Here Are the Homes Developers Are Building in Altadena

A year after the Eaton Fire, public permits—and at least one completed home asking $1.9 million—are bringing into view how corporations are reshaping the Los Angeles community.

The debris had barely stopped smoldering before the bidding began. After the Eaton Fire leveled more than 6,000 residential buildings in Altadena in January of 2025, home developers began making offers on burned lots, many of which had belonged to families for generations. As a significant shift of land ownership to corporations began taking place, one looming question was, what’s going to get built? Months later, the answer is no longer theoretical. It’s visible in public permit records and new construction.

A review of publicly available filings shows that 25 of the 59 corporate-purchased properties identified in Dwell’s original reporting on Altadena-area land sales in July are now actively moving through the rebuild process. (Between Altadena and Pacific Palisades, corporations have now purchased 44.6 percent of fire-damaged properties, about twice the national average of corporate homeowners. ) At least one newly constructed home has already hit the market. Together, these projects offer a perspective on how post-disaster housing is taking shape in a neighborhood once known for its historical architecture and deep-rooted families. More importantly, they hint at who may be able to return to Altadena once rebuilding is complete: will it be longtime residents—many still in rentals, navigating insurance claims and uncertainty—or an entirely new community?

Of the corporations that moved swiftly after the fires to buy lots, three currently dominate the permits: Ocean Development, an L.A.-based builder; NP Altadena I, LLC, operated by San Diego–based New Pointe Communities Inc.; and Black Lion Properties, LLC, a newer, more experimental player with ties to the neighborhood. Each is rebuilding differently with its own strategy for market-rate housing, regardless of who may be able to afford it.

Three builders, three strategies

Ocean Development holds among the largest share of active permits, and its apparent strategy to create "Like-for-Like" homes is the least surprising, given the City of L.A.’s expedited timeline for such projects that closely mirror what stood before.

Under the Eaton Fire rebuild framework, a "Like-for-Like" replacement can be approved without discretionary review by the city as long as the building footprint does not increase by more than 10 percent or 200 square feet, whichever is greater. In practical terms, that can shave months off a timeline. As a result, most of Ocean’s plans closely resemble what existed before the fire, at least on paper: single-family houses generally ranging from approximately 1,700 to 3,200 square feet, often with garages and modest patios.

Photo: Peter Oumanski

539 Punahou Street is under construction by Ocean Development, an L.A.-based developer.

539 Punahou Street is under construction by Ocean Development, an L.A.-based developer focusing on "Like-for-Like" rebuilds.

Photo: Yoonj Kim

But faster approvals don’t automatically translate to faster—or cheaper—construction. Permit data shows build estimates with an average cost of $469,750, with market value for homes at these sizes ranging from $1.375 million to $2.5 million. But it’s still too early to say what these homes will list at. A recent drive past their sites indicates that many have already broken ground, with a few appearing close to completion. Ocean Development has not responded to a request for comment.

NP Altadena’s approach also emphasizes speed, but does so by leveraging standardization. The developer created a standardized single-story plan to use across 15 lots, with minor site-specific adjustments such as front elevations in three distinct styles—craftsman, farmhouse, and Spanish/Santa Barbara. This strategy allows NP Altadena to build across several sites with a single review process.

Photo: Peter Oumanski

See the full story on Dwell.com: Here Are the Homes Developers Are Building in Altadena
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Surrounded by Giant Boulders, an Architect’s Tennessee Cabin Seeks $1.6M

Don Wamp’s angular Rock House has been renovated from top to bottom—and it comes with forest views, a series of decks, and a seasonal creek.

Don Wamp’s angular Rock House has been renovated from top to bottom—and it comes with forest views, a series of decks, and a seasonal creek.

