Your Challenge for Pantone’s 2026 Color of the Year, Should You Choose to Accept It

Cloud Dancer might miss the mark, but makes space for the kind of creativity the next 25 years could really use.

Since 1999, every year in December, Pantone has elevated a color meant as more than just a swatch for your design library. The institute’s pick aspires to be a resolution for the new year, but its messaging is sometimes splotchy. Last year, Mocha Mousse, a quite-luxury-coded brown, was "underpinned by our desires for everyday pleasures," read the press release, and asked us to lean into the aspirational and luxe. But this bid for indulgence felt askew with what followed in the official materials, that brown also comes from nature, a not very not luxe place. In 2024, the pinky-orange Peach Fuzz emphasized a desire for a year full of sharing, community, and togetherness before mentioning we might also consider using it to "find peace from within."

The messaging around Pantone’s 2026 pick, Cloud Dancer, is similarly pulling us in different directions. The stark white shade promises to turn a space into a "refuge of visual cleanliness that inspires well-being and lightness," says the marketing materials. But Laurie Pressman, the institute’s vice president, also equates it to a "blank canvas," which can be a formidable prospect, as any creative who’s suffered the weight of making their first mark on a metaphorical page knows.

This year, the institute’s face-value messaging isn’t the issue so much as the choice in color, with a salvo of criticism coming largely from outside the house of home design. Some of it is gentle ribbing—my hair stylist wanted to know, were we really going to bring back frosted tips?—while others on the internet are throwing elbows, decrying the elevation of whiteness as an alignment with the perceived eugenics messaging of Sydney Sweeney’s maligned American Eagle ad. Others are going so far as to say it undergirds white supremacy. (Donald Trump, for one, could use truckloads of Cloud Dancer, having recently mentioned he wanted to freshen up the Eisenhower building in Washington, D.C., by washing the granite building completely white.)

"Pantonedeaf" is at least one phrase being thrown around to describe the pick. Dwell’s audience editor, Nicole Nimri, called it a recession indicator—up in the clouds, the markets can only go one way. Senior guides editor Megan Reynolds said Cloud Dancer sounds like a really bad weed strain—nobody should be that high. The Instagram account for the tabloid Weekly World News called the hue the "The Landlord Special," poking at the nation’s painfully high housing costs and puncturing any airs of sophistication Pantone may have hoped to put on. To me, the name alone is jazz hands, the stuff of cloying theater kids. It’s difficult not to read it as Cloud Daaaaaancer, in the voice of Brandon Flowers, a white Mormon man whose cultural relevance peaked in 2007, which only puts the choice further out of touch with the moment. (And that’s coming from a forever fan of the Killers.)

Pantone chose Cloud Dancer, a stark white, as its 2026 Color of the Year.

Pantone chose Cloud Dancer, a stark white, as its 2026 Color of the Year.

Courtesy of Pantone

Brands and designers are faring no better at what to do with it. At Dwell, an avalanche of pitches is burying our inboxes with icy-white bouclé throw pillows, snoozy subway tile, and even a Cloud Dancer edition of Play-Doh, which should be banished along with 2022’s "sad beige" trend as one of the more soulless and uninspiring things I can imagine my toddler playing with. Some are offering advice on how to incorporate white into our homes—about as useful as a tutorial on drinking water. The whiteout it all amounts to recalls Kim and the artist formerly known as Kanye’s Axel Vervoordt–designed Hidden Hills, California, manse: heaven for some, a psychiatric ward for the rest of us.

When I asked Sami Reiss, who covers covetable furniture for Dwell and with his newsletter, Snake, for a good example of white furniture (I had to ask, as there was none in my inbox, and especially not from Joybird, the millennial-coded home decor brand owned by La-Z-Boy that announced three milquetoast pieces in the official Cloud Dancer colorway), he said "it all comes back to the Royère Polar Bear, no?" This, of course, is Jean Royère’s 1947 sofa, a plush, swooping settee that might be as close as one can get to luxuriating in the ether. "These things are cloud-shaped, puffy, soft," he continued, adding that, actually, the return of Royère’s wispy white furniture can be traced back to Kim K. "I think about [her] having one a decade ago or so, and how it brought everything in that style to the forefront." Ye once actually tweeted it was his favorite piece of furniture, at a time when anyone still cared about what he had to say.

