The Mountain Home of a Ceramicist Seeks $629K in Southern California

Brent Bennett crafted custom tile, planters, and vessels for the 2011 residence, which just hit the market for the first time.

Brent Bennett crafted custom tile, planters, and vessels for the 2011 residence, which just hit the market for the first time.

Location: 2519 Cedarwood Drive, Pine Mountain Club, California

Price: $629,000

Year Built: 2011

Designer: Brent Bennett

Footprint: 2,125 square feet (3 bedrooms, 3 baths)

Lot Size: 0.25 Acres

From the Agent: "This extraordinary one-story residence in the Los Padres National Forest is the personal home of acclaimed ceramic artist Brent Bennett—designed by his hand, built to his vision, and embedded throughout with his irreplaceable work. The three-bedroom, two-and-a-half bathroom home is as much a living artwork as it is a dwelling: where architecture, fine craft, and the wild beauty of one of California’s great national forests meet in seamless, singular harmony. No feature is more significant, or more unrepeatable, than the ceramic works Bennett embedded into its very fabric. This is a rare opportunity to acquire an architectural beauty."

Brent Bennett, the ceramic artist who designed the home, included much of his own work in the home, including the "hand-made foyer floor tile, one-of-a-kind glazed vanity sinks, and fully tiled hand-designed relief ceramic shower enclosure."

The home was designed by ceramic artist Brent Bennett, who filled it with custom work—including the handmade foyer tile.

Photo by Connor Bobbitt

Photo by Connor Bobbitt

Photo by Connor Bobbitt

See the full story on Dwell.com: The Mountain Home of a Ceramicist Seeks $629K in Southern California
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They Turned Soviet-Era Military Bunkers Into a Glass-Walled Multigenerational Home

Open Architecture Design used fiber cement panels that match the original concrete, and made a custom metal frame to support the roof structure atop the glass.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Saraiki, Latvia

Architect: Open Architecture Design

Footprint: 780 square feet

Builder: Arnhome

Civil Engineer: Arberg

Landscape Design: Landshape

Cabinetry: Baltfuru

Photographer: Alvis Rozenbergs

From the Architect: "Constructed on foundations of Soviet-era military units built to safeguard the Baltic coastal dunes, this seaside residence introduces an adaptive approach to sustainable architecture. The site was discovered with four grass-covered and timeworn military bunkers, now transformed into one main home and two guesthouses for a family of three generations. Located on the Latvian coastline, where northern winds are strong enough to bend century-old pines, the home was created as a sacred heaven for a multigenerational family. 

"The essence of the main family house lies within its pronounced dual-sloped roof. While compliant with the local regulations, it is redefined through a contemporary expression of fiber cement panels, drawing a link to the Soviet-era architecture. Faced with the technical challenge of anchoring the massive roof over a glass facade, OAD developed a tailored metal frame that serves as both a structural and design element.

"Life in the main residence begins on the second floor, with the entrance tucked below the structure. Elevated above the horizon, the house forms a bridge over two bunker foundations—an innovative solution for increasing the living area with minimal impact on the surrounding environment. Drawing inspiration from original bunkers in shape and form, the guest houses with their grass-covered roofs expand the habitats of local fauna, seamlessly blending with the untamed wilderness. This contrast between levitation and grounding becomes the defining quality of the spatial experience.

"Inside, the architectural language is restrained, ascetic, and raw. The interior design embraces minimalistic detailing, defined by wooden finishes, concrete floors, and tactile materials that embrace texture over color. The layout is designed to encourage residents to follow natural rhythms of life: the main living area is filled with morning light, while windows in the primary bedroom capture sunset views. Transparent glass facade reinforces the connection to the land below, dissolving the boundary between the natural environment and man-made space."

Photo by Alvis Rozenbergs

Photo by Alvis Rozenbergs

Photo by Alvis Rozenbergs

See the full story on Dwell.com: They Turned Soviet-Era Military Bunkers Into a Glass-Walled Multigenerational Home
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From the Archive: With Just $50 a Month, These Renters DIY’d Their Way to an Ultra Funky Pad

With upscale shops as a source of inspiration, the North Carolina couple crafted a space that’s all their own, from the grid of mirrors on the wall to the troublesome hand-dyed couch.