Location: 314 Fairy Trail, Lookout Mountain, Tennessee

Price: $1,575,000

Year Built: 1978

Architect: Don Wamp

Footprint: 3,913 square feet (4 bedrooms, 4 baths)

Lot Size: 0.67 Acres

From the Agent: "Rock House is positioned amongst beautiful natural boulders on a private, wooded lot. This midcentury-modern home sits at the end of a quiet cul-de-sac in the heart of Lookout Mountain, Tennessee, just minutes from downtown Chattanooga. The four-bedroom, three-and-a-half-bath home was built by a renowned architect as his personal residence, and it has been meticulously updated while still remaining true to the architect’s vision. Recent improvements both inside and out include huge, custom Marvin windows that provide views to the boulders and lush setting from every room, a new roof, custom-milled cedar siding in many areas, a revitalized kitchen, and a new primary suite on the main level with two walk-in closets. Some additional special features include the steel pivot front door, multiple outdoor living areas, a seasonal backyard stream, and so much more."

Triangular

Triangular windows follow the slope of living area’s angled ceiling. 

Photo by William Griggs

Photo by William Griggs

Photo by William Griggs

See the full story on Dwell.com: Surrounded by Giant Boulders, an Architect’s Tennessee Cabin Seeks $1.6M
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A Curvy Blue Banquette Solves a Tiny Berlin Apartment’s Puzzling Shape

The seat turns a cramped nook in the 215-square-foot altbau flat into a window seat with verve.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Berlin, Germany

Architect: Some Place Studio / @someplacestudio

Footprint: 215 square feet

Carpenter: Studio Tegel

Photographer: Daniel Faro / @daniellfaro

From the Architect: "This kitchen and bathroom renovation addresses spatial conditions typical of Berlin’s turn-of-the-century altbau apartments. Embracing idiosyncrasies such as odd angles and windowless rooms, the design works with the existing structure, using color, materials, and light to create a contemporary intervention within a historic structure.

"In the kitchen, what was once a narrow and cramped layout has been reorganized to make full use of its single window. A custom corner banquette in deep blue creates a cozy place to sit and socialize during cooking or informal meals. The cabinetry is built from gray Valchromat, with stainless steel countertops and front panels that set a sleek contrast to the upholstered corner. During construction, the removal of aged tiles unexpectedly revealed original Berlin parquet flooring, which was carefully restored and integrated into the new scheme. To further optimize the apartment’s limited space, the washing machine was relocated from the bathroom to the kitchen, allowing the bathroom to be redesigned more efficiently. A selection of vintage lamps all locally sourced from Berlin adds another layer of character and authenticity.

"The bathroom had previously felt tight and impractical, with little storage and no natural light. A recessed lighting panel was introduced to mimic daylight with adjustable brightness and tone. Surfaces in light-colored microcement unify the built-in niches, while a custom sink unit aligns precisely with the niche above. The mirror conceals additional recessed storage, making full use of the available depth. While the overall layout has largely remained the same, added storage, the daylight panel, and a new wall texture create the impression of a more generous space. This project is part of an ongoing series of renovations by Some Place Studio, where existing conditions are carefully integrated into a bold and contemporary design."

Photo by Daniel Faro

Photo by Daniel Faro

Photo by Daniel Faro

See the full story on Dwell.com: A Curvy Blue Banquette Solves a Tiny Berlin Apartment’s Puzzling Shape
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Where Neighbors Saw a Jumble of Blocks, They Saw Tetris Pieces With Potential

The new owners of this patchwork ’70s residence outside Warsaw loved its form so much, they actually spent more on saving it than replacing it.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Skubianka, Poland

Designer: SZCZ Jakub Szczesny / @szcz.art

Footprint: 1,744 square feet

Structural Engineer: Artur Wiśniewski

Photographer: Nate Cook / @natecookphotography

From the Designer: "The house is located near Warsaw, close to a river and surrounded by a gently sloping mixed forest. The owners bought it by accident when they met a real estate agent while walking their dog, who led them to a pyramid-like building hidden among the trees. It turned out to be an uninhabited residence. The building was constructed between 1976 and 1981 during a period of crisis and low availability of building materials. It was built from whatever could be obtained from construction sites and renovations of infrastructure facilities: for example, the ceilings were made of tram rails, which were laid at a slight slope above the ground floor as they pierced through the outer wall and became part of the terrace structure. Thanks to its slight slope, the terrace was naturally drained. At the same time, the floor in the living room behind the wall had a noticeable slope, and the wall was blackened by the cold and moisture penetrating through the rails. The original construction documentation consisted of a few pages with very sketchy drawings and a one-page description.

