Before & After: From Bachelor Pad to Family Chalet, This Little Cabin Grew Up With Its Owner

Nearly 30 years after buying the alpine getaway, a Melburnian brings in Chamberlain Architects to improve its insulation, fire resistance, and flow.

The cabin’s gabled form was reclad in black Colorbond steel. A new parents’ retreat extends off the deck to accommodate the growing family.

When Andrew Bruce first spotted a weather-beaten pine cabin in the small town of Cobungra, Australia, nearly 30 years ago, he wasn’t looking for a forever home. "I was single, working long hours in Melbourne, and just needed an escape," he says. The cabin, a rough builder’s spec house on a steep, tree-lined block, seemed like the perfect place to retreat. "It hadn’t really been lived in, so it was already falling apart, but I didn’t care. It was near Mount Hotham where I ski, and that’s all that mattered."

In those early years, the cabin was as basic as they come: two bedrooms, one bathroom, no TV, and a woodstove that barely fought off the mountain chill. "It was always cold," Andrew says with a laugh. "But I loved it. It was remote, quiet, and had this incredible view over the valley. The snow would stick around for weeks after it melted everywhere else."

Before: Front Exterior

Before: The original pine cabin was a simple builder’s spec house: two bedrooms, one bathroom, and a wood stove that barely kept out the mountain chill.

Before: The original pine cabin was a simple builder’s spec house with two bedrooms, one bathroom, and a woodstove that barely warmed the space.

Courtesy Chamberlain Architects

After: Front Exterior

"We didn’t want anything flashy," says homeowner Andrew Bruce. "Just something that felt like it belonged here." The cabin’s gabled form has been preserved, extended, and reclad in black Colorbond steel that blends into the surrounding bushland.

Photo: Brook James

Over time, life changed, and so did the way Andrew used the cabin. He met Jill, a Boston native who shared his love of the outdoors, and together they began spending winters at the cabin. Their children, Bruno and Pia, started skiing almost as soon as they could walk, and they later trained with Mount Hotham’s Race Squad and competed with the Steamboat Winter Sports Club in Colorado when the seasons flipped. "Our daughter’s first trip to the cabin was when she was just five days old," Andrew recalls. "There’d been a big snow dump, and Jill said, ‘In Boston, we take babies out in the snow all the time.’ So off we went."

As the family grew, the erstwhile rustic bachelor pad started to feel cramped. "Two bedrooms, one bathroom, four people, it was chaos," says Andrew. He initially planned to knock it down and rebuild, but Jill wasn’t on board. "She hated the idea of everything going to landfill," he says. "And the planning rules up here—bushfire overlays, BAL ratings—make rebuilding complicated." Instead, they decided to give the old cabin new life.

 After: Parents Bedroom

The parents’ bedroom, added during the renovation, is fitted with an Eva timber bed, Step Step stool, Aatos chair, and Linus lounge chair, the parents’ bedroom is functional and deliberately pared-back.

The parents’ suite, added during the renovation, is fitted with an Eva timber bed, Step Step stool, Aatos chair, and Linus lounge chair.

Photo: Brook James

See the full story on Dwell.com: Before & After: From Bachelor Pad to Family Chalet, This Little Cabin Grew Up With Its Owner
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This $2.4M Toronto Home Pairs Vaulted Ceilings With Bathrooms That Feel Like a Spa Retreat

Enjoy carefully considered finishes and quick access to downtown Toronto.

36 Rosemeade Avenue in Toronto, Ontario, is currently listed at $2,445,768 by Alessia Polo at Sotheby’s International Realty Canada. 

Step through the brand-new custom wrought iron doors into a 13.5-foot vaulted foyer, where light pours through a skylight onto heated Italian porcelain floors. Vaulted ceilings and hand-oiled European oak floors continue throughout the home.

The custom kitchen centers on a 10-foot walnut island, face-framed birch cabinetry, and honed porcelain carried through the counters and backsplash. Unlacquered brass hardware, a vaulted ceiling with a custom fixture, and brand-new Monogram appliances, including a column fridge plus freezer, 48" all-gas range with hood, two dishwashers, and microwave, define the space alongside a built-in Bosch coffee machine within the cabinetry.