Welcome to From the Archive, a look back at stories from Dwell’s past. This story previously appeared in the March/April 2003 issue.    

When Desiree DeLong and Mike Schmidt spot a cool lamp or sofa in an upscale furnishings store, they check it out carefully. And then they figure out how they could make it for a lot less.

Using "crazy-cheap" items scrounged from the broken and returns corner at Ikea and the wood-remnants section of Home Depot, they’ve transformed an innocuous brick box in suburban Chapel Hill, North Carolina, into a temple to stylish living.

The interior exudes retro chic. Walking into the living room is like entering a tunnel—the far wall is covered with convex mirrors that reflect the space as a spherical tube. They created this effect by combining 3o $5 mirrors from Ikea. Facing the front door is a funky mirror with flame-shaped cutouts and glowing light bulbs flying in front, like moths homing in on a flame. "We went to Michaels [a craft store] and found these wedding doves," says Delong. "Then we pulled off their wings and attached them to light bulbs."

For DeLong and Schmidt, it’s thrilling to pull off minimalism for the bare minimum. Scrimping is a necessity for the young couple, who upgraded to this $700-a-month, 1,1oo-square-foot rental in August of last year. An aspiring fashion designer, DeLong, 25, grew up in a relatively poor family and learned to sew her own clothes. "I went to Catholic school and had to wear the same uniform for years," she says, "so I learned how to do alterations and fix the holes in my skirts." Local boutiques have started carrying pieces of her clothing line, Ammunition, which includes a saucy pink vinyl skirt and a dramatic Asian-inspired wrap dress with red sleeves.

Schmidt, 27, spends his days trying to stretch a small budget as the producer of a new TV show called Hip-Hop Nation. According to both of them, he is the sobering influence in the household. "I like my environment to be bright, loud, and colorful, and if I had my way there would be red shag carpet wall to wall," says DeLong. "Mike is more conventionally minimalist—concrete floors and gray walls and stainless-steel furniture." Schmidt adds: "She’ll want something, and I have to think about how it will work, so I can live in the space, too—I can’t live in a purple room."

So far, the pair has built a custom coffee table and a bookcase with doors, and are planning to construct a padded bed frame. "It’s always cooler to have something that comes from your own ingenuity and sweat rather than going out and buying something," says Schmidt. "I think the experience of making something far surpasses going into a store and putting down a credit card. That doesn’t seem an authentic way to go about populating your house with things."

The designing duo has only had one disaster. The purple velvet couch in the living room cost $5o to start, but ended up raising their laundry bills. "It was beige, and we hated the color," says DeLong. "So I was like, ‘Dude, let’s just dye it.’ We used four bottles of Rit dye and sponged it on. But the upholstery was polyester and didn’t soak up the dye, so when it dried, the couch was covered with purple powder. For the first three months, our backs and asses were purple."

Now that the dust has settled, DeLong and Schmidt are thinking about building a new sofa. "The nice thing about making your own stuff is that you have the freedom to modify it or throw it away," says DeLong. "Don’t underestimate yourself and the idea of being a thrifty homemaker. On a budget of 5o bucks a month, you can have a pretty phat house."

This Switchable Smart Glass Is the Next Generation of Privacy for Your Home

CLiC glass offers an innovative way to balance openness and seclusion, while maintaining the architectural integrity of your space.

We rarely consider privacy until the moment we want more of it: a quiet evening with family, a work meeting from home, or simply a moment to retreat from the world for a little while. 

The challenge in today’s homes is finding ways to have both seclusion and a connection to nature when you need one or the other. Traditional privacy solutions like blinds, curtains, or films often interrupt the very design they’re meant to protect, blocking natural light or disrupting carefully considered interiors. 

Contemporary design principles favor large panes of glass that welcome natural light, promote indoor/outdoor living, and frame the surrounding landscape as part of the home itself. This approach acknowledges that space, light, and architecture can work together to create a home that feels both expansive and deeply personal. That’s where CLiC on-demand privacy glass comes in—so privacy and openness can coexist versus compete with one another.