"I made it clear to the clients that renovating this house would likely be more expensive than building a new one, and certainly more labor-intensive. However, the owners wanted to keep the stepped shape of the building, were not afraid of low ceilings, and wanted to be in contact with the green surroundings. We introduced large glazing, specifically operable windows for ventilation and views. The clients decided not to have any railings on the top level. The house was to be used only by the mature couple and occasionally their two adult daughters. Initially, the building was to serve as a second home, but as the interior work progressed, the place was so relaxing that they were less inclined to return to their apartment in Warsaw. The owner is skilled with his hands, so with the help of friends, he built most of the furniture, made metalwork elements, and a door with a hydraulic lift.

"Our goal was to discreetly hide the home among the trees and create a contrast between the camouflaged exterior and the warmth of the eclectic interior. We proposed floor skylights in the terrace to illuminate one of the guest bedrooms and in the living room to illuminate the corridor on the ground floor. The building was to be as simple and subdued as possible. The windows were to attract attention, with additional wide steel frames and red accents in the interior. The house was designed to raise the level of the living area and enjoy a better view: above the low ground floor, where there are two guest bedrooms for the daughters, a study and a bathroom with a boiler room, there is a kitchen with a dining area and a living room with an additional toilet and a new terrace (the old one had to be dismantled). Above, there is the primary bedroom with a view of the forest and the river, a small bathroom, and two terraces.

"During the construction, the clients decided to change the original location of the garage and cover it with a green roof, which can be accessed from the higher part of the plot. According to the residents of the house, people in the area called it a ‘block’ and considered it ugly due to its rectangular shape and lack of at least a gable roof. However, it was precisely this set of shapes resembling figures from the game Tetris that attracted the current owners so much that they bought the house without hesitation and did not even think about replacing it with another one.

"The furniture is a hodgepodge of artifacts, ranging from old furnishings from the previous apartment to so-called ‘useful items,’ or objects that had been lying around indefinitely on shelves in the family's garage and basement. The owner claims that he still has many useful items in his new garage and that they are waiting for their turn when he builds a sauna."

Photo: Nate Cook Photography

Photo: Nate Cook Photography

Photo: Nate Cook Photography

See the full story on Dwell.com: Where Neighbors Saw a Jumble of Blocks, They Saw Tetris Pieces With Potential

Three Award-Winning Tree Houses Hit the Market in England Starting at £2M

Set in a Dorset woodland, the RIBA-recognized retreat is available fully furnished, with 13 acres and a pond.

Set in a Dorset woodland, the RIBA-recognized retreat is available fully furnished, with 13 acres and a pond.

Location: Woodland Workshop Yonder Hill, Holditch TA20 4NL, United Kingdom

Price: Offers accepted in excess of £2,000,000 (Approximately $2,735,510)

Year Built: 2016 and 2021

Designers: Guy Mallinson and Keith Brownlie

Footprint: 1,130 square feet (3 bedrooms, 3 baths)

Lot Size: 13.25 Acres

From the Agent: "After 15 years of creating our wonderful oasis and welcoming guests to our magical woodland, the time has come to pass it on. Mallinson’s Woodland Retreat is officially for sale! It’s a rare opportunity to take on a truly special place that blends design, craftsmanship, and nature in perfect harmony. Set in 13 acres of peaceful Dorset woodland and meadows, with three award-winning tree houses, the retreat is ready for someone new to write the next chapter. Whether you’re a couple dreaming of a lifestyle business, a hospitality brand looking to expand in the high-end eco space, a course provider looking for a venue, an investor seeking an income-generating asset, or a family wanting your own private escape, this opportunity offers something unique. Nestled in a breathtaking woodland setting, the retreat has been thoughtfully developed and nurtured over 15 years with sustainability and biodiversity at its heart."