Joybird, a home decor brand owned by La-Z-Boy, released a three-piece furniture set in Cloud Dancer, including this sofa and ottoman.

Joybird, a home decor brand owned by La-Z-Boy, released a three-piece furniture set in Cloud Dancer, including this Carin sectional.

Courtesy Joybird

The Polar Bear sofa by Jean Royère in 1947 did Cloud Dancer before Cloud Dancer did.

The Polar Bear sofa by Jean Royère in 1947 did Cloud Dancer before Cloud Dancer did.

Courtesy of Royère

See the full story on Dwell.com: Your Challenge for Pantone’s 2026 Color of the Year, Should You Choose to Accept It
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Mamdani Is Leaving His Small Brooklyn Apartment—and Everything Else You Need to Know About This Week

Trump finds a new architect for the White House ballroom, Shigeru Ban wins the AIA Gold Medal, and more.

  • Zohran Mamdani is trading his small, rent-stabilized Astoria apartment for the 11,000-square-foot Gracie Mansion, a move he says is about safety and keeping all his focus on his affordability agenda. (The New York Times)
  • San Francisco is rolling out the Homecoming Project, a "spare-room" housing program started in Alameda in 2018 that pays residents $50 a day to host people recently released from prison for six-month stays. Here’s how it works. (KQED)

  • Trump has swapped out his handpicked boutique architect for a veteran D.C. firm after the $300 million White House ballroom supposedly proved too big a project for a small team to handle. The switch follows reports last week that Trump and his architect were sparring over the size of the addition. (The Washington Post)

  • A Dallas couple is doubling down on their viral holiday decorations, trading last year’s over-the-top light show for a full-blown "Grinch grotto" packed with inflatable grinches aimed at their haters. The spectacle is drawing plenty of attention, good and bad, from neighbors, gawkers, and city officials. (Chron)

Shigeru Ban is honored for his belief that architecture and humanitarian action are intertwined.

Shigeru Ban has been honored by the AIA for his belief that architecture and humanitarian action are intertwined.

Photo by Samuel de Roman/Getty Images

  • Shigeru Ban has won the 2026 AIA Gold Medal in recognition of his work with simple materials used in service of people. Here’s how his disaster relief architecture has reshaped the field’s understanding of sustainability, and the moral obligations of design. (Architect Magazine)

Top photo by Spencer Platt/Getty Images

Once a Mattress Factory, Now a Minimalist Home Seeking $900K

The current owner reimagined the former Melbourne warehouse with a toned-down palette and metal accents that nod to the building’s industrial past.

The current owner reimagined the former Melbourne warehouse with a toned-down palette and metal accents that nod to the building’s industrial past.

Location: 8 Brown Street, Collingwood, Victoria, Australia

Auction Price: $1,350,000 - $1,450,000 AUS (approximately $900,000 - $967,000 USD)

Renovation Date: 1995

Renovation Designer: Magenta Burgin

Footprint: 2153 square feet (2 bedrooms, 2 baths)

From the Agent: "In the heart of Collingwood, an industrial warehouse has been transformed into an elegant, light-filled home. For owner Magenta Burgin, the building’s raw, industrial character offered exactly the kind of creative foundation she was looking for. The building at 8 Brown Street sits within Collingwood’s industrial heartland, which was once lined with small factories and textile workshops that anchored the area’s bustling rag trade. The home retains the honest bones of its past, while embracing the refinement that defines the suburb’s new design identity. Working for design-led developer Neometro, Magenta understood the value of good bones and letting materials speak for themselves. As a result, her approach to interiors was instinctive rather than decorative. She stripped the palette back, allowing the building’s structure to set the tone."

The minimalist residence was converted from a mattress factory about 30 years ago.

The minimalist residence was converted from a mattress factory about 30 years ago. 