The dining room sits off the kitchen and opens to the family room, both framed by vaulted ceilings and generous windows that flood the home with natural light. The family room is anchored by a Valor H6 fireplace with a sculptural mantel, custom-built-ins, and an imported light fixture.

Upstairs, a skylight brightens the landing with a neatly tucked laundry chute. Three bedrooms feature vaulted ceilings, custom trimwork, designer wallpaper, and large windows that capture the evening sun. Two include walk-in closets, one of which is a double. One of the bedrooms features a private en suite with a Kohler x McGee & Co. vanity and hardware, while the main bath boasts a 72-inch double vanity, a fluted tub, and oversized shower. 

The primary bedroom is privately located on the lower level of the back split and easily accessible with a few steps. The room is grand in scale, with large windows, a 48-inch fireplace, a terrace walkout, and a dressing room with floor-to-ceiling organization. Its en suite features heated floors, a marble and walnut vanity, a freestanding tub, a water closet, and a porcelain slab steam shower with dual heads.

The lower level features a large wine cellar, a spacious family recreation room, and a full second kitchen, complete with leathered quartz counters, birch cabinetry, and a walk-in pantry. The mudroom features custom cabinetry with direct garage access and secondary laundry.

The expansive basement features a gym with built-in speakers, a large media/office space, and full laundry facility. Walk-up access to the backyard, located off the media or office space, offers flexibility to those who work from home. Outdoors, a generous canvas awaits your personal touch.

This home offers the rare flexibility to accommodate guests or extended family with a comfortable, private living quarter and presents an excellent opportunity for rental income. Either way, you can enjoy the entire residence as your own with the result of a home that balances purposeful design, functionality, and enduring value.

Listing Details 

Bedrooms: 5 

Baths: 5 full 

Square Feet: 8,500

Plot Size: 0.1951 acres  

Photo by Raffi Tutundjian / Jagged Lens, courtesy of Sotheby’s International Realty Canada

Photo by Raffi Tutundjian / Jagged Lens, courtesy of Sotheby’s International Realty Canada

Photo by Raffi Tutundjian / Jagged Lens, courtesy of Sotheby’s International Realty Canada

See the full story on Dwell.com: This $2.4M Toronto Home Pairs Vaulted Ceilings With Bathrooms That Feel Like a Spa Retreat
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This $1.6M Dome Home Near Taos Is Out of This World

For starters, the curvaceous New Mexico home has an adobe facade, a tree-shaped fireplace, and a ceiling painted to look like the sky.

THis curvaceous New Mexico home has an adobe facade, a tree-shaped fireplace, and a ceiling painted to look like the sky.

Location: 435 Tune Drive, El Prado, New Mexico

Price: $1,597,000

Year Built: 1980

Renovation Date: 2015

Footprint: 3,148 square feet (3 bedrooms, 3.5 baths)

Lot Size: 5.17 Acres

From the Agent: "This dreamy and wondrous architectural masterpiece is perched on five-plus pristine and private high-desert acres at the end of Tune Drive. Truly whimsical and delightfully outlandish in all the best ways, this structure is more of a sculpture than your standard residence. Inspired by the rainforests of Costa Rica and the New Mexico alpine high desert, this sustainable, monolithic dome includes a yoga hut in the backyard, engulfed by the most stunning views the region has to offer. The spacious interior features vibrant mosaic paths, hand-painted murals, cedar trunk columns with hanging monkeys, toucans, and sloths, a mystic tree woodburning fireplace in the den with a black river rock bancito, and a dramatic painted sky ceiling with circular skylights."

Photo by Lee Stonehouse

The ceilings of the main room reach thirty five feet high.

The domed ceiling of the main room reaches 35 feet high.

Photo by Lee Stonehouse

Photo by Lee Stonehouse

See the full story on Dwell.com: This $1.6M Dome Home Near Taos Is Out of This World
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One of Mies van der Rohe’s Lafayette Park Town Houses Just Listed for $365K

Set in the famed National Historic Landmark District in Detroit, the 2,000-square-foot residence comes recently renovated and fully furnished.

Set in the famed National Historic Landmark District in Detroit, the 2,000-square-foot residence comes recently renovated and fully furnished.