CLiC’s smart glass lets natural light flow in freely from the outdoors when in clear mode.

CLiC’s smart glass lets natural light flow in freely from the outdoors when in clear mode.

Photo: CLiC

CLiC smart glass lets you enjoy natural light whenever you want it, and instantly shifts to privacy mode with the touch of a button. There are no delays, distortions, or tints; in milliseconds, the glass transitions from clear to private, creating a home that adapts effortlessly to every moment. Morning light can flow freely with unobstructed views, while private spaces such as bedrooms, bathrooms, entryways, and sidelights can become more discreet without sacrificing the home’s architecture.

With CLiC glass, you can pick and choose when (and which rooms) require privacy at any given time, allowing for complete control of your living space in a snap.

With CLiC glass, you can pick and choose when (and which rooms) require privacy at any given time, allowing for complete control of your living space in a snap. 

Photo: CLiC

When privacy mode is activated, advanced liquid crystal technology scatters incoming light evenly across the glass, letting natural illumination fill the room. This produces a soft, diffused glow that keeps the interiors bright, welcoming, and peaceful.

CLiC’s smart glass is built with Cardinal Glass Industry’s patented polymer-stabilized cholesteric texture technology and can survive even the harshest weather conditions.

CLiC’s smart glass is built with Cardinal Glass Industries’ patented polymer-stabilized cholesteric texture technology and can integrate into any architectural vision. 

Photo: CLiC

See the full story on Dwell.com: This Switchable Smart Glass Is the Next Generation of Privacy for Your Home
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How They Pulled It Off: A Florida Beach House That’s Already Survived Three Hurricanes

Architecture firm La Dallman balanced strict building codes with modernist aesthetics for a Sanibel Island home set up to weather storm after storm.

Welcome to How They Pulled It Off, where we take a close look at one particularly challenging aspect of a home design and get the nitty-gritty details about how it became a reality.

There are full-scale mockups, and then there are full-scale mockups.

On the beaches of Sanibel Island, Florida, architects Grace La and James Dallman of La Dallman got to test their hurricane-proof design of a house in a very real way. During construction, the 3,700-square-foot plan was hit by three separate hurricanes over the course of two years—including Hurricane Ian, a deadly category five storm that devastated the Florida gulf coast in 2022. "Our contractor’s shipping container full of equipment floated away during Ian," La said. "But the house remained unscathed."

The clients, a family from the upper Midwest, spent spring break on Sanibel for many years. Wanting a retreat there, they brought on La Dallman to create a two-story residence that combined aesthetic references from Switzerland, where they had lived for work, with strategies to future-proof it from sometimes harsh conditions on a vulnerable shoreline, including a fortified foundation, "breakaway" walls, and piers to raise the first floor.

Architecture firm La Dallman designed a vacation home on Sanibel Island, Florida, to withstand hurricanes and flooding.

Architecture firm La Dallman designed a vacation home on Sanibel Island, Florida, to withstand hurricanes and flooding. The foundation includes piles driven nearly 40 feet into the ground.

Photo: Iwan Baan

These strategies were key to designing for the difficult site, but due to extreme flooding risks of the hurricane-prone region, codes and regulations under several jurisdictions dictated the design, too: the island mandates a 35-foot height restriction; FEMA requires that the lowest floor be 15 feet above sea level; and the HOA mandates a pitched roof. "The zoning and flood plain constraints make it a very tight volume to work within," Dallman says. "The house has to be raised to manage the inevitable flooding that is going to happen, but we had to keep the height down."

Because of this web of rules, most homes on the street follow a simple formula: a raised, single-level house with a sloped roof. However, La Dallman was determined to deliver a two-story residence within the limitations that could withstand any storm that comes its way. Here’s how they did it.

The living spaces are elevated 16 feet above ground level, one of FEMA’s requirements for homes in the area.

The living spaces are elevated 16 feet above ground level, one of FEMA’s requirements for homes in the area.

