a contemporary retreat designed to host family celebrations and intimate gatherings, where architecture shapes atmosphere through light and raw materiality. The project is grounded in the principle of raw purity: rough surfaces, exposed materials, and details reduced to their essence. Each wall and floor is the result of a specific interpretation, turning every surface into a visual and tactile narrative. The structure reveals its own body with pride, in a play of textures that multiplies spatial perception.

"At the heart of the project lies the double-height barn, conceived as a large luminous cavity. Here, the intent was to bring in as much natural light as possible, which filters through openings and reflects on the textured surfaces, animating the space with shifting shadows. Within this volume rises a suspended bookshelf, creating a new intermediate, airy, and intimate space that dialogues with the openness below. The theme of fire weaves through the house, connecting memory and the contemporary: in the old part, the original fireplace remains, while in the barn, a cast-iron stove becomes the new focal point. Around it, the walls are clad with split terra-cotta tiles, designed by Bongiana Architetture for Terraformae, where the interpretation of the joint becomes the sole decorative motif.

"The new concrete floor further tells this story of reinterpreted tradition: a surface that recalls the Venetian terrazzo, but instead of marble fragments, it incorporates reclaimed terra-cotta slats, cut from the hollow bricks used to clad the portico’s pillars. A gesture that ties the ground to the structure, weaving memory and material in a contemporary key. The furnishings add another layer of memory: carefully selected reclaimed pieces, such as a 1950s kitchen salvaged from an old house and transformed to begin a new life here. Old and new intertwine naturally, giving shape to a coherent and lived-in narrative.

"The retreat is nestled among vineyards, where raw surfaces and light craft essential atmospheres. The double-height barn hosts a suspended bookshelf and a cast-iron stove, surrounded by split terra-cotta tiles where the joint itself becomes decoration. The concrete floor reinterprets Venetian tradition with reclaimed terra-cotta slats, weaving memory and material. Recovered furnishings, like a transformed 1950s kitchen, complete this story where every surface speaks and every detail lives."

Photo by Riccardo De Vecchi

Photo by Riccardo De Vecchi

Photo by Riccardo De Vecchi

See the full story on Dwell.com: Terra-Cotta Creates a Surprising Terrazzo Floor at This Renovated Italian Barn

They Bought a Weird Beach House—and Decided to Make It Weirder

Boxy expansions to a 1970s Cape Cod home preserve its quirks while making it more livable.

Scott and Meredith Lipnick have a few theories about the eccentric 1970s vacation home they bought on Cape Cod, in Massachusetts. With angular shed roof-lines and weathered cedar shingles, the 2,500-square-foot structure read as modernist from the outside, but in spirit "it looked like a big-time party house," Meredith says. Among the clues? A cutout between the kitchen and entry area where martinis might have been passed through, a wraparound deck, a promenade extending from the second story, and a series of puzzling ladders in the hallway that let you peek down through the oversize bathroom’s clerestory windows. The couple fell for these details, but the house’s quirks soon went from charming to frustrating, especially the meandering layout, lack of privacy, and minimal storage. With two children, they needed something more family friendly. "Even though we had so much space, it wasn’t usable for much," Scott says.

Boston couple Scott and Meredith Lipnick dreamed of having their own retreat on Cape Cod, where they frequently vacationed with friends and family.

Boston couple Scott and Meredith Lipnick dreamed of having their own retreat on Cape Cod, where they frequently vacationed with friends and family.

Photo: Lauren ONeil

An addition seemed to be the answer, but the Lipnicks worried that an architect would give them a cookie-cutter one that wouldn’t respect the house’s unconventional spirit. They knew they would need to hire someone who could honor what was there, and they found that in Ted Baab, a childhood friend of Scott’s.

They found it in a creek-side modernist house filled with unusual details. Some of them, like the ladders in a double-height hallway, gave the place charm, but others, like a cloistered floor plan and little privacy, made it challenging for family gatherings, so they hired architect Ted Baab, Scott’s old classmate, to renovate.

They found it in a creek-side modernist house filled with unusual details. Some of them, like the ladders in a double-height hallway, gave the place charm, but others, like a cloistered floor plan and little privacy, made it challenging for family gatherings, so they hired architect Ted Baab, Scott’s old classmate, to renovate.