Each of the treehouses on the compound has one bedroom and one bathroom.

Each of the three tree houses has one bedroom and one bathroom.

Photo by Sandy Steele-Perkins

Photo by Sandy Steele-Perkins

Photo by Sandy Steele-Perkins

See the full story on Dwell.com: Three Award-Winning Tree Houses Hit the Market in England Starting at £2M
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You Should Be Taking Reality TV Homes Way More Seriously

In "Dream Facades," Dwell managing editor Jack Balderrama Morley unpacks the deeper meaning of the architecture on your favorite unscripted shows.

What does Lauren Berlant have to do with The Hills? What connects the Kardashians and white flight? What can RuPaul’s Drag Race and Fire Island teach us about the colonial mentality? Dwell managing editor Jack Balderrama Morley’s upcoming book, Dream Facades: The Cruel Architecture of Reality TVholds the answers. Building from their long-held obsession with reality television, Jack connects the genre’s shows and the architectural styles that populate them to the broader political issues that shape life in the United States.

Throughout there are personalities big enough that they’d make Andy Cohen’s ears perk up. Take Joseph Pell Lombardi, one of the main architects behind the New York loft renovations from The Real World, who declares his renovation for the loft seen in the show’s first season was "the best loft in New York City or in the world." Or Addison Mizner, an architect who traveled with two chow chows and several monkeys in tow at all times, inspired a Stephen Sondheim musical, and helped give Florida its Mediterranean Revival flavor. Grandstanding is not limited to career reality stars, needless to say.

Ahead of the release of Dream Facades on March 3, I spoke with Jack to hear more about what’s so compelling to them about the homes and spaces we see in reality TV. We touch on the long-term effects of home renovation shows like Trading Spaces, get to the bottom of where, exactly, Jack would live if they had to live somewhere in the Bravoverse, and why reality television and everyday architecture finally deserve to be taken seriously.

The stars of Season 1 of MTV’s <i>The Real World </i>pose inside their New York loft, renovated for the show by architect Joseph Pell Lombardi.

The cast of Season 1 of MTV’s The Real World pose inside their New York loft, renovated for the show by architect Joseph Pell Lombardi.

Photo © MTV / Courtesy Everett Collection

You’re obviously a big fan of reality television. Was there a definitive moment when you began to think critically about the homes in these shows?

I think the Selling Sunset story that I wrote for Dwell really did kick it off. I remember we were chatting about it in a pitch discussion in 2022, if anybody wanted to write about it. I was like, "Oh, maybe there is something that I could say," because I was a big fan of the show. Obviously the homes are so weird on that show, and it was really a big part of the zeitgeist at that time. But I sort of surprised myself at how much I felt like there was to dig into. It wasn’t like I had this master plan of what the book would be and the arc. It really just unfolded on its own as I went along, which is amazing. It’s really cool.

Yeah, I’ve written a little bit about reality TV design and I had the same experience of being surprised by how much there was to write about it. You use reality TV in this book as a lens to get into so much, like colonialism in America, for instance. What do you think we gain from taking reality television seriously?

I feel like it’s one of those things where it’s not considered a heroic art form that historically has been studied, like art history, as a significant cultural text that can really tell us about how culture works and operates. But I mean, the theorist Sianne Ngai, who I cite a bunch in the book, writes a lot about minor aesthetic categories. Like things that are just interesting, or things that are cute, or these things that are really not heroic. I feel like that sort of analysis of quotidian, almost banal stuff, like reality TV, can say just as much, if not maybe more than more exceptional, heroic artworks. Like just looking at the slop that we’re all wallowing through every day I think can tell us more than the sacred pearls that we come across.