Photo: Iwan Baan

The living space takes in views of the water through special glass, designed to temper light so as not to lure baby turtles in the wrong direction—an issue with beachfront properties in the area.

The living space takes in views of the water through special glass, designed to temper light at night so as not to lure baby turtles in the wrong direction—an issue with beachfront properties in Florida.

Photo: Iwan Baan

See the full story on Dwell.com: How They Pulled It Off: A Florida Beach House That’s Already Survived Three Hurricanes
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Let Me Read the "Design Book for Billionaires"

Available only to those who fly private, the new design publication "Private Tour: Extraordinary Homes" tries to soar above criticism. Where’s the fun in that?

In the design world, we don’t give enough credit to the haters: The folks who gleefully watch the TikToks about 432 Park Avenue falling apart; the readers who peruse a story from beginning to end trying to find out why an architect made design decisions they find questionable; those who scrutinize client furniture choices or open an issue of AN Interiors just to scoff at yet another house with enormous plate glass windows. The people who cracked jokes about the tiny home movement, who take to Instagram to call out the lack of a privacy partition between the shower and toilet—they’re all an important part of the ecosystem. This industry, in its most precarious state, relies on your critique, your schadenfreude, your clever takes, because it is one based fundamentally on taste. The "hate-read" has become a way of developing (or affirming) one’s particular sense of style (after all, to figure out what you love means to discover what you don’t) and its performance has become an essential part of reader engagement.

While not everyone with a nice house wants to open themselves to that type of criticism, many are happy to share regardless. From Martha Stewart using her own Connecticut estate as a set for her wildly popular shows to independent creators on social media, home voyeurism has long been an issue of taste, wealth, and desire, even when rooted in disgust. But some seem to want to avoid that type of engagement entirely: Last month, publisher Sandow released a new book, Private Tour: Extraordinary Homes, that features 15 residential projects across 240 pages. Inaccessible to the casual magazine voyeurs, this book will exclusively be available to those lounging in private aviation terminals—essentially the ultrawealthy. Called "a design book for billionaires" by Dwell’s sister publication Business of Home, they write that the book is "a tacit acknowledgment of the true target audience for design books: potential clients." But where does that leave the hate-reader, or even the public at large? It’s yet another way that the wealthy are insulating themselves from the public eye.

The cover of Private Tour, published by Sandow.

The cover of Private Tour: Extraordinary Homes, published by Sandow.

Courtesy Sandow

The concept of the shelter publication hasn’t changed very much since the early days of the 20th century. At its root, publications would provide a space for proud residents to display their homes, and the architects and designers involved would be able to showcase their work. Of course the intent to guide consumers was always present: In 1993, the New York Times wrote that House & Garden was bought by Condé Nast in 1915 "to do for interiors what Condé Nast had done for fashion: Help the socially insecure including the wives of railroad barons," who, quoting Nast biographer Caroline Seebohm, "had huge houses on Fifth Avenue and didn’t know what to do with them."

Design media’s audiences extend far beyond those shopping for an architect; shelter magazines don’t exclusively exist to inform the wealthy about what they can do with their gargantuan spaces. For the aficionados, the architecture-curious, hobbyists, collectors, even fans of the homeowner, the act of looking into someone else’s space isn’t about sussing out which designer you would one day like to hire. Architect Jeff Gillway, who runs his own small practice, has had several projects published in varying outlets. His personal Washington, D.C., home, which he also designed, was featured in Dwell’s March/April issue this year, and he says that while getting it published got him a few new clients—a boon for his new practice—he also appreciates that the general public (the haters included) can access his work. "I love that I can put a project out in the world, and that people can ask me questions and I answer them and they can DIY it, they can be inspired by it, they can copy it," he says. Since his house was published, Gillway has fielded questions about furniture manufacturers, paint colors, and more. In one of his earlier projects, a rehabbed Gothic Victorian in Nebraska, he chose dark, rich paint colors to evoke the building’s pre-electricity era. When it was published on Remodelista’s Instagram, the public reactions were mixed. "One pretty funny comment was, ‘No thanks. It’s where the nervous breakdown and subsequent murder-suicide took place.’" Extreme? Absolutely, he continues, "but I kind of love that."