Location: 1351 Nicolet Place, Detroit, Michigan

Price: $365,000

Year Built: 1968

Renovation Date: 2023

Architect: Ludwig Mies van der Rohe

Footprint: 2,000 square feet (3 bedrooms, 1.5 baths)

From the Agent: "Welcome to this thoughtfully renovated midcentury-modern townhome designed by Ludwig Mies van der Rohe, one of the most influential architects of the 20th century. The open-concept living and dining area showcases classic Miesian design with clean lines, carefully proportioned steel, and expansive glass windows that fill the space with natural light. The flow remains uninterrupted and intentionally restrained. Additional highlights specific to this townhome include polished original concrete floors and a finished basement. A rare blend of iconic design, quality updates, and unmatched value in one of Detroit’s most architecturally significant neighborhoods."

Read previous Dwell coverage of homes in Detroit’s Lafayette Park development herehere, and here.

According to the agent, within the development, the home is known for it's sunset views.

According to the agent, the home is renowned within the community for its sunset views.

Photo by Nev Muftari of TrueSpaces

Furniture is included in the sale.

All of the home’s furniture is included in the sale.

Photo by Nev Muftari of TrueSpaces

According to the agent, within the development, the home is known for it's sunset views.

A Louis Poulsen PH 5 pendant light hangs over the dining table.

Photo by Nev Muftari of TrueSpaces

See the full story on Dwell.com: One of Mies van der Rohe’s Lafayette Park Town Houses Just Listed for $365K
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To Get to the Guest Unit at This Mexican Home, Just Take the Tunnel From the Roof

A sawtooth, plywood-wrapped stair emerging from terra-cotta tile creates a direct route between the two spaces.

Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? Post it here.

Project Details:

Location: Valle de Bravo, Mexico

Architect: Pedro y Juana / @pedroyjuana

Footprint: 1,098 square feet

Builder: Taller AF

Cabinetry Design: Sistema 32

Photographer: Ramiro Chaves

Photographer: Diego Manzano

From the Architect: "The Annex, designed by Pedro&Juana, is a vivid example of how architecture can evolve alongside the needs of its inhabitants. Located on the edge of a lake in Valle de Bravo, in Mexico, the Annex is an extension of a home originally designed by José Iturbe.

"Built on a slope that rises from the waterline up into the green mountain, stairways were both a necessity and a defining feature of the original house. Pedro&Juana took the gesture further, making the stairs the focal point of their design. Opening up the roof, they made way for a stair tunnel that continues the stairway of the existing house and connects it with the new wooden annex, carved into the mountainside. This connection expands the back of the house and provides a new secondary entrance to the annex and the service area below. A wide brick staircase leads down through the tunnel into a newly covered patio that serves as an overflow for the redesigned kitchen. Back at the top, the annex consists of a bedroom, two bathrooms, and a versatile kitchen-slash-studio-slash-bedroom. A beautiful interior patio connects both rooms, creating an intimate outdoor space.

"With a design attuned to life’s evolving needs, the choice of wood as a sustainable building material felt natural and fitting. It also aligns with Pedro&Juana’s initiative, La Liga de la Madera, which promotes wood construction in Mexico as a circular and sustainable alternative to the predominant use of steel, concrete, brick, and mortar. To complement this sensible approach, every detail—every nook, landscape, tile, and most of the furniture from the kitchen to the two-room wooden addition—was designed by Pedro&Juana. The result is a creative redesign that weaves stairs and patios, textures, plants, wood, and brick into a fantastic addition that enhances the beauty of the original house and its surroundings."

Photo by Ramiro Chaves

Photo by Ramiro Chaves

Photo by Ramiro Chaves

See the full story on Dwell.com: To Get to the Guest Unit at This Mexican Home, Just Take the Tunnel From the Roof

Multilevel Living Hides Behind an Unassuming Facade on the Island of Montreal

Elegant interiors, three sweeping terraces, and a saltwater pool are just a few of this $9.8M home’s standout features.

118 Av. Upper-Bellevue in Westmount, Quebec, is currently listed at $9,822,064 by Andrew and Alfee Kaufman at Sotheby’s International Realty Québec.

Perched on the mountain in Upper Westmount, this fully renovated contemporary home offers four spacious bedrooms with five and a half luxurious bathrooms, and sweeping panoramic views of the city. Designed for modern living and exceptional entertaining, it features a large chef’s kitchen, open concept living spaces, and three expansive terraces. Savor quiet moments beside the private saltwater pool, framed by sweeping skyline views.