I feel like that was done really well, especially in The Bachelor section and how you link it to other narratives throughout time.

Totally, thank you. On the architecture side, it was really interesting just looking at some of these architectural styles. Like in The Bachelor section, the Mediterranean Revival style, or whatever you want to call it, is a nonheroic architecture style, but it’s so common. It’s around so much of the country, like so much of the country is coated in it. There’s not that much really that’s written about it critically. There are good historians who have studied it, but in terms of cool contemporary architecture theory, it’s not up there, even though it’s a style that more people interact with than heroic modernism, or capital A architecture of any time. So thanks, I was really trying to do something that was relevant to a lot of people.

Bachelor Jake Pavelca is surrounded by bachelorettes at The Bachelor mansion in Season 14.

Left photo by Greg Doherty via Getty Images. Right photo © ABC / Craig Sjodin / Courtesy Everett Collection

Totally, everyday architecture is to capital A architecture what reality TV is to scripted television.

Yeah, it’s like more of the slop, basically. It’s all the stuff that we didn’t choose but is around us and I guess on some level, sometimes we choose it. But I don’t know if, in an ideal world, we would be choosing any of this stuff.

I feel like with architecture, the thinking is like, Well, this is the thing I can afford, this is the thing that’s readily available to me. And with reality TV, it’s a similar dynamic of like, this is the thing that at the end of a long day, I have room for in my brain. 

I was amazed when I was writing the book, interviewing professors who are like chairs of departments at Ivy League universities, and, like, off the record, before the interview, they’d be like, "Well, I do watch this one show." It’s like, you’re the high standard of intellectual discourse and you’re watching this stuff. Most of us are consuming it, so let’s think about it differently.

Silly question for you: after looking at all of these reality TV show houses so closely, if you had to choose one to live in, which would you choose?

Oh, my goodness. Chateau Shereé [from Real Housewives of Atlanta], just because then I could live with Shereé. I think that’s just the first one that comes to mind that was actually like a real home in a real neighborhood. It’s so strange in its own way, but that would be my choice.

<i>The Real Housewives of Atlanta </i>stars from Season 2 gather on a sectional.

The Real Housewives of Atlanta stars from Season 2 gather around a sectional.

Photo © Bravo / Wilford Harewood / Courtesy Everett Collection

See the full story on Dwell.com: You Should Be Taking Reality TV Homes Way More Seriously

It’s a 20th-Century Log Cabin—and Now the Living Room of Their Lake House

"I thought it would either be super weird or super cool."

Welcome to Different Strokes, a look at unique home design choices that beg for further explanation.

In the 1890s, the Great Northern Railway connected St. Paul, Minnesota, to Seattle, stretching through Stevens Pass near Washington’s Lake Wenatchee. It brought more development to the mountainous area, resulting in a construction boom of lakeshore summer lodgings. That history is a point of pride for Pat and Sara, who have cherished memories of visiting their 1915 lakefront cabin for the last 25 years with their two (now grown) children. But staying at the cabin, which lacked a foundation and insulation, and had underground pipes that would freeze in cold temperatures and needed to be drained at the end of the summer, was, as they say, "a step above camping." It was basically unusable outside of summer.

By the time the pandemic rolled around, the rustic structure had fallen into disrepair, and Pat and Sara found themselves wishing the place were in better shape so they could retreat from their primary residence in Seattle. They knew it was finally time to fish or cut bait: They either needed to sell the property or drastically renovate it. Fortunately, the couple got to know architect Todd Smith of Washington firm Syndicate Smith, who’d done their next-door neighbor’s remodel and had worked on many other homes around the lake.  