Photo by Pier Carthew

A former mattress factory, the home and surrounding are has undergone massive revitalization in recent years.

The neighborhood was formerly full of small factories and textile workshops, although it has undergone a major revitalization in recent years.

Photo by Pier Carthew

Photo by Pier Carthew

See the full story on Dwell.com: Once a Mattress Factory, Now a Minimalist Home Seeking $900K
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Water Surrounds This $924K Nova Scotia Home on Three Sides

Designed by Brian MacKay-Lyons, the property includes a guesthouse, a hot tub, and a prime position on the tip of a peninsula.

Designed by Brian MacKay-Lyons, the property includes a guesthouse, a hot tub, and a prime position on the tip of a peninsula.

Location: 120 Net Yard Lane, Upper Kingsburg, Nova Scotia, Canada

Price: $1,275,000 CAD (approximately $924,056 USD)

Year Built: 2016

Architect: Brian MacKay-Lyons

Footprint: 1,685 square feet (2 bedrooms, 2 baths)

Lot Size: 0.22 Acres

From the Agent: "Point House is a rare offering by internationally acclaimed architect Brian MacKay-Lyons. Surrounded by Atlantic waters on three sides, Point House transcends conventional coastal living through its marriage of Nova Scotian vernacular and contemporary minimalism. Eastern white cedar shingles and steep gabled rooflines honor Nova Scotia’s architectural heritage while floor-to-ceiling glass walls dissolve boundaries between interior and exterior spaces. The double-height great room is punctuated by blackened steel totemic elements and anchored by a monumental hearth. A sculptural steel ribbon staircase—equal parts function and art—ascends to the loft retreat, a private sanctuary suspended above. The two-story companion bunkie—with pivoting walls—seamlessly merges interior comfort with the tranquility of the exterior tidal pond. An infinity hot tub at the water’s edge completes this coastal sanctuary, where sunrise and sunset paint daily masterpieces across the sky. Steps from Hirtle’s Beach and Gaff Point trails, this award-winning property offers unparalleled natural beauty."

Photo by Chris J. Dickson of Oneiric Media

A Stûv wooden stove aids in heating the living room.

A Stûv woodburning warms the living room.

Photo by Noah James of Noah James Media

Photo by Chris J. Dickson of Oneiric Media

See the full story on Dwell.com: Water Surrounds This $924K Nova Scotia Home on Three Sides
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Snazzy Gifts for the Design Lover That You’ll Want to Keep for Yourself

From a fuzzy blanket to a pill container too pretty to hide, these presents are great for other people, but maybe best just for you.

Welcome to Someone Buy This!, a monthly shopping column featuring the fun, the frivolous, and the practical from a very discerning shopper.

Finding the perfect gift can feel like a full-time job. As a chronic shopper, I’ve spent all year hunting for things that are thoughtful and a little extra. My goal is to help you impress your friends, family and even yourself (because, yes, self-gifting counts!). Here are my favorite gifts for the people you love and yourself.

A special candle

Dumae Joy Candle

The Joy Candle is defined by architectural edges that gracefully curve and embrace, creating a sculptural form that makes a true statement in any space.

This is my scented Candle Of The Year. The scent is vaguely floral and sandalwood-y. It’s a warm scent that isn’t really tied to a specific season. I burned this daily from the moment it arrived until the wax got dangerously low, saving the "last burn" for an upcoming Christmas Eve dinner party. Yes, I’m sad it’s almost gone, but I’m just as excited for the empty vessel, which will now live by my entryway holding keys like a little trophy. This is more than I would usually spend on a candle but between the incredible scent and sculptural vessel, this candle is well worth it.

The chicest pill container

Remsen Pill Container

This pill container combines minimalist beauty with mindful functionality. Die-cast aluminum lid with integrated mirrored surface. Magnetic closure for secure storage. Dimensions: 6-¾" L x 1-⅜" H

A pill container would normally not be considered a very nice gift but this one from Remsen breaks all the rules. I got this as a gift last year and absolutely love it. I was cycling through plastic containers that I’d end up chucking in a drawer and forgetting about. Not ideal for daily meds and vitamins! I love the size, heft, and shine of this container. It’s super easy to use and looks good enough to display—the Rolex of pill containers.