Martha Stewart working in her Westport, Connecticut home kitchen in 1976.

Martha Stewart working in her Westport, Connecticut, home kitchen in 1976.

Photo by Susan Wood/Getty Images

But the everyday reader will have trouble getting their hands on a copy of Private Tour; distributing via private jet operators means that just one particular type of audience will have access to its featured spaces. Per Sandow’s research, BoH notes that "private-jet travelers have an average of 3.5 homes and a net worth of $190 million." As a commercial coach flyer, I haven’t been able to see inside its gated pages. And as a writer at Dwell—a publication that isn’t universally accessible at its price point—I’m well aware of necessary paid subscriptions and rising costs to publish. Sandow’s resolution to the challenge, BoH continues, was to tap 15 architectural firms to fund the book in exchange for their project coverage, rendering it a hardcover advertisement.

And in some ways, that’s totally reasonable. After all, design firms need work. Tellingly, the advent of shelter magazines in the early 20th century came alongside the American Institute of Architects’ decision to outlaw public advertising for architectural services in 1909. But what seems particularly troubling about this book is the way it echoes how the billionaire class has isolated itself from view, retreating further away from the untouchable public. As they gobble up resources (private jets are far less efficient than passenger liners, emitting between five and 14 times more CO2) and tax breaks, they’ve used their wealth to build beautifully decorated bunkers for their increasingly exclusive lives

An Private Tours spread featuring a home in Jackson Hole, Wyoming designed by CLB Architects with interior design by WRJ Design.

A Private Tour spread featuring a home in Jackson Hole, Wyoming, designed by CLB
Architects with interior design by WRJ Design.

Courtesy Sandow

See the full story on Dwell.com: Let Me Read the "Design Book for Billionaires"

They Built a Unique Barrel-Vaulted Home—and a New Life in Oaxaca—at 86 Years Old

To make the move from Virginia, a couple tapped their architect son to create a board-formed concrete house with curvaceous details and overflowing gardens.

Tom says he left the concrete vaults deliberately rough and unfinished to create

It’s never too late to start anew. For Paul and Rachel Vanden Bout, that meant teetering into the unknown and building a new life abroad—at the age of 86.

While visiting Oaxaca, Mexico, the couple fell for a hillside lot with sweeping desert views and began to imagine a new way of living. It wasn’t just a whim—their son and daughter-in-law, NV Design Architecture principals Tom Vanden Bout and Brenda Nelson, had designed a home of their own just across the road.

Paul and Rachel Vanden Bout recently left Virginia to join their son and daughter-in-law—NV Design Architecture principals Tom Vanden Bout and Brenda Nelson—in Oaxaca, Mexico.

Paul and Rachel Vanden Bout recently left Virginia to join their son and daughter-in-law—NV Design Architecture principals Tom Vanden Bout and Brenda Nelson—in Oaxaca, Mexico.

Amy Bello

When the parcel hit the market, Paul and Rachel decided that, after years of building a life in Virginia, it was time to take the leap. "It was such an adventure," says Tom, who designed the property for his now-neighboring parents. "It’s hard to believe they’ve done it."

<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Casa Cielo is crafted from poured-in-place concrete with custom steel-and-glass windows and doors, plaster-finished interior partitions, and local hardwood cabinetry.</span>

Designed by NV Design Architecture, Rachel and Paul’s home is crafted from poured-in-place concrete with custom steel-and-glass windows and doors, plaster-finished interior partitions, and local hardwood cabinetry.

Amy Bello

They initially had a modest vision. "We dreamed of a little casita," says Rachel. But as plans evolved, so did the program, and they wound up adding space for visiting family, a workshop for Paul’s woodworking pastime, and a floor plan that would permit living on one level.

An outdoor spa screened by breeze blocks extends off the bathroom in the primary suite.

An outdoor spa screened by breeze blocks extends off the bathroom in the primary suite.

Amy Bello

See the full story on Dwell.com: They Built a Unique Barrel-Vaulted Home—and a New Life in Oaxaca—at 86 Years Old
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