Listing Details 

Bedrooms: 4

Baths: 5 full, 1 partial

Year Built: 1948

Plot Size: 0.18 acres

Courtesy of Sotheby's International Realty Québec

Courtesy of Sotheby's International Realty Québec

Courtesy of Sotheby's International Realty Québec

See the full story on Dwell.com: Multilevel Living Hides Behind an Unassuming Facade on the Island of Montreal
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From the Archive: Alvin Lustig, the Designer Who Did It All

The midcentury renaissance man, whose career was "a flurry of interiors and fabrics, signage and record albums, and architecture," might not have minded if you judged his book covers.

As a part of our 25th-anniversary celebration, we’re republishing formative magazine stories from before our website launched. This story previously appeared in Dwell’s December/January 2007 issue.

Alvin Lustig summed up the central theme of his short, prolific career when he wrote in 1946, "The words graphic designer, architect or industrial designer stick in my throat, giving me a sense of limitation, of specialization within the specialty, or a relationship to society and form itself that is unsatisfactory and incomplete. This inadequate set of terms to describe an active life reveals only partially the still undefined nature of a designer."

He was, as he put it, "a designer with a capital D," one who didn’t see an inequity between painting and designing business cards, and, in fact, found the distinctions between fine and applied arts superfluous. It’s precisely this democratic approach that made his work so effective.

Photo by Maya Deren

Lustig set up his own Los Angeles print shop in 1937 despite having had only a few design courses and three months at Taliesin East under his belt. He cut his teeth with flyers, pamphlets, and the like, and by the late 1930s he found a form to which his talents were especially well suited: book jackets. He began creating jackets for New Directions press in 1941, boldly experimenting with rigid geometric forms for Henry Miller’s The Wisdom of the Heart. But his truly classic jackets came in New Directions’ New Classics series, a quirky batch of reissues of literary fiction, poetry, and drama that constituted a remarkably serviceable primer of modernist lit.

The New Classics designs eschewed both the hard geometry of his early work and the well-trod paths of Deco calligraphy and overwrought representation popular at the time in favor of a style more akin to Joan Miró and Paul Klee. In many ways, the series acted as a canny conduit of modernist ideas and forms, bringing them down from the rarefied gallery and into the small-town bookstore. But perhaps even more rewarding was the way in which the series illustrated Lustig’s deep empathy for the plays, novels, and poems he designed jackets for. New Directions founder and publisher James Laughlin put it this way: "His method was to read a text and get the feel for the author’s creative drive, then to restate it in his own graphic terms."

Lustig’s cover for D. M. Lawrence’s Selected Poems, a pair of abstract phoenixes, evokes that animal, elemental lifting of the spirit—"blood knowledge" as Lawrence would come to call it which animates so much of the author’s work. The sun-bleached Hollywood grotesqueries of Nathanael West’s The Day of the Locust get expert treatment, too: Exotic movie sets rest on bare scaffolding and a swarm of black specks surround bullet-hole type, illustrative of West’s indictment of the artificiality of showbiz and the novella’s violent climax. Lustig’s New Directions jackets are graphic essays whose beauty and formal innovation are clear at first blush, but whose grace, wit, and interpretive powers aren’t fully appreciable until one reads the book. 

Even more impressive than the individual jackets is the stylistic unity of the series. Chip Kidd, book jacket design maven of the moment, says, "A testament to his talent is that New Directions asked him to do so many jackets. There must be forty of them. His work has aged so well. Fifty some years on it still looks fresh." There were 36 in the New Classics series, but some would call the photographic collages adorning the covers of New Directions’ Modern Reader series his best work.

"To be frank, the most important jackets are the photographic ones," Elaine Lustig Cohen, Lustig’s widow and colleague, opines. "No one was doing that when he was, no one was putting it together that way. They have a rhythm, even when they’re geometric, and all of them were very evocative of the text." The Modern Reader jackets marry Dada-inspired collage, clean composition, typography, and Lustig’s own brand of artful abstraction seen with the New Classics. Especially chilling is his nightmarish collage for Italo Svevo’s The Confessions of Zeno, whose design cuts straight to the essence of the compulsive and dissipated title character.

Photo by Julius Shulman

See the full story on Dwell.com: From the Archive: Alvin Lustig, the Designer Who Did It All
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