Spoons for those who need their java

Shell Espresso Spoons

Hand carved & cast in solid brass mimicking the treasures found onboard a sunken ship within the depths of the sea. The spoon duo for your morning espresso!

These brass espresso spoons are a great gift for any coffee lover. My one gripe is that they’re not dishwasher-friendly, so make sure you’re sharing this info with the lucky recipient. They’re so pretty that no one will complain. Or if they do, just remind them they now own spoons worthy of a fancy hotel breakfast.

Italian dinner plates with little fishies 

Tommaso Dinner Plates

All the way from the Amalfi Coast to your table, these dinner plates bring the heat and joy of summer with effortless charm and a flash of color. Each one is hand-painted with a spirited little sardine, swimming proudly as part of the school—carrying the cheerful message that more is, indeed, merrier.

These plates are technically a great gift, but let’s be real: they’re the type of thing you end up keeping for yourself. Each plate is hand-painted in Tommaso’s studio in Italy. They’re all slightly different and special. This is a great gift for a lucky friend…or a lucky you. No one will blame you for keeping them. (If you’re in Brooklyn, go see the full set in person at Porta.)

An almost-DIY candleholder

Lichen NYC Galvanized Wall Candle Holder

This wall mounted candle holder is inspired from left over components from our wall sconces. Please be careful of sharp edges when folding or handling. 7"H x 4.5"W x 3"D

I got this as a gift for my [REDACTED] and I’m so excited for them to unwrap it. I love the drama of this candleholder! It arrives flat so you can shape it to your needs. While it’s pictured with a regular jarred candle, you can burn any pillar candle that’s under three inches in diameter. Pair this gift with a funky pillar candle like this one.

A little coupe for you

Soos Atelier Shiloh Olive Coupe

Crafted for elegance and designed to impress. Made from 304 food-grade stainless steel. Dishwasher safe.

This coupe is meant for olives but has endless uses. It can be used to stash trinkets, rings, candies, or whatever other small-scale items you choose. It’s dishwasher safe and made of food-grade stainless steel. The unique design and low price point makes this the perfect White Elephant gift that will be "stolen" over and over again.

A cozy blanket

Ultra Soft Faux Fur Blanket

Experience a new level of softness and comfort with our Sculpted Faux Fur Blanket. The luxurious throw blanket is crafted from a combination of 700GSM plush faux fur fabric and 220 GSM crystal velvet - it offers a sumptuous and soft feel that you'll love to snuggle into.

I tried this blanket at an Airbnb last month and bought it immediately. I’m usually not drawn to fleece or faux-fur, but this blanket is so cozy and soft I couldn’t resist. My dog also approved, instantly staking his claim when I unboxed it. He sheds like crazy, but the tight weave makes lint rolling easy. It’s also very easy to wash and dry at home, no trips to the dry cleaner required. I was thrilled to find out it comes out of the dryer just as soft and fluffy as the day it arrived. 

We love the products we feature and hope you do, too. If you buy something through a link on the site, we may earn an affiliate commission.

Looking for something else? Check out the rest of our holiday gift guides here.

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Nine Shipping Containers, One 1,600-Square-Foot House With Lots of Unconventional Art

After his longtime home was damaged in Hurricane Irma, a local artist/collector made the "impractical" choice to patchwork together a metal base for himself and his eccentric possessions.

Welcome to Different Strokes, a look at unique home design choices that beg for further explanation.

In 2017, artist, collector, and former gallery owner Rob DePiazza was in the early stages of building an art studio using shipping containers, but Hurricane Irma had other plans. Two days after the Category Five storm tore through St. Augustine, Florida, he surveyed the rubble that a 70-year-old water oak tree had made out of his house of 30 years and decided to pivot from building a shipping container studio to a full-blown shipping container home.