Photo: Lauren ONeil

The windows are from Anderson Windows & Doors.

The windows are from Anderson Windows & Doors.

Photo: Lauren ONeil

See the full story on Dwell.com: They Bought a Weird Beach House—and Decided to Make It Weirder
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Why This Squeaky-Clean Sponge Collection Hasn’t Ever Touched the Dishes

Accessories impresario Calley Benoit Belli explains how she started seeking out the cleaning objects not for chores, but for decorating.

My obsession with sponges started when I moved into my own tiny New York apartment in 2014. I didn’t have roommates for once, so everything in the apartment was there because I chose it. I’m very particular about the curation of objects, even down to dish towels and soaps. So, naturally, that trickled down to sponges.

In looking for one, I thought, I don’t want just any sponge. I figured there had to be better options than just the green-topped yellow ones. I wanted something unique that would bring me joy and that was more colorful or a little bit unexpected. Then a good friend of mine who grew up in Seoul traveled back to South Korea and got me a colorful crochet sponge. I was like, My God, this is beautiful! It was red with a blue pinwheel shape in the middle. Later, I went there myself and kept an eye out for sponges—I had to get another suitcase because I got so many!

Photo: Stephanie Gonot

Now, I’ve become the person who likes sponges, and I often get them as gifts. I love how common yet overlooked they are. As the president of lifestyle brand Edie Parker, I’m involved in product development, so I’m always thinking about how to make everyday objects visually fun and unique so that, rather than shoving them to the back of a drawer, you want to proudly display and share them.

When my husband, Ryan, and I got married at our home in Pasadena three years ago, I had to bring out my sponges. They were all in a closet upstairs, so I picked some loved ones and put them in the sponge rack behind our kitchen sink. It was a special milestone, and I thought the things I felt special about should be included, in a way, to create a "me" feeling in our home.

For my birthday this year, Ryan actually surprised me with a shelf in the living room that he made for my sponge collection. And that’s the thing—sponges don’t have to remind you of a chore; they can be something you just appreciate. They might be functional, but they don’t have to be mundane.

Head back to the September/October 2025 issue homepage

Big Sur Legend Mickey Muennig Gave This $5.5M Home Huge Arches and Epic Ocean Views

Inspired by Greek villages, the clifftop residence has flowing organic lines, walls of glass, and sprawling gardens.

Location: 46304 Pfeiffer Ridge, Big Sur, California

Price: $5,500,000

Year Built: 1982

Architect: Mickey Muennig

Year Renovated: 2017

Footprint: 3,000 square feet (4 bedrooms, 4 baths)

Lot Size: 5.08 Acres

From the Agent: "Casa Luna is a one-of-a-kind architectural masterpiece by Mickey Muennig, Big Sur legend and the creative force behind Post Ranch Inn. The home elegantly mirrors the curves of the moon and the rhythms of nature. Set on over five private acres dotted with fruit trees, garden beds, and lush landscaping within a gated community just minutes from Pfeiffer Beach and world class amenities, this three-level residence flows organically down the hillside. The home’s sculptural walls, arched forms, and dramatic central staircase reflect Muennig’s signature style, merging earth, light, and motion. Casa Luna lives in harmony with its surroundings, capturing sun by day and moonlight by night. Thoughtfully restored with reverence for its original design, this is not just a home, it’s a living work of art, and a rare opportunity to experience and be inspired by Big Sur through the lens of one of its greatest architectural minds."

Inspired by the surrounding landscape, each of the home's rooms opens to the outdoors.

Large glass walls bring mountain and ocean vistas into the open-plan living/dining room.

Kodiak Greenwood for Sotheby’s International Realty

Kodiak Greenwood for Sotheby’s International Realty

Passive solar design helps the house to reduce it's energy footprint.

Passive solar design helps to reduce the home’s energy footprint.

Kodiak Greenwood for Sotheby’s International Realty

See the full story on Dwell.com: Big Sur Legend Mickey Muennig Gave This $5.5M Home Huge Arches and Epic Ocean Views
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