Todd Smith, founding partner of Syndicate Smith, devised a

Todd Smith, founding partner of Syndicate Smith, devised a "cabin in a cabin" for the owners of a dilapidated 1915 structure on Washington’s Lake Wenatchee, constructing a new, contemporary home around the restored log building. 

Photo by Will Austin

"The first conversation I had [with the owners], I said, ‘What do you want to do with this?’" explains Smith, about whether to tear down or work with the existing cabin, which was built with a one-room footprint that had been added to in later years. "Sara said, ‘Well it would be great if we could keep some of it.’ We both agreed that the most special thing was the actual cabin." 

So in spring 2022, they embarked on a plan to encapsulate the pioneer-style cabin inside a new 1,165 square-foot construction, like a diorama at a natural history museum. With the help of general contractor Timberwood Construction, they preserved almost all of the original cabin’s hand-hewn logs and its stone chimney, turning the old, intact structure into the living room of their stately glass, metal, and wood lake home.

Pat and Sara say the "cabin within a cabin" concept felt unattainable until they actually saw the final product, completed in fall 2024. They figured the log structure would fall apart during the construction process, but instead it feels like a cozy, cohesive part of their larger vacation home. We spoke to the owners and their architect about the log cabin turned lake house living room. Our conversation has been edited and condensed for clarity. 

In collaboration with Timberwood Construction, the team stripped away the cabin’s additions (pictured above left before the renovation) to restore its one-room footprint.

In collaboration with Timberwood Construction, the team stripped away the cabin’s additions (pictured above left before the renovation) to restore its one-room footprint.

Photos courtesy homeowners

How did you end up restoring this property you’d had for so long?

Sara: When we bought it, we had originally thought maybe we’d remodel, but they told us, ‘Oh, this thing won’t last ten years. We don’t even know how the roof is standing.’ And we said, we do, because every winter, they put poles to hold up the roof inside, then we drained the water from the pipes. So it was only usable in the summer. 

As our kids grew up and got really busy with a lot of stuff, we just weren’t there very much. Eventually it kind of fell into disrepair, but we always still loved it. The first remodel had been done in 1947; the new parts [included] a little kitchen and a bathroom, and the rest was just the log cabin. We hated the idea of taking it down, because people always said it’s one of the oldest cabins here, and we just always loved how cozy it was in the one little main room. We didn’t want to take it down, and we thought that was going to have to happen.

How did you land on the idea of encapsulating the old cabin within a new one?

Todd: I first met Sara in the middle of January 2022. It just snowed and there was a massive flood that happened on the lake. The lake rose up and went into their yard, and the biggest tree you’ve ever seen crushed their dock. So she’s arriving for the first time on-site to see this scenario. We agreed that of all the attachments, the most special thing was the actual Walden-style cabin, the log part. I said, ‘You know what a diorama is right? Like in a natural history museum where it’s this little time capsule but very curated. I think you ought to do that with this cabin. You should keep all that original cabin.’

Sara: I thought [the cabin] would be a wing or that it would be connecting two parts. But then when Todd brought the initial plan to us, he explained something that we hadn’t known, that we had this long, skinny lot. We thought we had a big, wide lot toward the street. He explained it very logically, like, ‘If we want to save this, this old cabin is right in the middle…we could put the house around it, and that’s the only way to keep it.’ Then he went through how what he had designed met all the other things we said we wanted, like some small bedrooms. It’s still cozy, but it’s light. We kept saying, light, light, light. When we heard the plan, it was so clearly form following function. But it was shocking.

Pat: I’m more of an engineer, and I thought, Is that thing even going to stand after you take off the add-ons? I thought it would either be super weird or super cool. We trusted Todd that it was going to turn out cool and we could get around all the engineering challenges. 

The original log cabin, which serves as the living room, opens to the dining area and kitchen.

The original log cabin, which serves as the living room, opens to the dining area and kitchen.

Photo by Will Austin

See the full story on Dwell.com: It’s a 20th-Century Log Cabin—and Now the Living Room of Their Lake House
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