Building with hulking steel freight containers is a specialized niche. Crucially, he’d already connected with Gainsville-based Stephen Bender, an architect who works with them exclusively. "We did the foundation first, but as [the containers] came to the site, one by one, we installed them like Legos," DePiazza says.

Rob DePiazza worked with architect Stephen Bender to build his shipping container house after his longtime home in St. Augustine, Florida, was damaged by a fallen tree during Hurricane Irma.

Rob DePiazza worked with architect Stephen Bender to build his shipping container house after his longtime home in St. Augustine, Florida, was damaged by a fallen tree during Hurricane Irma.

Photo: Rob DePiazza

The result of this disaster-prompted change is the Prince Road Container House, a 1,600-square-foot space comprising nine containers that was a DIY operation with Rob, who runs a local screen printing business, at the helm, with help from some of his tradesperson friends (none of whom, Rob says, had prior experience in container construction). The "impractical" decision to build a container house was even more so, he adds, as he was "hobbling around on crutches" in the midst of a series of hip surgeries.

The home has three bedrooms and two bathrooms and a colorful exterior mural by Italian artist Riccardo Nannini. Its central nervous system is a loft-like living room with a 20-foot ceiling made by taking the roof of two of the containers, inverting one, and stacking them together. Inside, the decor reflects Rob’s proclivity for art projects: there are gloopy ceramics by California artist Philip Kupferschmidt, discarded vintage oddities, and unconventional custom details, including plywood doors wood-burned with live edge plaques etched with the faces of the "world"s ugliest dogs" (by artist Lois Sander). The walls display the impressive art collection that Rob has amassed over the years, including a Keith Haring poster he bought at the Pop Shop in New York City, an original piece by Wayne White (one of the artists behind Pee-wee’s Playhouse), a serigraph by Raymond Pettibon, and works by some of his artist friends.

Gallery-worthy collection aside, the structure makes no attempt at hiding its shipping container origins—the exposed corrugated metal makes sure of it. But Rob says its look is always subject to change. Although construction was technically completed in 2020, he considers it a work in progress. It’s available to rent on Airbnb, too; Rob likes to list it when he travels. We spoke with Rob about how he relied on friends to help him turn nine hunks of metal into a home and living art project and showcase. Our conversation has been edited and condensed for clarity.

The 1,600-square-foot home was made using nine shipping containers.

The 1,600-square-foot home was made using nine shipping containers.

Photo: Rob DePiazza

What are some of the features you love about your home?

Rob DePiazza: The way I approach design aspects, like the trim, the casing on the doors, for example. Sometimes I won’t have an idea, but instead of forcing the issue, I’ll live with it for a minute or six months and try not to think about it. An idea popped in my head for the door casings. We had to conceal this two-inch square of rusty metal that wasn’t attractive. We cut strips of the birch plywood so that all you see is the ply. It’s tongue-in-cheek, because typically in cabinetry you don’t ever reveal ply. That’s kind of a thing in the house: it’s an exercise in revealing things that aren’t [usually] revealed, like metal walls. I used a material called Parallam for the stair treads and the landing, which is a structural beam material. You never see it in its normal capacity. It’s usually hidden within a wall.

A seating area on the upper level overlooks the double-height living room.

A seating area on the upper level overlooks the double-height living room.

Photo: Rob DePiazza

See the full story on Dwell.com: Nine Shipping Containers, One 1,600-Square-Foot House With Lots of Unconventional Art
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From the Archive: How Norman Foster’s "Space-Age Peanut" Chesa Futura Came to Be

In the Swiss Alps, the distinctive low-impact, multiunit dwelling was actually built using traditional chalet techniques by in-the-know locals.

As a part of our 25th-anniversary celebration, we’re republishing formative magazine stories from before our website launched. This story previously appeared in Dwell’s November/December 2003 issue.

It may have been designed with custom software, but Chesa Futura owes just as much to the kind of chalets conjured up by our mind’s eye when we hear the word "Switzerland" as it does to cutting-edge computer technology. Set on the slopes of the Engadin Valley, overlooking the town of St. Moritz and its lake, the shimmering ovoid structure looks every inch a piece of pure 21st-century design. But it turns out that both the inspiration for and execution of this unique project are rooted firmly in Swiss tradition, from the pilotis that raise it from the ground to the wooden shingles that coat its exterior.

Serendipity played a part in the design process as well: When the project’s developer, Sisa AG, approached prestigious English practice Foster and Partners, they couldn’t have known that they would end up with a project director who knew the Engadin Valley like the back of his hand. In fact, Milan-born Matteo Fantoni had even more insight than some locals into the exact nature of the site, having stayed in the apartment building that would make way for Chesa Futura during some of his numerous visits to the area in his youth. "We had friends who had flats in the building that was there before Chesa Futura," he explains. "So I knew the view, I knew the orientation, I knew the mountains."

Proceeding with an open brief and a blank piece of paper, Fantoni realized that the elevated, curved shape of Chesa Futura would be ideal for the site, and the more he explored this approach, the more practical it became. The steel legs that raise the wooden shell 11 and a half feet from the ground reference a Swiss mountain-home tradition that prolongs the life of timber structures by minimizing contact with the chilling and dampening snow. It also takes the structure clear of the houses in front of it, meaning that each floor is afforded a much sought-after view of the lake.

Conceptual design sketch by Norman Foster (right)

The five-story building that Fantoni vacationed in as a teenager had two lower levels that suffered from views restricted by the houses in front of them and the resultant lack of light. That’s something Chesa Futura’s residents will never need to worry about, as the building’s convex southerly aspect contains 10-foot-wide windows that look out onto a terrace and offer panoramic views of St. Moritz. The north-facing rear of the building is radically different—concave to afford maximum insulation from the mountain winds, it is dotted with small windows set at an angle so as to allow the maximum sunlight in while protecting the building from the often extreme conditions. 

Despite its elevated position, Chesa Futura intrudes no further into the skyline than its predecessor. Just over 50 feet tall at its apex, the building has been constructed with a slight downward tilt as the valley rises to ensure that it fits snugly into the envelope left by the old building. This was vital to comply with local planning regulations and make sure that neighbors would not lose their views of the lake. Such a radical design in this idyllic location was bound to bring some objections, but by meticulously keeping within local codes, Foster and Partners minimized disruption to the project. Getting the local mayor on board helped, too, even though he wasn’t so sure about things when he first saw the plans.

"He was silent for 20 minutes," says Fantoni. "He then eventually said, ‘You can have my full support on it, because it is going to be great for our valley, Switzerland, and St. Moritz.’" This seems to have been an astute judgment, as the building has already become something of a tourist attraction, with locals and visitors alike stopping to take snapshots or simply stand and stare.

Rendering by Arup (right)

From a distance, Chesa Futura almost appears to hover above the side of the valley like a wood-clad mother ship, the sun illuminating its larch shingles. These hand-cut wooden tiles, which cover the entire surface of the building, are another piece of Swiss tradition that Foster and Partners sought out in their travels across the Alpine region looking for inspiration and materials. One great discovery was 82-year-old Lorenz Kraettli, who has been making shingles all his life.

"He selected 80 trees, took them home, and with his family chopped all the pieces," says Fantoni. "They produced 250,000 pieces out of 80 trees and then put them on the structure of the building over the batons for a period of five or six months. We learned a lot from him about how to cut trees. You can have better structural performance if you cut radial to the log. It creates a much stronger scheme that will last as long as possible."

The structure is topped off with a copper roof, another Swiss material used for practicality as much as tradition. Its malleability at low temperatures (which can reach below zero Fahrenheit in the valley) meant that it could be fabricated onsite, rather than having to be awkwardly transported through the tiny side streets of St.Moritz. It is this ability to adapt and think ahead that Fantoni believes has made the project such a success, in terms of both construction and in building relationships in the local area.

Design sketch of the shingles by Norman Foster (left), Elevation view by Norman Foster (right)

See the full story on Dwell.com: From the Archive: How Norman Foster’s "Space-Age Peanut" Chesa Futura Came to Be
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